Why Are My Pokémon So Adorable?

The more I looked at it, the more something was wrong, so I read the comments. Why did the author think it was right not to use family resources, system puppets, and zero intimacy? How many people can bear to write about such obvious poisonous points to the point where they feel right?

After reading Chapter 30, let's talk about the problem. The problem with the system is just that. I'm too lazy to comment too much. If I like Alureduo, it's okay. Anyway, Senbu, you know how to deal with females. I don't have anything to say about radish and cabbage. Everyone has their own preferences. Why don't they use it if they have resources? ? ? What else are you saving? There is absolutely no need to suppress the protagonist. You can even overdo it by saying that the protagonist has learned it but the level is too low to exert its power or consumes too much. The protagonist is 15 years old. In other areas, you can travel and cultivate elves at the age of 10. You want to dilute the system and don't want to give too many resources. The protagonist I'm very mentally retarded. I don't know if I was 15 years old before the parallel world. Anyway, let's just watch it as the protagonist of the Japanese comic. Adding an eh to Eevee's name is also very funny. I'll just treat it as the number of words, because I just saw Chapter 30. Are all the Pokémon that have been conquered so far in the character column? Do you have a flying skill when traveling? ?

Gardevoir's initial form should be Lalulas, right? Can the egg directly give birth to a Kirulian?

Why is Daju not the boss cat?

After reading more than thirty chapters, I will tell you my own feelings based on the comments and feedback from other readers. The first point: the money-demanding system. The author may want to have some characteristics of his own, but you don't know that this unique system of yours has almost all the poisonous points of the system, such as Pipi Xia's desperate money-seeking system, especially the hidden qualification training direction cannot be used. The explanation is to level the starting line. In other words, if we are all starting from the same starting point, why do we still need this system? Do I have to pay extra to express a sentence? Second point: When traveling, your family does not provide you with the maximum resources. If the family doesn't have the ability, forget it. If you don't give it to me if you have the ability, it would be ridiculous. It's like giving up and throwing away Kuailong, letting Dawu throw away Metagross, and not using the family's resources. This idea can't be exchanged for 10 Aquas. The third point: Conquer Gardevoir. As long as the intimacy level is high enough, there is no reason why the trainer level is not enough. Elise can also directly conquer Kuailong. Once the intimacy level is cleared, it will be speechless. There are a lot of poisonous points in the setting, and readers need to be a little resistant to survive. If possible, it is better to suggest that the author make appropriate modifications.

It's a bit poisonous. The authority to conquer wild elves is not given by the system, but depends on the trainer himself. Rescue and recognition are obtained through battles. Even if the level (according to game settings) is higher than the trainer level, it can still be conquered (refer to the animation). In addition, the intimacy setting will be inherited instead of returning to zero as soon as it is conquered, or it will be zero in the first place. The elves have an initial favorability towards the trainer and are not completely unfamiliar.

6. How long ago did you become a dog of the system?

How can I put it this way, the early stage is okay for someone like me who is poison resistant, but the plot of Sinnoh Double Dragon in the mid stage is really poisonous and makes my scalp numb. I'm not even sure what the protagonist wants to do, other than asking the system to change the beads, cross-dressing and changing his name, then running undercover for Team Galaxy, watching the whole process. In other words, I'm not sure about the protagonist's position. It wouldn't be a problem if all the villains were specifically based on Pokémon as a "utopian" background, but in fact all the villains here have "their own backstory or setting" and these backgrounds are all the "dark side" in the true sense. In other words, the villains are kind-hearted and went astray because they were "unfairly treated by the alliance", and the ending is that the protagonist persuades them to go to labor camps. I don't know what the author means by writing this. It seems that everything has been done, but actually nothing has been done. The result is that he has a bunch of mythical beast friends inexplicably. Her efforts from beginning to end were not even as much as those of the real champion Sirona. In fact, the Fengyuan crisis in the early stage was handled by Dawu alone. During the fight, the protagonist watched and pointed and commented. (Of course, there is not such a bad word in this book, but it was true that he stood by and lamented life or what happened. If he hadn't been reminded that the protagonist was not present, then inexplicably he would... Ran over), waited for others to be unable to hold on, and then appeared and gained a "good reputation". In fact, the protagonist was specially portrayed to be very great and his behavior was positive, but I saw it as very contradictory. Yes, from the beginning to the end, except for the daily routine, when entering the plot and playing dungeons, the protagonist's image and behavior revealed a strong sense of fragmentation, which made people very uncomfortable. The portrayal of the large dungeon was very poor, or it was very confusing, and I couldn't understand it. , I actually understand that the protagonist wants to express the satisfaction of a so-called "scientific researcher" after the unknown and unknown sacrifice finally revealed the truth, but I really only saw the frustration. To be honest, the unknown and unknown sacrifice expresses the protagonist's ability but is not that strong. There are a lot of mythical beast tokens in the mid-term copy, but they are not used anymore. It expresses that the protagonist does not want to rely on the power of the mythical beast, but his own ability is not enough to change and prevent some things, but he has always been "indifferent" and "blindly confident" without asking for help, watching the events in his own way and from the perspective of a lurker. (The protagonist has a charismatic background and seeks help. There are also abilities, but they are just for fun if not used. Not to mention anything else, the Kanto Crimson Red and Green Green, a lot of league champion kings are familiar with it. If you just call some people, you can not say that you can directly expose the villain's lair, but you can also have the devastating response ability in the final closing stage of the network when lurking.) But that's it. No, even the real local champion didn't hide it. Several emergencies happened and the protagonist was "unflappable" and could guess that it would be a "perfect ending" in the end. However, the large dungeon stage was disgusting to watch. The author's core idea of ​​portraying the protagonist is admirable, but the sense of separation is too strong.

There are so many elves that I have subdued later that I can't even write about them. They have become tools and favors, they are favored by mythical beasts, and they are too nosy. I have never written about the things in my own region. Isn't there darkness and decay in this region? I always go to other alliances to make trouble, so why write about Donghuang?

Miaomiao