Chinese Showbiz: The Global Comeback Begins in 2002

The author's style is quite good. When writing about the entertainment industry, if you're going to be a scumbag, you should be a complete scumbag. Everyone knows what the entertainment industry is like now. Look at how they used to dare to promote "pure and innocent girls." Now, it doesn't matter whether their careers collapse or not, as long as they don't appear on legal programs. The bottom line is getting lower and lower.

A global counterattack? Without a system, the protagonist alone is more powerful than any nation. Don't they know their own limitations? Self-entertainment is indeed very suitable for Chinese people; all they need is a silver tongue.

Yang Mi, except for having a bit of charm in Chinese Paladin 3. For the next ten years or so, he had absolutely no acting skills. After watching "A Writer's Odyssey," I was impressed by the acting; it was comparable to Yang Tianbao's. As for pears??? Hai Qing and Yin Tao were contemporaries. Who can compare to her? Good grief, they cast a second or third-tier actress as the female lead?

I'm not a big fan of harem novels, but this one is an exception. While the protagonist is a jerk, he's not pretentious; it's purely a mutually beneficial exchange, much better than those who claim to be jerks while claiming true love. If you really can't stand harem novels, you can skip it without affecting the reading experience at all. The only downside is that the author is quite cunning; the harem elements are all subtly introduced in the middle of the plot, usually just a sentence or two, without any filler. You can't skip chapters without subscribing. Speaking of the plot, the heavily modified drama elements are a highlight. These days, entertainment novels are all the same, focusing solely on the female lead. This book's author's various viewpoints and plot development gave me the feeling I had when I first read an entertainment novel. Overall, it's very refreshing. Finally, a complaint: updates are my lifelong enemy.

This author has too many ideas; they've blurted out all their interpretations at once, making the entire chapter feel like a user manual, without any real plot progression.

I wonder if the author has considered the difference between the Ming Dynasty and the Kangxi Dynasty. Personally, I think one was about spouting imperial praises, while the other was about licking the emperor's boots. When you want to promote Chinese entertainment to the world, which one do you want to promote? Especially after reading the first chapter where you were already touting the granary of the world, I was already worried. Have you ever thought about how foreigners would view us when they see a group of burly men with half-shaved heads and ponytails kneeling on the ground like dogs, shouting that the emperor is wise?

Why do I feel like the story is already finished in the first chapter of the novel?

The main character actually dared to get drunk in Hong Kong, went to work by himself every day, directed by himself, and went everywhere alone. Sigh.

Cultural output is directly proportional to comprehensive national strength; if a country's overall strength doesn't reach the level of being number one in the world, its cultural output will never rank among the world's best.

Young Master Chen is your father? Is this never going to end?