The Path of Light

The leisurely life of the elves has been written, but in the eyes of the author, struggle is a treat. Whether it is the struggle between the Moon Goddess and the Temple of Freedom, or the battle between the mixed blood and the Silver Moon, or even the battle between the common people and the nobles, a normal adult involved will realize that he is in the center of the storm, but the protagonist, a time traveler, behaves like a child. Whether he does not confess the soul of the earl to Ellington, or discusses the princess in a densely populated place like the academy, it all shows the immaturity of the author's plot arrangement. Childish, when it comes to the trial of Theodore, it has nothing to do with him, he doesn't care about the struggle behind it, and he doesn't care about the game behind it. However, the protagonist has to personally take the risk to track Theodore, and he has to publicly ask who killed Peleus in the court. It is no longer just a matter of multiple people co-writing a novel. The writing style of multiple people co-writing will not be so consistent.

Isn't this protagonist a time traveler? In any case, you have lived two lives. How do you feel like you are a primary school student? It can't be because elves have long lifespans and their intellectual development is slow. They have no vigilance or thinking when facing danger. They go to the rebels to find slave traders. They know that the mixed-blood elf rebels are a mixed bag, but they still have the arrogance to ask? It was the same when the slave trade den was destroyed. They could use the Apple Manor of the Silver Moon Elves as their den, and they clearly had a protective umbrella over them, but they actually dared to send them into the hands of those nobles? ? ? ? The protagonist catches those enemies and doesn't want to kill them in time, but actually wants to give them to the nobles? Ah? No, isn't this letting the tiger return to the mountain? And when his two trainee priest friends quarreled over the treasure map, since he valued his two friends so much, he didn't want to mediate, but actually stood by and watched? ? ? ? ? ? You know very well that these two people are very paranoid, and you have to wait until the person dies before you regret it? ? ? ? From the beginning to the end, the emotional description of the protagonist is very, very, very flat, and there is no growth at all. If the protagonist is a very smart person, then it is okay to write like this. But if you write about a primary school student without any growth, what is the difference between this and a running account? As a protagonist, he is somewhat attractive at least, but it is written so intellectually that it is really hard to watch.

I can't hold on anymore. The protagonist is too stupid, courageous and has a worrying IQ. I originally wanted to stick with it to see if there was any growth, but after 200 chapters, I still look like a fool, making no progress at all. The writing is really stupid. I don't recommend continuing to read this book.

The protagonist's identity as a time traveler is not seen to be necessary. No matter whether it is thoughts, vision, knowledge or technology, it is not reflected in any way.

I chased a pirate and a trafficker for more than 290 chapters but couldn't solve it. In the end, I was captured and almost fucked to death like a pig. It was garbage among the garbage. The male protagonist and the female protagonist were captured together. The male protagonist couldn't fart. He had to rely on passers-by to save his life. He ran back to the camp like a smelly dog. It was really humorous.

The protagonist is too stupid. It's okay to be low-key, but at least I want to learn from Han Li. There is also a big problem with characterization. After 200 chapters, I can't stand it anymore. I feel like the protagonist is like an eight or nine-year-old good baby.

In fact, the author's writing style is really good, and his knowledge is also good. As a 20-year old bookworm. To be honest, your book looks more interesting than the top ten books. There are too many novices reading books now. Don't understand books. I hope the author will work hard. It's been a long time since I've seen a book that interests me. Today's books have no logic at all. It's all flowing water. I feel that the authors of 9 of the 10 books have intellectual problems. Can't watch. Maybe I read too many books. Many books feel like the author lacks common sense. Can't watch. I have been chasing him for many, many years since the Age of Magic. Favorite my magical era. It's a pity that it's over when it comes to the wyvern. I thought I could write a thousand chapters. I really hope I can continue writing

It feels like the author wants to write about the process of a person's gradual growth. After experiencing some things, the protagonist's entire worldview changes, giving him a sense of déjà vu that develops slowly. There are some things in it that I don't quite understand. The elves should be one of the big forces, but there is always a feeling of being subdued, and they behave like a supporting force in a series of events. In some aspects of the plot, there is also a feeling that suddenly both sides of the enemy's IQ are out of line. The protagonist's growth doesn't feel big. It was like encountering an unexpected incident at the beginning, but it's still the same later. I feel like I never understand anything from the loss. Obviously I have acquired some abilities, but I don't use them when I encounter problems, as if I have forgotten that I have them. So what is the purpose of writing these studies and exercises in such a long way? It's like you clearly have a gun, but you don't use it when you encounter a gangster with a gun, and you yell to let the gangster know before sending it forward. I like slow reading. Watching the characters in the book grow step by step gives me a kind of accompanying pleasure. But when I read this book, I always felt a sense of inner spiritual exhaustion. Sorry, just a little personal opinion.

It was originally written quite well. The result is getting more and more confusing, the logic is confusing, Benjamin made it so disgusting, and it has not been solved until now, and the elves are too mentally retarded. It's difficult to write about this kind of subject matter without foundation.

It can be seen from the first two books that Xiaozhu's book is slow to read, has detailed preference settings, and inadvertently reveals a grand world. The book did hit a bottleneck early on, progressing slowly in one small scene. But after entering the Partington interface (Chapter 200), the progress bar suddenly accelerated, and the familiar taste returned. Use a delicate writing style to tell a person's growth, build a mirror image of reality in an illusory world, and compose a hero's elegy. The author's protagonist is not impetuous at all, which is what Qidian novels lack the most. All kinds of pretentiousness, exaggeration and self-aggrandizement are not seen in this book, which can make people immersed in it. There have been a lot of criticisms and abuses recently. Reading a book is like seeing a person, like a mirror that can reveal the background, so I won't go into details.

I just finished watching My Age of Magic and Lord Halanza. Jijia's performance is much better than Surdak's.

I played Lao Gun 5 a few days ago, so I wanted to find a fantasy book to read, so I found this one. In the early stage, the plot and atmosphere were really good, but after the conflicts and crises appeared, I found that they couldn't bear to think about it carefully. The author constructs the plot in a self-righteous way. All crises occur suddenly and then are gently put down. There is no behavioral logic at all. Moreover, the protagonist is described as a firefighter, who solves all crises, and the people around him are useless and mentally retarded. Moreover, there is always a supporting role that makes the plot disgusting. In fact, his presence or absence has no impact on the plot at all. It's really annoying to see. Generally speaking, the atmosphere of the story is good, which is an advantage, and daily life is warm, but the storyline is mentally retarded, the supporting characters are all useless, and the major and minor crises are all solved by the protagonist. There is no reaction from the characters after the resolution, and there is no summary, which is very boring.

The protagonist's view of the political system is too trivial, focusing on the story and suppressing the importance of the power system and combat power. The writing of various skill fights is boring and the context and context settings often do not match. Sometimes I am quite speechless. Also, since we have written that Priest Roy does not need faith, we have not rewritten Roy's performance in this aspect of combat power and explored more of Roy's special performance. Is this a setting simply to allow him to upgrade quickly? This aspect is a bit bad, and the skills are all mediocre. As the protagonist, this special point in his profession really can't close the gap with other priests. The battle process and other aspects are also quite poor. However, the story is not bad, and it can be regarded as a good work. I tied all the chapters in three days, and I will wait until the author completes it. At first I thought it was a setting style similar to Sin City, so I spent three days watching it without eating or sleeping. I didn't expect the deviation to be so big. The power of such a pair of words is really strong compared to that of Yan Da. Western Fantasy has been in decline for a long time.

I started following the author's books when I read the first "Age of Magic". I really like it. The rhythm and style are very good. From the second Knight Lord to this Light Sacrifice, I feel that the author's structure is more focused on territory and power, and the structure of his own career system and strength system is not so detailed. Personally, I think the first one is the best 🤔

It stands to reason that airships are strategic weapons. The readers and authors are all based on the settings of past novels and anime. In fact, the airship is a super strategic weapon dozens of times more powerful than the b52. The early three-masted sailing ship weighed about 200 tons, and matured from 500 to 2,000 tons. One-tenth of the cargo capacity was more than 50 tons. The bottom was open and alchemical bombs were dropped. What is the range of destruction that can be bombed? The most powerful B17 of World War II was fully loaded with several tons. The H-6 is now fully loaded with 12 tons. Driving an airship and using slide rails to push down bombs will make the battlefield uneven. . Throwing a stone is ten thousand times more powerful than shooting an arrow from a boat. When shooting an arrow, what should I do if it shoots at an angle, or what should I do if it is blown away by the wind.

The protagonist's performance is to insult the IQ of a college student, and his IQ is inconsistent before and after he is selectively demoted. There was no curiosity at all about the things sent by the Naga Sea Tribe. Later, when they found out that the things were unusual, they had no intention of researching them at all. I have read more than 100 chapters of Western Fantasy World and just talked about the division of dangerous realms among priests, not to mention that all mages learn basic combat skills. I think I should also write about the training of warriors. Slow pace is slow pace. Farming is farming. If you lose your brain, there is no need to write.

Support

The quality is still good. I have read all three books and there is still growth in this book. The overall description is very vivid, and you can feel that each of them is a living person. The overall plot is logical, but it also has shortcomings. It's not exciting enough, slow to warm up, and a bit frustrating. Overall, it is an 8-point masterpiece.

The monthly votes have been cast every month, but no updates have been added.

I finally read the latest chapter. Cool articles are popular nowadays. It's embarrassing to see the author's obscenity. There really aren't many who can use as much space as possible to structure the world view.

. J. As long as you have,

Why haven't you been promoted yet?

Do humans kill elves casually in the elves? The elves are still slow. Even the Dark Moon elves are slapped in the face. This country is really weak. It seems that humans are going to start a war.

Hopefully there will be an attractive male character or two. I found that in many Western fantasy movies, the male characters around the protagonist are either very few or stupid, and in the end they are almost all women, which feels very childish. In this kind of Chinese martial arts world, women are originally relatively weak, and there are very few women among the strong (novel will admit that "strong women are very rare"), but what is the result? The strong people around the protagonist are almost all women. I feel that this kind of male protagonist has no real charm and ideals, and cannot even attract a normal strong male. There are so many strong men, and the protagonist is so awesome, but he can't attract any of them. It can only be said that those strong women are here to fall in love with the protagonist, not because the protagonist has any "domineering spirit" at all. For example, Jijia's helpers are almost all women. Most of Surdak's helpers are women. Among these women, two noble women simply wanted to marry men, so they chose to help the male protagonist's husband. The dark woman takes the initiative to seduce the male protagonist in order to get out of her own predicament, for the purpose of preaching, and to find a man. The female shooter was a little desperate, and because she liked the male protagonist, she followed him. At least half of the female gunmen follow the male protagonist because they want to find a strong man. The last indigenous woman will marry the male protagonist directly (the prototype may be Princess Mononoke). Only Miss Mermaid currently has nothing to do with the male protagonist. Their relationship with the male protagonist is a partnership based on the relationship between men and women, rather than a true partnership. In contrast, Luffy in One Piece has only two female partners, and although they are both beauties, they have a pure partnership with Luffy, and they are not Luffy's partners because of a male-female relationship at all. Luffy is able to attract many truly strong, individual men to join his team. This is a relatively normal situation.

Just like this style, those who like fast food should look elsewhere.

It's rubbish among rubbish, the plot is dragging, a Benjamin can never be caught, he runs away when he touches it, he runs away when he encounters it, there is a Ship of Light on the introduction, and it has already written 260 chapters, but the protagonist still doesn't have his own crew. I don't even know what the author's purpose is. I'm really convinced. I feel like everyone around the author is trash. He keeps letting enemies run away. When he encounters someone, he's either asking for help or asking for help. I really don't know what he's thinking. It's really disgusting to me. I'm convinced. It's rubbish. The plot is too slow. This is not a slow pace, it's a rubbish pace. I'm convinced. It's so disgusting.

Both My Age of Magic and Lord Helansa are harems, which is pretty good, and the author will keep up the good work. I have two suggestions: Firstly, I hope that all the heroines are not vases, and at least they can help the protagonist in some way. This is okay in the Age of Magic, but in Lord of Helansa, there are really many vases Secondly, I really can't have too many heroines. I think I can write up to five at most. If there are more, each heroine will have very few roles, especially in the later stages, where it will be difficult to unfold and the heroines can only be selectively invisible.

The writing is very good, the plot is crappy, the logic is confusing, and the protagonist is like shit. I wanted to give up many times in the middle, but around chapter 189 I couldn't help it anymore. In the first chapter, it is said that magicians are just special. The protagonist has seen magicians walking through the lower city many times. As a result, during the port battle, a group of nobles and guards could only draw A. The defense power of the port city is as thin as paper. Too many people say it and don't talk about it. The same goes for knowing the identity of the princess. The protagonist is completely mentally retarded and has no sense of crisis. He knew the clues before but did not tell the friendly boss; he knew that he was weak but always wanted to catch up alone; the other party had killed his friends and was wanted. The only thing missing was the key you had. You didn't expect the other party to attack you so quickly. There is also the part where the basic settings are repeated in the early stage, which really looks like it was written by AI.

Chapter 1 made me laugh to death. I have traveled through time for more than a year and still think I am dreaming? Still want to jump into the sea to wake up? How retarded is this? Is this going to be a big adventure for a mentally retarded child?

I love this kind of tone. It's very reassuring to watch it slowly.