Quick Transmigration: Got a Grudge? This Crazy Old Ancestor Will Help You Turn the Tables

Have you learned anything from the previous book Simple?

I couldn't stand it after reading the second story. The author's description emphasized the heroine's power and wisdom, but her choices and decisions did not show how powerful she was. Instead, she was often inexplicable. The first story dragged on for a long time, talking about how powerful the ancestor was and giving him a big golden finger, but in the end I didn't know what he was doing. In the second story, the adoptive mother who secretly changed and killed the heroine treated her son with care and gentleness, and raised her son to be a talented person. She also had to pay money regularly to show filial piety, but she still felt that the other person got nothing. Let a few villains dance around, and then I put on a noble look like I know everything and see everything, but in fact I did nothing. On the contrary, although the male supporting actor is a soft-spoken and irresponsible scumbag, he has nothing in common with the female protagonist in his past life. In the end, the price was paid, and the heroine didn't know why she had to step on him. In short, the heroine's behavior is very speechless, and she really can't afford the setting of a thousand-year-old ancestor.

Why not separate the papers? They were all mixed together and couldn't figure out the beginning and end of each story.

No, why are there people dressed as men? Isn't this a book for women? Why don't you always write about men's bodies? There won't be more later, right? No wonder not many people read this book. There are so many poisonous points?

It's so good, the plot doesn't drag on, and it's hard to find fast-traveling stories online with logic.

At first, I felt that the writing was very stiff, that is, when the two of them were talking to each other, whether they were relatives or friends, they were just like robots, with only logic and no emotions. Later, it got better. The heroine's character was very suitable for my liking, and she was decisive in killing but not in a dark way. Weird, what the hell is it like to find a partner for the original owner and then let the original owner talk about it? This is even more puzzling than the stand-in joke. The heroine uses her own personality and ability to deal with people, and the person she finds is based on her own aesthetic preferences. The man is also willing to marry such a female protagonist instead of the original owner. Changing someone midway is pure fraud for the man, right? Do you mind this? The heroine doesn't mind if someone else takes over her partner (even if there is no love), wouldn't the original protagonist feel disgusted about accepting someone else's partner halfway? This is unfair to all three parties. It's fine if there is no emotion, but obviously some men like the female protagonist, so isn't this unfair to them?

It's very well written, but I can't stand it.

As of April, it has reached over 2 million words. And there are so many poisonous points.

Isn't it said that there is no CP? Why write emotional dramas? I have a mysophobia, so I can't accept the heroine having too close interactions with other men. Although they sleep on a table in the middle, I still can't accept it. I hope the author can tell me if there will be such a plot in the future? If there is another plot like this later, please tell me about it, even if I skip it?

What are the benefits to the protagonist of traveling quickly to complete tasks? It was not mentioned at all in the article, and it felt like I was doing tasks just for the sake of doing tasks. What is the purpose of quick wear? Is this the core? No one does dangerous things, there is no reward, no benefit.