Hong Kong Island’s Comic Master

The protagonist of this book is the protagonist's older brother, right? His girlfriend is Zhao Yazhi. He holds control of the company they co-founded. You could change the protagonist to his older brother, but he's academically gifted, ambitious, and has clear goals. After graduating, he returns to Hong Kong with his girlfriend, intending to take over the family business and expand it.

Here's a joke: The company raised HKD 400,000, leaving the protagonist with only 40% of the shares. Then, the company immediately took out another HKD 2 million loan. The protagonist is actually his older brother's cheat code, right? Unbelievable.

The author sets up the protagonist as someone who only knows how to draw comics, then hands over management to his older brother and father, and even gives up a lot of equity. Isn't this just doing all the work for someone else? Especially since the protagonist doesn't understand anything, he doesn't even have the ability to resist.

The point is that we wanted to see you become a comic book star, but now it's all become entertainment, and the plot is poorly polished.

At thirteen, he was simultaneously studying and reading three manga series. I couldn't stand it anymore. That underestimates the workload of manga artists. In my opinion, being able to successfully adapt Bleach into a Chinese version is enough to make someone a master.

This is a daily dose of poison, it's too toxic. I subscribed to a chapter just to say this book is so addictive, don't read it!

Well, after a hundred chapters, it started to lose its appeal. It insists on going to Japan, and shamelessly begs and pleads to publish the comic there. Once it succeeds, it wants to turn its back on you. If someone in Hong Kong tries to harm you, you won't kill them, but you go and fawn over Japan. Are all authors from Hong Kong or those who grew up in Hong Kong like this?

There's no environment like that in Japanese anime, let alone a male protagonist who's just a tool, a production tool for the family.

Is 40 a bit too little for a key figure in the company who makes money off the company?

Plagiarism is a major taboo. Starting to write at a very young age, during student years, choosing low-quality works, copying exactly the same thing, lacking any creative process, and deviating from the theme to write about other things—for example, plagiarizing someone to write a song, make a movie, or appear on a variety show. This book contains several pitfalls; count them yourself...