The Mirror Path of All Heavens

Take a look at how many chapters have been lost in the latest chapter. You can slowly go through it, I won't accompany you anymore! Pay money to watch your water?

This book is considered to be a better book (only in terms of creativity). As for the writing style, my suggestion is that since you are an immortal, you must look like an immortal. Since you have become an immortal, you are different from ordinary people and you are superior to others. The current books have to write those things for some practical needs, but there is no way, but they go too far. Xianxia novels focus on the word "longevity", which means longevity. If it writes too much emotion, it is not a fairy tale. (Here I think Han Paopao is just a flower in Xianxia novels, abandoning most of the emotions. It is in this way that most of the "human nature" is written). I am very optimistic about this book, but it is too emotional. (There are many books that I don't want to read halfway through, not because the author is not creative and the writing is not good, but because the author suddenly adds political correctness. I am very helpless and really want to read it, but I can't stand it after seeing such strong emotions.) Come on 😚😚😚😍😍😍

Come on, the content of Zhutian is very interesting, and the plot of the main world can start to continue to advance.

It's been a while since I've updated. Are you going to stop updating?

Suddenly I found it was updated again, I wiped it

Do you have that strength?

I think the author has fallen into a misunderstanding. When readers read online articles, readers are actually more inclined to have a sense of participation, that is, to put themselves into the protagonist and participate in the fantasy world of the book. Setting up a worldview with strict logic and complex system is actually more for the author's control (secretly adding realms, or the previous description of the plot is reasonable according to the needs of the plot, such as launching a cross-realm system, etc.) And it is logical to make people not feel that reading a book is a drama. For example, the description of the destruction of the universe, the result is a converted power of hundreds of millions of tons. This is a particularly obvious logical error, as long as you see it, it will definitely be a drama. But the author's early setting is for the grandeur of the worldview. In none of the novels such as Zhetian, Perfect, and The Lord of the World, the world view is developed without the protagonist, because directly developing the world view without the protagonist is a test of writing skills, because the protagonist is the source of the sense of substitution for most readers. The more separated from the protagonist, the worse the sense of substitution. Then secondly, the worldview system follows the protagonist so that there will be no excessive difficulty setting errors. (Because some authors overexaggerate to describe the grand scene, but the normal system cannot achieve it.) If the world view follows the level of the protagonist, there will be no such uncontrollable situation. But what you wrote, author, seems to forcefully set the difficulty level. The protagonist is in a system where the body is light and dark at the lowest level and where gods are the most visible. The protagonist encounters the dark green sun and hits his face. This is equivalent to the big BOSS, no matter how weakened it is, it has planet-level combat power and is beyond the earth. So, how do you arrange the next plot so that it does not seem inconsistent?         ， (This will make most people lose their patience) So I personally feel that the plot setting of this big BOSS is very problematic. Personal opinion: 1. The big BOSS should allow enough growth time for the protagonist, so that it is necessary to describe the main world in more than 50 chapters in the early stage. Because this way you can see the growth of people in the main world, and it also gives the author space to write group portraits.                                   Expanding the world view should allow readers to see it from the perspective of the protagonist, not from the author's perspective of God. The group portraits are only from the perspective of different people rather than from the perspective of God. (This is the term foreshadowing) 3. If the spiritual energy of the main world is revived and upgraded through plug-ins, there are two modes. One is: The protagonist is invincible in the main world and leads the trend of spiritual energy recovery. The copy is weaker, but he will eventually be invincible (this is the invincible flow + semi-invincible upgrade flow). This kind of map needs to be changed frequently. Then there is the second type: One of the main world and the dungeon world is invincible, the main world is not invincible, the sub-world is invincible, and each realm is polished to the extreme. But the second way of writing conflicts with the huge crisis in your previous article, but it limits your ability as the author, so that you can only write in an invincible flow in the main world, and the sub-world should also be as invincible as possible.                                                                                                                                                                                                                                                                 being described in more than 50 chapters of the main world in the early stage seem very redundant.

The introduction looks like the projection of the heavens and the Great Daoji

It doesn't seem to be too bad at the moment, but I felt a little alienated when I saw the first world. It's obvious that the author of Empress of the Flesh Realm substituted the historical background of the Meng Yuan Dynasty. Just put it in. Create an empress and touch Temujin. Replacing the emperor of the Meng Yuan Dynasty with the empress is very alienating.

Are you trying to follow the path of Pei Butu Dog? Although the book of Zhutianliu is unfinished, the copy of King Quanjian is the best copy of that year. I hope the author will stick to it.

That's fucking outrageous. You're an asteroid and you're nothing in the universe. The gods you're referring to are specifically targeting you. It was originally written step by step that the extraordinary recovery would happen. The earth would reach a certain level and become a major force occupying countless star fields. Then it would attract the attention of the gods. It would be reasonable for humans on earth to fight against the gods. You are directly equivalent to finding an enemy for an ant that is comparable to the Milky Way. A rubbish book

It's really a bit poisonous. The protagonist's sister is a poisonous person. Write about a mentally ill sister who can't understand it. For this protagonist, do you want the dog on the Blue Star to be given the status of a god? A piece of rubbish brings all kinds of opportunities.

Just because people from other worlds are strong-willed, they accept them as disciples. Haha, I want to say that there are many determined people in prison.

The personal power of the Samsung world is feeding the dog. Can a strong man bred by the orthodox heritage of the Kyushu world watch Dayuan do this? Everyone in the One-Star World defeated the barbarians by seeing the gods. There is no logic at all.

Introduction to the Great Chronicles of That Silly Dog

After reading Chapter 7, it's all water, and it keeps emphasizing the extraordinary. But skipping to chapter 22, it's still water. How do you think it's good to watch?

Selling dog meat for sale? What I wrote has nothing to do with the introduction.

Looking at the introduction, the style is a bit like a combination of Daoji and the projection of the heavens!

Suddenly I realized that this book had been written for almost two years, and it only had a little over one million words in two years. Didn't Pei Tugou have already finished writing a book? What you borrow is slower than others' original work.

What kind of novel is this? Is there a Shennong? This introduction gives me a headache

After reading Chapter 30, there is no big bad point, it's just too watery, right? A lot of the narrations are about Che Zulu's words and can be deleted. I feel like it's okay to streamline 30 chapters to 15.

It was okay at first, but the more I watched it, the more frustrating it became, and there was no sense of excitement at all. Not to mention how invincible the protagonist is, so you have to use your own strength to protect yourself. The protagonist's IQ is worrying, and it took him more than fifty chapters to become a god. I couldn't stand it anymore after reading sixty or seventy chapters. Goodbye.

Painting a tiger will not turn you into a dog, and painting a tiger will not turn you back to water.

Author, I have a question. As an ordinary person, I feel that the format you wrote is too small! In an environment where modern literature popularizes martial arts, is it so difficult to learn Mingjin boxing? A modern government is not ashamed? Is this called popularization? There is no benefit to ordinary people. You are just talking about martial arts myths. What does it have to do with ordinary people? , Go and sing by yourself, I don't have time to care about you,

The introduction is well written and very attractive. After reading it, um, um, that's it, let's go, Xiaobai...

After reading the test, the author should be a person who has not been severely beaten by society. He should live in a beautiful closed world with no worries about food and clothing.

Is there any Zhutianwen without a female protagonist? Please recommend. The main reason is that the update is too slow.

Can this cum?

This writing is similar to the projection of the heavens

Are all the heavens and worlds self-created?