Becoming the Mastermind Behind the Scenes in The Outcast
从一人之下，当幕后黑手
- Status
- Completed
- Length
- 327k Words
- Subgenre
- Infinite Flow
- Updated
- 3y ago
- English
- Request a translation
Synopsis
Stats
147Chapters
2.7kRecommendations
41.8kFans
In booklists 1
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Reader comments 30
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The most unsuitable character to appear in this book is the protagonist; his presence simply lowers the overall quality. The most off-putting part is when the protagonist appears.
The biggest taboo for those working behind the scenes is to get involved personally.
Could the main character appear less often...?
The best Valon I've read and written is the one written by Valon among Marvel fans.
Sigh, the author's writing later on is way too exaggerated. Zhang Daoling is indeed a Celestial Master, but in *Under One Person*, he's just an "Outsider," not a Celestial Master from a cultivation world. Adding the Three Pure Ones to the mix... I'm speechless. Does the author even think the protagonist can handle this? It feels like they've gone too far.
Can't we reduce the main character's appearances? Let him be a background character, preferably not even saying a word. Every time the main character appears, the viewing experience plummets!
It's best to use some plausible aliases and avoid using your real identity. For example, the alias for resurrecting Zhang Huaiyi could be the image of the Demon Dragon. As for why the talismans are spread, it can be like this: Shendu was awakened long ago by Valmont's ancestor and began to summon his minions to collect talismans. The first one summoned was his own son, the Demon Dragon.
The writing is alright, the protagonist is extremely toxic, even more toxic than Chen Duo.
So, what does it mean that I'm now considered a behind-the-scenes manipulator? Turns out I'm just a troublemaker.
It started to get bad from the time travel part onwards. The author couldn't handle the time travel part well, which was a shame considering how good the beginning was. After the time travel part, it felt like a complete mess.