Heavens: Beginning with the Lord of Mysteries

It is best to write world by world. If you write multiple worlds like this, sometimes readers will not be able to figure out the progress of this world or the previous world, and readers will not have a sense of involvement.

Although the author said that you are killing very well now, this is obviously not a hunter but a warrior. How can a pure and reckless man digest the magic potion? Although it is only sequence nine, and the Ghost Controller can indeed activate Wushuang, I don't think it can digest Hunter's magic potion to activate Wushuang. At least it must reflect the hunter's ability to track, trap, and lay out the prey step by step to death.

I don't think it's necessary to go to Demon Slayer. It's of no use. The breathing method is of little use to a being like you who doesn't even need breathing. When the Nichirin Sword is used, it's just a normal sword to use Demon Slayer. It's completely slow down.

I just discovered that there is an Overlord. It is very simple to win the trust of the Bone King in the game. I call myself a traveler (the system is obviously different) and has traveled to the parallel universe of this world, so it is equivalent to doing my homework in advance and then describing the wonderful life of the Bone King in the extra story. The living told him that he could just fictionalize his role as a partner in the content (conspirator), but this is not the point. The point is that the world before the Bone King (Satoru Suzuki) traveled through was a cyberpunk world. The upper class did not regard the lower class as human beings, and the lower class people had no life and resistance was pointless. Wang has no choice but to immerse himself in the fucked-up world of the game. After the protagonist Levi solves the main plot in the game, he can go to this "reality" with the help of golden fingers or Bone King magic or world-class props (need to be self-created), and help the Bone King vent his anger. There is no high-sequence hunter (arsonist). ) Can refuse the temptation to burn down the entire rotten world with fire. I can guarantee that no author has thought of this and written it down. Author, if you think you can, try to write it down. When the time comes, I will definitely donate my monthly ticket to care for the empty nesters, starting from you and me.

The sequence approach itself is wrong! The God of Creation is crazy, Sequence is also crazy, and they are all poisonous. It can be used, but it is best to form a new system and digest it into its own shape. Otherwise, it is doomed to end in tragedy or collapse halfway. There are so many resources and knowledge to travel through the new world, so you don't have to be stuck on the sequence. It's best to change the source and be more creative!

What path does the protagonist take? In addition, I feel that the Lord of Mysteries at the beginning of the infinite flow is not easy to play, because the upper limit of the Lord of Mysteries in the past is the structure of the universe. I hope the author can think of ways to strengthen it.

To be honest, it's normal for Dragon Clan and Mysterious Resurrection to be put together with Mystery, but do the other two Japanese comics really have the same audience as Mystery?

I gave birth to you before you wrote ✍, but I read you already...🙂

I feel like Demon Slayer can go there. Red Priest wants to fight a world war, but Xiao Ke won't agree to it. Demon Slayer's background is almost the same as the first battle, so he can fight World War II! And the higher the level of the ritual, the stronger the power will be. The ritual requires a continent, and the protagonist can directly travel to the world, and the authority he gains will be stronger, right?

Since this year, there have been a few new books that I found very comfortable to read, but ended up breaking them.

Did the author forget to play the role of a hunter? Pinch the protagonist's nose (no more?), Smell, remember the smell (remember to know the smell of the informant, find him, lurk, sneak attack, arrest and interrogate), walk around the city, familiarize yourself with the environment (how can a hunter not be familiar with his own hunting ground and set traps in his own hunting ground.) Poisonous point of the current work: someone else told the protagonist where to get the information, but the protagonist did not investigate the person who told him, nor did he investigate the situation in the bar, but directly led the person up.

Damn it, I just ordered it all, and you cut it for me! ! Are you wasting my feelings?

I personally think that there is no need to go to Demon Slayer and Mystery. One is too low in energy level, and the other is Undead and Undead.

In fact, I think the protagonist's dual abilities of mystery and mystery can now create some difficult worlds. There is really no need to write about ghouls and demon slayers who can be crushed. You say the protagonist has the ability but doesn't use it. You say you don't have the ability. You also say that you can't use it for crushing. It is better to go to some worlds with special abilities to at least improve the protagonist's ability a little bit (useful for mysterious worlds), or to go to some crueler worlds to exercise the protagonist's will (useful for resisting ghosts). Don't be passive like now with the ability to crush, and be attacked by ghouls at every turn. If you want to write the two cruel main worlds of mystery and mystery, let the protagonist develop more like Su Yangjian, the beheaded sister, and think less about this and that, and everyone in power will be a shark. Good people are not meant to live in these places. There's also another person who is both a man and a man. He had to preserve his feelings at the beginning, but later became ruthless when he was promoted to Red Priest and launched a war. These are all things you should pay attention to when you first start writing. It is also said that the protagonist is afraid of the resurrection of ghosts (the setting of ghosts is not that they can survive for half a year without using abilities), so what can these lower worlds do, waste time? Adopt a daughter? It's not necessary. When everyone looks at secrets and mysteries, they don't just want to see how the protagonist uses the opponent's abilities to survive in these two main worlds, instead of wasting time in the lower world and waiting to die to get a girl (it would be fine if the heroine is found in these two main worlds, but what is the use of a heroine in the ghoul world? It would be better not to have a heroine at all). They also need to return to these places later to find girls.

There are hunters and tricksters, and I thought they could be crushed. I especially hate plots where the protagonist is led around by the nose, so what is Aite?

Normally, if you see a cannibal, you'll kill it. There are so many pressing things, I am afraid of this and that. Withdraw

Why write too many female characters? Especially the part where Tohatsu really accompanies the protagonist to the bar. If you are so weak, you have to go. If you just say you are too weak, why don't I have to focus on protecting you?

We're going to the Dragon Clan soon, but you didn't update anymore.

To be honest, it would be best if all ghouls were dead. After all, even if Dikou survives till now, he still eats people.

What do you mean by setting Mystery as the main world? Let's just write a quick Japanese comic, where the overlap between two-dimensional readers and mysterious readers is very low

From the mysterious time travel to the second dimension of Tokyo Ghoul, this combination is like looking up at the starry sky, which is hard to describe in one word.