Rebirth Starts from Beiying Classroom

I just saw that I'm going to take the fairy sister to the amusement park. The plot is okay, there's nothing particularly bad about it, but the typos and few words really affect the reading experience.

Liu Yifei wouldn't have been famous for so long if she were less black. She was just a topic. How many times can she survive in twenty years?

The author is tougher. Don't let the pig's feet look very low-attitude to Liu Yifei's mother. The more this happens, the more her mother looks down on her. There is no need to accommodate Liu Yifei all the time. If the emotional line is not written well, the heroine will be useless.

🥺Why no one posted pictures, Nier is so beautiful

The invincible Sister Liu, I feel so comfortable every time I see this photo

Why are they so similar?

The author may feel that his grades are too good😒

Empty your mind and endure the hammering of your IQ to read it. I don't expect such a book to have any logic, but mathematics will tell the author. Everywhere there are billions of box office directors who take more than ten percent of the salary to get more than 100 million. The protagonist and the director of the movie take 25 percent, and the staff takes 5 percent. This kind of data is not understandable in mathematics. Even if you write this book to describe the charity life of a time traveler, you still have to have so many box office revenue points! In the previous chapter, you mentioned the share ratio between the producer and the theaters, so you know that the producer's share is only 36%, and the investment exchange ratio is ten times! Eliminate all costs and losses! The profit-sharing system you set up distributes all profits to the director and actors. Although it seems silly to be true in a book like this, your writing like this makes me feel like you are constantly knocking me on the head, "I can't even add, subtract, or multiply."

Many heroines, many heroines! ! ! Do you write pure entertainment articles? Everyone, Chen Daoming, has this scandal about Zuo Qing. What kind of innocent love society are you doing with a human-shaped diamond?

Tianxian and Auntie are just different from each other.

In fact, only a few movies in China every year have smooth plots. The plots of most Chinese movies are very awkward and awkward. The few good movies are basically male-themed. In fact, 95% of the movies are male-themed. There are not many good movie scripts that can star actresses. Good scripts are digested internally by several film circles. If Liu Yifei doesn't join those movie circles, good scripts will never be passed on to her. The movies Liu Yifei makes are already the best among the scripts that can come into her hands. Many times they don't even have complete scripts. When Liu Yifei accepted "Four Famous Catchers", she didn't have a script. Because she trusted director Chen Jiashang, she took it. At first, she thought she would play the wife of a certain famous fisherman. After joining the crew, she learned that the director had a whimsical idea of ​​changing the ruthless character into a woman. In 2012, The Four Greats made money at the box office with a box office of 199 million. Then Enlight Film Company used the money earned by the Four to make The Greats 2 and 3. In 2013, The Greats 2 and in 2014 The Greats 3 were pure profits. Liu Yifei, a first-line star who has been popular for 20 years, has only made a dozen theater movies, 11 of which have grossed over 100 million, and her performance is relatively stable. Most of the movies she stars in cost tens of millions. She does not care about the cost of the movie. Most of the movies Liu Yifei stars in are with new film directors, who have only made 0 to 1 theater movie before (they were only advertising directors, singers, TV directors, editors, photographers, screenwriters, action directors, and film school alumni). The only well-known Chinese film directors Liu Yifei has worked with are Hong Kong directors such as Li Rengang, who co-produced the film The Legend of Hongmen Banquet, Chen Jiashang in 3 movies, and Wilson Yip in The Chinese Ghost Story. All five of these films were profitable. Liu Yifei has actually never entered the mainstream Chinese film industry, and has never collaborated with the famous mainstream Chinese directors Zhang Wang, Feng Chen, Jiang Zhou, Wu Ningxu. For more than ten years, she has only been able to find opportunities in co-productions. In China, only the films of famous mainstream Chinese directors Zhang Wang, Feng Chen, Xu Jiang and Zhou Wuning are truly good resources. In China, they basically rely on the reputation of famous Chinese directors to carry the box office. It is very common for first-tier female stars to collaborate with first-tier male stars to make movies. Many first-tier male stars have often collaborated with second-tier, third-tier, and fifth-tier female stars. Cooperation with first-tier male stars cannot be called good resources at all. The quality of movie resources only depends on the director's popularity and strength in China, and it does not matter who the male star is. A group of black men have been spreading rumors about Liu Yifei every day for more than ten years. However, in fact, Liu Yifei has not been filming for more than ten years. China releases nearly a thousand movies every year, and Liu Yifei's movies often rank among the top 30 domestic films. In 2008, the domestic box office of Liu Yifei's "Kung Fu King" exceeded 185 million for the third time in the year, and the overseas box office reached 128 million US dollars. With the heroine Jin Yanzi, she ranked first in the global popularity index in the Hollywood IMDB movie newcomer rankings. She signed a contract with WMA William Morris Agency. Liu Yifei successfully promoted to a movie star that year and entered Hollywood with half a foot. When the Huayi visa was refused, the gangsters carefully forged text forms, web pages, pictures and black rumors. The Internet exposed Liu Yifei, causing Liu Yifei to not act for two years. Since then, none of the 16 movies Liu Yifei has starred in were funded by Hua Yi. Liu Yifei's film resources are the last among those born in the 1985s and 1980s. If you look at the encyclopedias of those stars, you will find that many stars born in the 1985s and 1980s have actually made more than 30 or 40 movies. Their film resources far exceed Liu Yifei's. Before Mulan, no one envied Liu Yifei's film resources, because they did not offend Hua Yi. Their film resources far exceeded Liu Yifei's. They made three films a year, while Liu Yifei only made one. After Mulan, a large number of professional hackers suddenly appeared, posting brainwashing tips and spreading rumors. Liu Yifei's movie resources were abundant. The overseas copyright income of 2011 A Chinese Ghost Story starring Liu Yifei was 12 million U. S. Dollars, and the domestic box office was 140 million U. S. Dollars in net profit. The Legend of Hongmen Banquet in 2011 had a celebration party with a box office of 150 million U. S. Dollars. Liu Yifei signed a 5-movie contract with Enlight Film Company. Liu Yifei won consecutive movie tickets around 2010. With a house worth over 100 million, "Liu Yifei's costume must be worth over 100 million" was a box office elixir. She was called a "box office upstart" at the time. CCTV10 said that Liu Yifei became the spokesperson for the new forces in Chinese-language films, an actress who valued both beauty and acting skills, and was both beautiful and good at acting. At that time, many of the commercial films of her predecessors and contemporaries often only made millions and millions of dollars at the box office. It is also a costume film with Chow Yun-fat. The top IP "Confucius" movie with the heroine Zhou x and the well-known director Hu Mei only had a box office of more than 90 million. The IP is well-known around the world: Confucius > Romance of the Three Kingdoms > Tongque Terrace, but "Tongque Terrace" with the heroine Liu Yifei + a new advertising director has a box office of over 100 million. The top four in 2012, the second in 2013 and the top three in 2014 all had profits of over 100 million. In 2015, Liu Yifei became the first Dior spokesperson with a title for the post-85s generation. Since then, Liu Yifei has continued to endorse the brand. The fashion circle is the most snobbish, and it is obvious that they value Liu Yifei's status as a movie star. In 2016, "Youth Is So You're Still Here" made a box office profit of 337 million. Alibaba's financial report stated that the 2017 Three Lives, Three Worlds, Ten Miles of Peach Blossom movie made a profit of 82 million, and Liu Yifei's movie Three Lives, Three Worlds, Ten Miles of Peach Blossom had a box office of 535 million in its first week of release. In 2022, Menghualu will appear on the financial report of Tencent Group headquarters, and in 2023, Go to Windy Places will appear on the financial report of Mango. Liu Yifei's works have repeatedly appeared in the financial reports of major companies, but they have been rumored. In response to many profitable movies, a group of professional gangsters can take the lead in making up black rumors and brainwashing them. For more than ten years, Liu Yifei has only been looking for opportunities in co-productions. After more than ten years of waiting, she finally got the chance to play Mulan. Liu Yifei won the role of Mulan out of a thousand-person audition based on her acting skills, martial arts, perseverance, physical fitness, height of 1.7 Meters, and her ability to speak English. Hua Mulan is a general. Some ancient dynasties required soldiers to be 1.7 Meters tall. Liu Yifei, who is 1.7 Meters tall, would not be short when standing among a group of male soldiers in the army. Disney also requires people to be able to speak English, martial arts, and have star qualities. If you have starred in martial arts movies on the big screen, Di Ke doesn't have time to watch martial arts TV series. Liu Yifei has starred in martial arts movies with heroines such as Jin Yanzi, Bai Xianchu, Bai Qian, Nie Xiaoqian, Lingju Wuqing Shengyayu. When Disney auditioned in 2017, none of the other actresses born in the 1985s and 1990s who were born in the 1985s and 1990s and spoke English and were 1.7 Meters tall had no experience starring in martial arts movies on the big screen. Liu Yifei is really the only one who meets the requirements of Disney's Mulan.

This healing smile

Let's take a beautiful picture to entertain your eyes.

People who always like to share benefits with others without getting anything in return. If you don't have a good mind, don't open a company. Even if you want to share, there should be an exchange of benefits. There is something wrong with having others get on the bus even for a small cost.

The singer's length is too long for the readers, a bit too self-proclaimed, and can't be taken in.

I want to ask, is there Yang Mi in the male protagonist's harem? If he doesn't like her, I will abandon the article and subscribe without spending any money.

As long as the new generation of female stars are up to par, I won't read a novel without looking at these old faces. I'm tired of seeing them, but there's nothing I can do about it, the new generation is not up to par.

This woman should only exist in heaven

😍

This book does not have a single female protagonist, LSP is lucky

Did Zhang Songwen graduate in 2002 or 2003? Why is it that when I searched, Zhang Songwen was born in 2003, but Zhou Yiwei was born in 2002? Aren't they in the same class?