Samsara Sky Pan: Living in Infinite Dimensions at the Same Time

This book has the potential to become a god, and it will be on the shelves soon. I'll invest

Looking forward to it, it's very interesting Looking forward to the follow-up! ! !

It's very interesting. According to the current setting, the highest level should be the mythical Daluo The author's setting of spiritual practice draws heavily on the classical philosophy of immortality, which leads to the inevitable fact that the highest level of cultivation is Daluo There is a question. Regarding the protagonist Goldfinger, the setting of the reincarnation disk needs to be set appropriately.

Here is a suggestion - Now that the tone of the novel has been determined, try not to switch styles too drastically. When it comes to the world of fantasy novels such as "Yang Shen", "Shading the Sky", and "The Story of a Mortal Cultivating Immortality", then subsequent descriptions should also follow this rule. It is precisely because the fantasy worldview cannot be too vast and majestic that it is expressed in novels, right... In my opinion, information based on the visual level such as film, television, and animation is usually the most expressive. In contrast, the world expressed in novels is because human imagination is limited, and generally only words (especially broad and profound Chinese characters) can carry the corresponding content. In the words of the protagonist, "small words mean big things". This is a good proof. Think about the animation or film and television adaptations of novels. There are good and bad, and they are uneven. After they are produced, they are always far from what you imagined. For example, the recently animated "Shading the Sky". So it is undeniable that the information that can be expressed in the picture is ultimately limited. In terms of expression: Animation>Film and TV>Novel In terms of bearing the magnificent world view: Text>Animation (two-dimensional plane)>Film and TV (three-dimensional) j For the author, it is taboo to drastically switch the style of painting. In that case, it usually gives readers a strong sense of separation (except for readers with strong tolerance). If you want a book to develop smoothly without losing readers, it is important to stabilize your writing style. Of course, this does not mean that you cannot switch the painting style, but you need a little [buffering] during the switching process. Some readers previously wanted to write about the "Marvel" world. There are actually many ways to buffer switching. Setting method: Construct a setting that can be seen from the past, such as differences in underlying rules, basic setting classifications, etc... For example, set the world = film and television world, dimension = animation world, chaos = novel world... And then divide it into Chinese, Japanese, American... Confusion method: generally as long as there are enough worlds written , if it is complex enough and the level is not low, no one will mind... It not only writes about the world of novels, animation, and film and television, but also does not forget to justify itself and conform to the laws of development... To sum up, the author should pay attention to the degree of change in style, follow the current rhythm, be more steady, and at least there will be no mistakes. The following are other worlds (novels) recommended by me↓↓↓ "One Thought of Eternity" "The Supreme Humanity" "The World of Immortality" Writing about worlds with low levels is actually quite interesting - For example " "Fights to Break the Sphere" and the Great Thousand Worlds on it... Tudou's novel can be completely understood as a special world that is different from Zhetian - The great road is not revealed, and deeper laws cannot be understood. In contrast, there is an abundance of energy... The practice of the Great Thousand Worlds is essentially the accumulation and use of energy. These worlds can be said to be excellent testing grounds for creative methods. When the protagonist creates any skills, he can popularize them in similar "lower" worlds to try out the effects. For example, science fiction worlds such as "Three-Body" and "The Wandering Earth" strictly follow the law of conservation of mass. Comprehension and wisdom must be based on the degree of brain development... It is impossible to think about as many things as in the fantasy world, but scientific methods can make analogies at the level of practice. "Cultivation Chat Group" "Swallowing the Stars" "The Way to the Dragon" "Immortal Rebellion" "Wuji Tianxia" "Mysterious Resurrection" Written During the period, you can actually write about the world of low martial arts - Jin Yong's "Tianlong", "Yi Tian", etc. The protagonist will sooner or later come into contact with the nature of the world after practicing to a certain extent. Perhaps he can try to upgrade the world of low martial arts to understand the secret of world promotion.

This book is not long and is either a eunuch or a mess. Because it's so well written. A lot has been written about enlightenment, but enlightenment is not always achieved. When enlightenment is finished, what is left? Inject water? That's not the style of this book. There are several books I have followed that are eunuchs, just because they are well written. As a result, I couldn't write anything later. Sigh😔 I hope everything I said is wrong.

How should I put it? It's weird. It always feels fake and empty.

Cognition and practice have to walk on two legs. After reading Chapter 50, I feel that the protagonist has always been lame (no derogatory meaning). It's not that it can't be done, it's just that I hope to add some action. Also, the author, please don't go over and over again with the theory that requires calculation. It's suspected of being too low in word count.

Delete it, don't wait any longer, so what if the author updates it, with this attitude, he will still be a dad when he comes back, we are here to read the book, not to see the author's attitude, not to mention love, those who are waiting, don't wait, just give up!

There are too many private goods, and it has always been about interpretation and explanation. What you are writing is a novel. Do you know the basic elements of a novel?

It's too fragmented. In Yang Shen, we discussed the metaphysical philosophy of cultivation for a long time, but in a blink of an eye, we went to a world like Mortal Cultivation of Immortality. Don't you think the style gap is too big? If a world like Zhetian can be said to have a slightly metaphysical style, a purely resource-based Locust stream like Mortals is too incompatible.

Personally, I feel that it is fake and empty, and has no meaning at all. The whole process is obscene by the author

Real enlightenment is thinking. It's not the kind of "Looking at the hazy world in front of me, everything is hazy in the rain, his breath is getting weaker and weaker, and it seems to be melting into everything, ah! He has enlightenment." This is too ridiculous.

The author, it's been seven weeks and he still hasn't come back to his senses!

After reading more than ten chapters, I kept talking and explaining how the protagonist should practice. The protagonist did a little bit and then explained a lot. The only impression I left was that he kept talking about how to practice, without any intention of pursuing it.

The author is not a saint, and he cannot write about a saint using saintly ideas. The protagonist he writes is full of saintly words but is hypocritical and pretentious. It is better not to write those ideas. Ideas require the unity of knowledge and action, and slogans cannot create a saint.

No, in the first few chapters, when you first arrived in the ancient forbidden land, you were too hypocritical. You killed people without taking action, but just had some thoughts. You are so unprincipled. Later, you even said hypocritically that I don't know who killed him. You have followed the path of unity of knowledge and action. Is your unity of knowledge and action the double standard of the unity of knowledge and action?

After reading more than 40 chapters, let me tell you my feelings. First, there is too little plot and no priority. Second, there are too many enlightenment words and not everyone can understand them. Third, writing a book must be grounded. There is no actual action in Kongda, just relying on a mouth. You are acting😱. This is my feeling. Please don't clarify (*｀へ´*)

The biggest advantage of traveling across the heavens and worlds at the same time is that different systems and wisdom can collide with each other. It is like the Great Destiny of the Eternal World is the general outline of the 3000 Avenues and is firmly contained in the Gate of Eternal Life. Even the Immortal King has difficulty understanding it, but the fate rules of the Panlong World have been The Creator God Hongmeng is clearly involved in the world he created. As long as he is talented, even a mortal can realize that he will live forever in the Hongmeng space after birth. Hongmeng himself does not care about power and power at all, he just wants someone to transcend and chat with him.

What a pity! You may never see this kind of thing again. I thought you could create a genre.