Something's Not Quite Right in This Three Kingdoms Era

Traveling to the Three Kingdoms! Hehe, Diao Chan and Xiao Qiao, hehe! No, this isn't the Three Kingdoms of my dreams! The protagonist travels to the Three Kingdoms period after a car accident, but this isn't a normal Three Kingdoms. When Zhang Jiao, outwardly radiant with golden light and surrounded by five large fireballs, but inwardly corroded by unknown tentacles, appears before the…

The updates are too slow! When will the God of War Zhuge Liang appear? If some things aren't good, just copy that mobile game "Three Kingdoms Kill"! Human realm demons and evil gods, outer gods like Cthulhu invading the divine realm—forget the Journey to the West formula, just take on those ancient deities! 😡

I'll say it again: I don't want to look at the system now. It seems like people these days have no hands or feet and can only be fed by the system. Time-travel novels, starting with Huang Yi, have been conceived and perfected by generations of novelists.

Looking at Wancheng so far, I feel there are a few issues. 1. The protagonist's mentality is too Zen-like. He doesn't care about historical trends, has no plans, and just goes with the flow. He figures that if things go wrong, he can simply run away with Lu Bu and Diao Chan.

The system seems meaningless. Aside from providing some rewards and acting as a semi-encyclopedia, it doesn't seem to have any mandatory tasks. The world's trajectory seems irrelevant to the system. Based on my limited understanding of novels, the system is most likely the boss, the ultimate boss. Therefore, the protagonist is a vessel for resurrection.

"... As long as oppression persists, the overwhelming public resentment will, like us today, shatter all forms of tyranny." In Julu City, Zhang Jiao sat beside a child, recounting the Yellow Heaven Dream that belonged to every Yellow Turban.

Just as stunning as the mythical Three Kingdoms novels of yesteryear, your framework is larger, so you don't need to force expansion in the mid-to-late game like hers. The only downside is the slower pace; it hasn't yet reached the heights of her earlier work, like before the Battle of Hulao Pass. Of course, this kind of writing tends to fade faster.

Do you know that Luoyang is a city of extravagance and debauchery, where an inch of land is worth millions of coins? Officials and nobles scheme against each other, there are no poor scholars above, no wealthy families below. Meanwhile, outside Luoyang, everyone is starving, corpses litter the ground, people eat each other, and ghosts wail in the night.

In the world of Krypton, everything comes with a price! Don't even mention the system discouraging readers from reading this. You might say that in historical fiction, cultivation fiction, or urban fiction, but it's utter nonsense in supernatural or fantasy fiction! If the protagonists of these types don't have a system, they need extraordinary luck!

Quite ordinary, like a passerby, without ambition or goals. It's like having half a script based on Guan Yu's story; the timeline is similar to a normal Three Kingdoms story, but aside from the bizarre and distorted elements, there's nothing new.