Hong Kong Island’s Comic Master

The protagonist of this book is his brother. His girlfriend is Zhao Yazhi. The control of the company he co-founded is in his hands. You can change the protagonist to his brother. He is good at reading, has clear goals and ambitions. After completing his studies, he returned to Hong Kong with his girlfriend and wanted to take over the family business and make it bigger and stronger. However, he unexpectedly discovered that his younger brother was not yet ambitious enough to compete for control. It was like adding more power to a tiger, everything went smoothly, and there was no drama at all.

To tell a joke, the company raised 400,000 Hong Kong dollars, and the protagonist only had 40% of the equity. Then the company immediately took out a new loan of 2 million. The protagonist is actually his eldest brother's golden finger, I'm speechless.

The author set the protagonist to be a man who can only draw comics, and then handed over management to his eldest brother and father, and then gave away so much equity. Isn't this just making a wedding dress for others? Especially when the protagonist doesn't understand anything, the protagonist doesn't even have the ability to resist. Even if the protagonist takes out most of the works, the company is not yours in the end. If his brother wants to raise funds, he should first find a way to convince his father to agree that the money is not free or borrowed, and then he has to convince the protagonist to agree to his financing, otherwise why should he just accept it? Then the company's valuation cannot be as much as he says it is worth. There is no basis for the valuation. If he doesn't agree, he doesn't have to finance it, because even if he doesn't raise money, the development will be slower at most, it won't be much different, and he won't raise much money. Giving his brother about 1% of the shares is enough. If he doesn't agree, it won't be financed. Since he is in business, he will give himself a super high commission, and then every new work will be signed and serialized. The value must be recalculated based on sales and added to the company's valuation, and other shareholders must invest in equal proportions. The life and death of the company is now in the hands of the protagonist. If the protagonist doesn't manipulate others, it will be manipulated by others. If the protagonist is alone, there is no talk of brotherhood, not to mention that his own son can betray his father. The person who talks about the company is now his brother. No matter what group it becomes in the end, it will also belong to his brother. With the protagonist's silly look, I am afraid that the copyright will not be his in the end.

What deviated from the theme was that I wanted to see you become a comic book celebrity, but now it has become entertainment, and the plot is too poorly polished.

When I was thirteen years old, I was serializing three comics at the same time while reading, and I couldn't stand them anymore. It's too much to underestimate the workload of cartoonists. In my opinion, someone who can Chineseize Death is considered a master.

Daily poisoning, it's too poisonous. I ordered a chapter just to say this book is too toxic, don't read it.

How can I put it, after more than a hundred chapters, it doesn't feel that interesting anymore. I must go to Rishima, and I still lick my face. I must beg my grandfather and grandma to publish comics in Rishima. I want to fall out once I succeed. If someone harms you in Hong Kong Island, you won't kill me, but you go to Rishima to kneel down and lick Rishima. Are the authors like this for Hong Kong Islanders or people who grew up on Hong Kong Island?

There is no Japanese comic environment like yours, let alone the fact that the male protagonist is just a tool man, the family's production tool.

Isn't it a bit too little to give 40 to a company's core figure who relies on him to make money?

The big taboos of copying novels are that they are too young and started writing when they were students. The works they choose are too low, copying them exactly the same, and there is no creative process. They deviate from the theme and write about other aspects. For example, for Wenqi, they have to write songs, make movies, and appear in variety shows. . . This book has hit a few pitfalls, count them yourself. . .