All-Around Great Painter

The author is great. From the perspective of a reader, I have some suggestions on character creation, hoping it will be helpful to your creation: After reading the latest chapter, I actually don't understand that Gu wants to apprentice with Cao. You wrote that Tang Ning was dissatisfied and even jealous of Gu and wanted to destroy Gu. Of course there is no problem with such a portrayal. However, you then wrote that after hearing about it, Cao only said that what she did was "human nature" and that he was disappointed in her, that's all. Regarding this method of suppressing his fellow disciples, Cao's treatment like this is, it must be said, a very cheerful expression... You may want to say that Gu is not yet a disciple, but Mr. Cao is partial to Tang Ning in his heart. But Mr. Cao took the initiative to accept his disciples. If Mr. Cao really cherished talents and loved them, and knew that Tangning's behavior was "human nature", then it would be impossible not to consider that the senior brothers and sisters who accepted Gu Hougui would be dissatisfied and even suppress him. Under normal circumstances, if there is no support from Mr. Cao, how can Gu, a normal 18-year-old native, maintain his mood in the face of pressure from famous seniors? And what did Cao do? When Cao saw a young painter come to offer paintings for help, he actually brushed off Tang Ning's behavior of ruining people's futures. Instead, he despised Gu Xin's restlessness and embarrassed Da Yong. Then he looked at Gu's good paintings and praised his successors, but did not point out the shortcomings. Instead, he wrote a line to show that he valued... Is this a highly respected senior painter who supports the younger generations? If the upper beam is not straight and the lower beam is crooked, it is not difficult to understand the behavior of his disciples... Cao's willful behavior is undoubtedly making fun of Gu's career, letting Gu use his own career to pursue an elusive discipleship. In Cao's opinion, Gu was a lottery ticket that had not been scratched, and he would not lose any money if he scratched it. He had not considered the future of this young painter at all. If he scratched it out without a prize, he deserved to die. In the description of the relationship between Cao and his apprentice, I did not see any warmth or brilliance in this big family. The dialogue between master and apprentice is stilted, artificial, and depressing. Rather than saying that Cao was recruiting apprentices, it would be better to say that Cao was raising Gu. Cao's method of selecting successors was not inheritance from master to apprentice but gang succession. Several apprentices only wanted to inherit the reputation of Cao's sect in order to gain wealth, rather than inherit painting skills. Tang Ning was able to joke and be favored in front of Cao just because she was the fattest Gu and would inherit Cao's plaque. The senior brothers and sisters did not want to ruin their reputation, so she was so afraid that her position would be replaced and no one would look down on her. That is to say, Gu Mingjian, an ordinary little painter, would have been killed by Cao. What I am talking about is that Cao is not Tang Ning. Tang Ning's actions are vicious at best, and Cao is the culprit. He can ruin a young painter's creative career with just a bad check. Even with such an indifferent attitude toward fame and fortune, he can't help but worry about gains and losses, and feel depressed. I can foresee that if Gu finally goes to serve Cao, it will only cast a shadow on his creation. In a word, Cao gave too little and had too many things to do. With a backer like Sakai, a mentality of continuous improvement, a system, and a legendary level of scratch painting, does Gu need Mr. Cao's ladder to the blue sky? Not that necessary. What is Cao's attraction to Gu? Is it the reputation of being a close disciple? Is it the desire for money? Or should I follow Mr. Cao and get some rare advice and pick up a few words (laughs)? The talent that Gu is most worried about is whether he will be able to grow his talent with Cao Neng (乐)? Gu has many options. He can become a great illustrator who is not short of money, or he can settle down for a few years and use the resources of the Sakai family to make his debut. He can also improve his painting skills with the help of the system and find his own path... But he and Cao had no friendship at all before. Without any reason, Gu was tied up by an old man and a fake master with an insincere condition, and was forced to get involved in the bloody drama of rich families fighting for family property. Even if Gu can make it out of the Singapore Double Exhibition, what awaits him will be a more intense fight. Gu Da can send a bad painting to Mr. Cao and then refuse to become a disciple. It's just a matter of public opinion. Hello, I'm okay, everyone. The author's writing style is very spiritual. I didn't expect that he would not eat fireworks to this extent. It's vicious to ruin someone's future, let alone someone from the same family. But I don't know where Tang Ning is in your eyes, so I won't comment. But Cao's treatment makes me sick. I understand that the author wrote this for the purpose of promoting the main plot. However, your portrayal of Cao only made me see a sanctimonious hypocrite, and I could not see any previous master. The description of Gu is even more infuriating, which will seriously affect the subsequent plot of apprenticeship and learning. On one side is the sect that is clearly in trouble, with a bunch of Mo Zuo brothers, and on the other side is the Sakai family who is clean and innocent. You know who to choose even with your eyes closed. The author could have forced Gu Bai into Cao's sect, but this would be the heaviest damage to the work... The author may have wanted the opportunity to be taught by a famous teacher, which is understandable, but writing such a kneeling lick in the article really affects the perception. Gu is like a submissive trembling mother. Why? From Gu's perspective, breaking things off is already the best choice. The author once said that Eastern culture pays more attention to human cultivation and integrity. Why did such grand words leave nothing but chicken feathers when the time came to write, and only added laughter to the heartache? But in any case, this is the best book I have ever seen in Qidian. It is full of emotions, full of characters, decent expressions, and detailed descriptions. It seems that it really makes people see Gu's life... I still hope that the author can keep reading. I also hope that the author's family is safe and in good health. ps. Everyone throughout the ages has doubted their own level, and there are many people who have devalued their own works as worthless, but Gu has no such concerns, and the painting is over. A master is a master, and a legend is a legend. What an incredible ability this is. Do you still need to look at other people's faces? The author has more skills in writing details but lacks experience. I hope that the author will be more generous in the future, so that he can no longer make Gu so cautious and walk on thin ice, as if one wrong step will lead to catastrophe, and give the character more room for error. Also, as the saying goes, a gentleman thinks about his deeds but not his heart. A person will think about many things in a day. Very few of them are reflected in his appearance and actions, but they are all the most essential part of being a human being. Appropriately delete the psychological description and replace it with action description. This will leave blank space for the character, and can also make the character more three-dimensional and solid, and show the true inner spirit. In general, the pace can be slowed down and relaxed, with fewer minor troubles and more main lines. Don't let Gu get into all kinds of minor troubles again. We must find a way to provide Gu with basic security instead of relying solely on the reputation of the so-called painter. Only in this way can we create an ideal living environment for artists. Also, I sincerely hope that the author can slightly change Cao's character image to be more in line with the character's positioning. Thank you for watching (*^▽^)/★*☆

It took me two days to catch up on the current progress, and I will briefly share my feelings. Some are exciting and some are boring. The exciting parts have made me cry many times, such as the clips about autism and kittens, and the boring ones, such as that Miao. I have to flip through the book to read back to remember the supporting character's name. Too much space is spent on shaping the plot of pretending to slap someone in the face. It is no wonder that some book friends think it is suspicious of hydrology, but if it is a new author, I am more willing to be friendly and believe that it is The author doesn't grasp the density and rhythm of the story well enough. In fact, what I want to know more is how Xiao Gu practiced watercolor with the teacher, and what improvements he made in watercolor, or the interaction with Miss Sakai, or the creative layout of Anna's illustrations, or what happened after Xiao Gu received Mr. Cao's calligraphy treasure. Instead of spending a lot of space describing the face-slapping classmate Miao, if it was this part of the film, I really wanted to speed up... It's not like I can't write it. It's a slap in the face, but the plot needs to be pushed forward a bit. At least the hundred days of the Singapore competition must be advanced from three digits to two digits... Or write a few more pictures and quickly get rid of this excessive plot. Otherwise, sometimes it really feels like watching a [longevity drama]. After ten days and a half months, the main plot has not been pushed at all. The mini boss has not been beaten yet. They are still talking about preparing for the expedition. Before the expedition, I went to Dongshi to buy a horse. On the way to buy the horse, I encountered a quarrel with my neighbors. Help. During the mediation, Qi Gu's son disappeared, and Ba Ye's grandson secretly wet the bed. Then he spent a lot of time introducing Qi Gu and Ba Ye. However, he didn't buy saddles, bridles, and long whips. He was going to fight the boss in the Year of the Monkey? The writing is a bit loose, and the examples may not be so appropriate, but having said that, this book is one of the few masterpieces that can arouse my emotional fluctuations in the vast sea of books in recent years. I hope the author's grasp of rhythm will get better and better!

The author is someone who can insert thousands of words of description between the two lines of dialogue "Have you eaten?" And "Have you eaten?" The plot of Mona is like the first sword on the beach, killing the person you love first, but honestly I don't hate it. Who would hate this kind of depressing tragedy like a rainy day? As for the art, I like watching it but I can't understand it, but the face-slapping content is still... No, it's too third-rate. All the "villains" have the temperament to make their family's faces look down upon them since they were born. Even if the opponent is bronze, no matter how good you are at it, it won't reflect your technical level. Only opponents who are more difficult to deal with can be described brilliantly. Then I hope that readers are not interested in fame and fortune, but are only interested in painting. They can read any book if they like fame and fortune. Those who like to read art appreciation science novels are very small. Love is just a wrong impulse, painting is the right path, don't speculate in stocks.

The writing is smart, the narrative is protracted, the characters are three-dimensional, and the plot is cliché. The author is knowledgeable and knowledgeable, which is good, but I think there are still too many popular science parts. For example, in the section about playing tennis, there is a lot of popular science. When simplified, it actually only needs one sentence: "Tennis and other outdoor sports are also eye-catching bonus points for a painter" and "LOVE refers to the opposite side of zero seal." The rest, in my personal opinion, is just a gaudy burl and can be deleted. In addition, maybe because of my personal feeling, the recent chapters are somewhat similar, and similar psychological descriptions always make people tired. Instead of piling up the quantity, it might be better to hide some of the cool points that are forced to be explained, and instead optimize the plot and the remaining cool points, which may give a better look and feel. This is just my personal opinion, but I sincerely hope that the author can adopt it.

Some thoughts after reading it... It was so painful to follow the book in the early stages. I didn't understand the author's painstaking efforts until today. The author's choice of words and sentences does not conform to the habits of online writing, resulting in overly long sentences. If you can't see the plot points, it will always make people feel anxious. However, after reading it today, I completely understand the profound meaning. The acquaintance between Anna and Xiao Gu is from God's perspective. Readers think that Anna should be unswervingly attracted to Xiao Gu and support him. We know the friendship between Mr. Sloth and Detective Cat, and as Xiao Gu grows up under Anna's guidance, they gradually become evenly matched. But both of them were wearing masks at this time and only exchanged part of their sincerity. At this time, the sloth's appearance is "Mr." And the detective cat is "Ms.". The two are opposite to themselves in gender. They both think they are the same gender. What is very interesting is that it actually conforms to the public impression in society that "men are strong and women are weak" and the growth of women. What is very interesting is that Anna was raised by female elders when she was a child, so she naturally had a good impression of female elders; Gu Weijing was raised by his grandfather, and he also had a bonus towards male elders with paternal intentions. Without knowing each other's true situation, this part has a kind of reverse charm. But in real interactions, everyone wears various masks for various reasons. In the early stage, everyone commented that Anna was not "approachable" enough and not "firm" enough to support Xiao Gu. But is Anna, as a "noble", like this in real life? I still remember that the author actually wrote a lot of ink on Anna. In the early stage, there was a lot of ink on Anna, which shaped the differences in class between the two, but also the similarities in soul. Anna is in the circle, but she is incompatible with it. Although she is "top" in the circle, her inner loneliness fills the author's writing. Anna is not understood by others, and her soul is wandering alone. At this time, Anna, wearing the mask of "Mr. Sloth", is the "elder", the "mentor", the help given to the "Detective Cat", the Bole and the Maxima, and the discerning eye. This period of time for Xiao Gu is a period of rapid learning. Mr. Sloth is sublimating Xiao Gu's soul. Many times, everyone may be criticizing the CP of Xiao Gu and Shengzi. When they are immersed in the entanglement between Xiao Gu and Kou Kou, Anna gives Xiao Gu something else, a more powerful personality upgrade. In Brother Hao's story, the name PS is also very interesting, "taking by force and plundering". Xiao Gu finally absorbed all the "nutrients" given by Mr. Sloth under the stimulation of the outside world, and gave birth to a more powerful self, becoming the new Gu Weijing. At this time, the two souls began to truly intersect. Only we readers know some of the small details of this wonderful collision of souls, but in reality the two are still "familiar strangers". It is natural for them to think and act while wearing masks, with their own identities and classes. In 775, after the two finally started talking, they gradually put down their "filters" and their arrogance and prejudice. Gu Weijing no longer felt that Anna was the "queen" side he saw, and delicately captured the fragile and sensitive side of Anna's heart. Anna was attracted by Gu Weijing and his soul... At present, it seems that each other briefly took off their "coats" and revealed their hearts. The author spent a lot of pen and ink to exaggerate the "Pride and Prejudice" between the two in this volume, but when the result was finally announced, I felt a sense of loss after reading it. I always felt that the previous chapter was a bit lengthy, which caused the rhythm of this chapter to be a bit unbalanced. However, the flaws do not outweigh the virtues. The above is my humble opinion. After reading it, I couldn't wait to write such a long paragraph. This is also the first time I have given a long review 🪖 Maybe I have over-interpreted it, but at this moment, this is the truth in my heart. ps: Gu Weijing is so lucky. There are so many lovely girls who appear in his life and give him so many precious things. I envy...

First of all, take screenshots as evidence that I have ordered all the latest chapters: Then I will make my evaluation on my paid subscription: The description of the details that are picky has a minimal effect on the overall plot development. It was promised in the last update that Mr. Cao would see the paintings drawn by Xiao Gu, but it was only described in the last sentence of the latest chapter. It turns out that this is the author's promise 🤭🤭🤭… And this is not the first time that this kind of chapter that affects the advancement of the plot has appeared. The most recent similar situation was the cat knife painting drawn by Detective Cat. I waited at least five days and five chapters before seeing Detective Cat's knife painting appear in front of an autistic patient. And I foresee that this situation will continue. Before the arrival of the exciting plot, the exciting plot will be postponed through the description of other people, and finally it will become a story chapter that is nowhere near what is needed. And when this kind of operation occurs again and again, it will only make me feel that it is superficial, or it is a target of the reader's expected plot. Finally, either more refined chapter plots or more updates. Hope the author can change.

Alas, I had a good time raising books, but when I looked back and saw that Xiao Gu and Shengzi had broken up, I had the urge to abandon books. I am a follow-up reader, and I sided with Anna at the beginning, because Shengzi and Xiao Gu had not experienced so much at that time, and they did not have deep feelings. After the official announcement of Xiao Gu and Shengzi, I was a little reluctant to leave, feeling sorry for Anna, but the daily life in the next dozens of chapters really touched me. I read it every day just to see the sweet and warm daily life. The breakup of Xiao Gu and Shengzi was so unexpected, and the dreamlike love in their hearts became so pale. My white moonlight was shattered, and the fragments turned into silent heavy snow in winter, burying the spring between Shengzi and Xiao Gu, and the beautiful memories between me and this work.

"Impressionism is nothing more than inner emotions and pure visual enjoyment. We don't depict gods, we just record sunshine and air. We don't follow dogma, because beautiful things will remain, and pain will eventually pass away." An elegant white-haired girl listened to the words of the boy on the other side of the world. At this moment, they are no longer Mr. Sloth and Miss Cat, but the same entity, with one heart and one heart, just like one body. The girl's heart is like a violent ocean, her thoughts are emerging like a fierce storm, and her heart seems to be involved in an uncontrollable tide. The sound of the wind is like the cry of petrels in the turbulent ocean of the heart. Like waves hitting the seashore, their souls overlapped. She found Van Gogh, whom she had longed for. This was an arrangement of fate, a brilliant light carefully designed by the God of Art in her bleak life. The two had never met before, even though they were in foreign lands, at that moment, their heartbeats overlapped. A wave of shock arose in the girl's heart, and gulls and herons flew across the shore. The fates of Anna and Xiao Gu were closely intertwined at this moment, spanning time and space. #celebrity scene amway#

I stayed up late to finish reading it, and it was a bit overwhelming and not enough to read at all. Some of the plots felt a bit disgusting. For example, the protagonist's aunt felt a little uncomfortable to watch. Every time I wrote about it, she wanted to skip it.

It can be seen that the author is very careful in writing Sakai Katsuko. This is one of the few heroines I like. I hope the author will not imitate other authors and deliberately write the heroine to death and create an unsatisfactory ending (for example, the two have differences and gradually drift away, and then Or because of a third party or multiple heroines, the heroine is abandoned) I am basically completely settled (I have two accounts to follow, this one is the new one) and I am also a loyal reader of this book. I hope the author will not be ignorant 😃😃😃

What was your experience reading this book? The book is a good book, but the reading experience is very bad. Just like when you go to a restaurant to eat, the chef is a good cook and can make very delicious food. But it tastes very unpleasant to you. Because this chef wants you to know how he works hard to make this delicious food. He will be beside you and tell you the deliciousness of this delicacy. He wants to tell you how many grains of salt he put in and how many times he used the shovel. It will make you want to stuff the food into your mouth, instead of letting you quietly appreciate the true taste of the food. Is this kind of delicacy enough to attract you? Was your dining experience good? Such a cook can make delicious food, but he is not a good cook. He is a very narcissistic person. He doesn't trust anyone. He feels that no one else can taste the beauty of delicious food. So he breaks the food into pieces and stuffs it into other people's mouths, telling them how delicious the food is on behalf of other people's experience. This is my experience reading this book. It's delicious, but it tastes uncomfortable, even disgusting. It's stuffed, and it's stuffed before you can chew and swallow it.

The author's emotional descriptions are very delicate. If he is not a girl with delicate thoughts, he is also an emotional boy. This part of the plot about emotions is actually very comfortable to watch. It is different from the popular Shuangwen plots. It is not a dry slap in the face. It's all done, but unfortunately the most criticized thing among readers is that the main plot is too slow to advance... It's heart-wrenching and not addictive enough. I have to read a few more paintings-related books to enjoy it. I hope the author will recover from his illness soon and add a few more pictures so that I can read them all at once 🥺

In one sentence, the author hopes that we should have less inner drama. After reading the first 60 chapters, inner drama accounts for 40 chapters. The plot is too slow.

I read Chapter 440 in one go and was very satisfied. It's very interesting, but the author's characterization is too detailed. It's not that readers don't have the patience to wait for the protagonist to grow up slowly, but that the author really spends too much time shaping and describing the supporting characters. Although the characters are more three-dimensional and vivid, it feels a bit delayed. Although there is a lot of popular science content, everyone understands that it is necessary. Only professional things can support the skeleton of this book. Why is the plot of the gangster written? In order to highlight the protagonist's persistence in not being shaken by interests? OK, let's write some, but a gangster's ghost lingers for hundreds of chapters, which is really annoying. As long as the protagonist is wise enough to protect himself, he should leave here or directly take advantage of the situation. It is not shameful to ask for foreign help when he is weak. On the contrary, the protagonist is precious porcelain. If the author had not arranged for Qingmei and Kou Kou to help, the protagonist's hand would have been almost destroyed. When a painter's hand is crippled, his painting career is over. As a result, the protagonist is still studying painting seriously and carelessly treats the possible underworld threat, which is too arrogant. The gangster plot is enough to annoy readers, so the author also arranges a control group. Although the little character trying to climb up for his father is very heartwarming, who wants to read a long section about a fool painter who is not the protagonist's opponent at all? There is no sense of slap in the face, and it just feels inexplicable. In terms of characterization, I originally didn't like the "snobbish" Mrs. Sakai, but later I felt that this woman was transparent and awesome, and even more attractive than her daughter (laughs). The Tang Ning I hate the most, she has a low character. Does Mr. Cao only look at talent and not conduct when recruiting disciples? The key is that it will take at least a thousand chapters before the protagonist surpasses her with paintings. Watching the clown keep jumping around makes me hate it. The author is great, I'm not saying you're stupid, you've read more than 600 chapters, even if you haven't finished the biennale yet, the Anna family's ancestors' papers haven't been published yet! ! ! Although the chapter in which Little Angel Sakai unravels the inner demons of the male protagonist is very touching, what moved me the most was that Ms. K was swallowed up by the times in order to pursue art (the second one was the autistic cat that really made me cry). I really want the world to know that there was once an outstanding female painter who was martyred for painting. In addition, the protagonist's waistcoat is even willing to tell the driver, but he hides it from his grandfather, his future teacher (Lao Cao), his confidant (Anna), and his lover, Qingmei. Although it must be very cool when the waistcoat is exposed (refer to xx artist), it feels weird. The protagonist's emotional lines are worthy of being an artist's, there are too many. Qingmei is too realistic, pass; Kou Kou, I can only say that I came too late; Sakai is really good, don't change; Anna is very good, but it doesn't feel ambiguous, after all, one is a woman pretending to be a man, and the other is a man pretending to be a woman.

It is certain that the author of this book has great writing skills, but there are also some book friends who say that this book is too watery. In fact, it is neither right nor completely right. The reason why this book seems weak is because there are too many branch plots at the same time, including gangsters, flower arrangement, restoration of historic sites, romance, orphanages, etc. Too many branch plots can easily blur the development of the main plot. To put it bluntly, it is biting off more than one can chew. This is why book friends say this book is too weak. The author should pay attention to the fact that the narration of side plots must serve to promote the main plot, and should not simply write side plots to pile up content.

The writing is very good, and there are few art books that are this good. It's just that the plot advances too slowly, which is both an advantage and a disadvantage. If it is a physical book, it is not a big problem and you can read it in one sitting. But everyone on the Internet reads and follows up. After reading it for a day or two, there is no plot advancement, so how can anyone be sticky?

I have been watching it for a long time and finally finished it tonight. It is so good and so enjoyable. The painting skills part is very good, and the life part is also okay. The only problem may be that the quantity is not enough. There are still too few books that describe the subject of painting in a down-to-earth manner.

I have finished the book and would like to share my feelings after finishing it. Personally, I feel that the author's portrayal of the characters in the group portraits is very clear, but on the contrary, I feel that the portrayal of the protagonist is too vague. The plot line was a bit wanting to abandon the book when I was reading the book because there are many unnecessarily complicated plots. 1. If there is no plot for Brother Hao in the follow-up, there is no need to write it so carefully (if there is a plot in the follow-up, I won't say anything about it). In my opinion, the role of this character is useless after it reflects the harsh social background of the protagonist. 2. Sometimes the main plot is not visible for two consecutive plots, and other plots are always described and too complicated. This may be foreshadowing, but this can easily wear away the reader's patience. 3. The description of the protagonist is all about his painting. The description of life is too thin, so that my impression of the male protagonist is that he is thin, withdrawn, and paranoid about painting, but he is also very stiff and lacks vividness, at least not as vivid as the characterization of the Sakai family. Finally, after I read the last few pictures, the linkage between the characters is quite good. I like this work very much and hope that there will be a good follow-up in the future.

This is a work worth savoring. Thank you to the author for all your efforts. I like it very much. Please keep up the good work!

​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​       After I read this book at the starting point, I haven't read it, I'm afraid, I've been thinking about it. After the results came out, Shuang saw the confrontation with Brother Hao and had to come over to subscribe. Why the hell are you advancing so slowly! ! ! ! ! ! But it's really well written. That is to say: even if I only write one chapter a day to catch readers and make them scratch their heads, even if I write a chapter slowly and wish that half of the chapter is a digression, it feels like I am telling me about art history and comparative art (this is correct, I also like this kind of narration, but for an impatient person, it is really annoying to follow the plot at a rapid pace), readers still have to read my book honestly. The last one that made me feel this way was Dragon Clan III written by Jiangnan Old Thief.

The writing is very good, but the writing and plot seem to be in the style of 10 years ago. There are too many narrations, the plot is dragging, and there are many metaphors.

Regarding the "Blue Period" (comic) in the online article, I just hope that the author can streamline the content appropriately, otherwise I will have to wait until it is finished and then come back to read it.

This book has the author's strong personal style, and there are wonderful parts in each different story chapter. The content also includes knowledge related to various arts at home and abroad, and a lot of effort has been put into the description of the characters. A person has different faces, whether it is oneself in the eyes of outsiders or oneself in the heart. Observing from different angles, different information and life experiences, you can always get different insights from the same person. The same goes for looking at a painting or listening to a story. Everyone has their own feelings and thoughts. The author looks at the protagonist Gu Weijing from the perspectives of different characters such as Anna, Cao Lao, Liu Ziming, Tang Ning, Lao Yang, etc., Which not only enriches the image of the protagonist, but also enriches each character in the process. Some passages in this book are described like a trickle, slowly, slowly, but under the gentle water there are overflowing emotions. The descriptions in some places are lighthearted and playful, which adds a lot to the book. In addition, this book is really not suitable for reading chapter by chapter. Every time I want to accumulate more chapters, I can't control myself and just click on a new chapter to read it. This is probably one of the shortcomings of this book.

After reading it for a long time, I feel that the book is generally very good, but the problems are also obvious. There are still problems with the author's control of characters and side plots. I will focus on the plot issue. As a story, the priority must be clear. Too many branch lines will not only affect readers' thinking but also confuse the timeline of your story. For example, in the orphanage report, there is a problem of too long foreshadowing in the story because of too many branch lines. The second is the issue of revealing the main line nodes. It is best to reveal each node of the main line after the completion of the previous chapter. For example, the goal of going to college is stated at the beginning of the book, but in the middle, the goal of an art exhibition is revealed. Also, the identity of Detective Cat, which is another foreshadowing of the future main plot, also feels a bit too heavy-handed. The readers have been looking forward to the climax, but the story is still foreshadowing. As time goes by, the readers' patience is gone. As far as online articles are concerned, two hundred chapters are more suitable as the nodes of a main chapter. If you have strong writing skills, it is recommended to expand to 300 to 400 chapters. Just my humble opinion. Your opinions may not be the same, so please bear with me.

This month is clean

This is not a cool Internet article, it is more like a story told by an old man under the sun and under the shade of a tree. Although the pace of this book is very slow compared to most online novels, and it is not a model of fighting and killing all the way to finally ascending to the throne, it has the charm of traditional literature and a perceptible beauty.

I really like this novel. I have fully ordered it and the remaining three monthly votes have been voted

This book is really the most complicated book I have read recently. On the one hand, there are very few people writing on the subject of art, and no one writes it well. The author is very professional, and the professional parts are very exciting. It is obvious that his writing skills are not bad. But on the other hand, other plots are like an old lady's smelly and long foot-binding cloth. Most critics can understand the effect the author wants to pursue, but the reality is that it is very poorly done. For example, the character will only be completed by the long speeches of the mentally retarded villain, such as the over-reliance on narration to express psychology, and the problem of reversing priorities when he wrote Mona's painting but was completely unaware that he also committed it. Another example is the gangster who has no meaning to the plot development (temporarily) and takes a long time to write, and another example is the pretentious slap-in-the-face routine that studio-level novels on the best-selling list no longer use. You can say that some newcomers are not mature enough in writing, but most of them are self-righteous and lack "plot aesthetics". One of the tricks that most affects the experience is to always use a very low-cost information gap to promote some meaningless plots. For example, in The Little Prince, Charlie can spot the problem at a glance but he just doesn't look at it. For example, in an art project with such a large scale and high standards in Yangon, an art student from an aristocratic art school no one knows that the protagonist is showing off his skills in it, and therefore brings people from the school to ridicule him because he did not enter the advanced class. This kind of very old-fashioned, vulgar and substandard passages that fill the entire text are the key to our criticism (but in fact it is not difficult to correct). In short, I just want to say that the author should take a look at how the high-quality online articles in recent years can smoothly achieve the effect you want to express, such as the full supporting role image, such as the balance between professional and life, such as the inner activities of the character, instead of just writing in the comment area one by one. The new author will try his best to ask for forgiveness, and then continue to repeat those zero-cost vulgar plots without thinking to fool readers and move them.

How can the protagonist become the greatest painter without dying?

Damn, don't worry about your broken love line, okay? I barely tolerated it in the free chapter. What was written in Chapter Ninety-Six? It's good to leave it for me.