Conan, but It’s the Black Organization

There have been a lot of pure black Conan articles recently. You guys, the authors, finally became black when you grew up?

If nothing else, just because you can kill Conan is enough to stand out among Conan fans.

Personal plot analysis 1. Karasuma Ying should be the child of Regel and Belmod. He should be about the same age as Xiao Ai Mao Lilan. He should have been born during the experimental period. What happened has caused the two of them to have no intersection now. Only in this way can we explain why they are like wormwood. He drinks and knows how to defuse bombs, and then he will be brought up by the boss, maybe, I personally guess 2. Mamiya Kokoro is also the protagonist's vest, and it is even possible that the FBI leader he contacted may be fake, and the purpose is to gather information, similar to the routine of setting up a group with 50 people to deceive one person.

Simply create a post to record the poor people currently being dealt with by the protagonist.

I have been chasing this book for a long time and finally came to the last volume. First of all, I must be sure that this is one of the best light novels I have read for 7 years. It ranks in the top 50 for me among light novels and the top 3 among Conan fanfics (although I think it is the first) There may be minor spoilers below, but it doesn't count It's difficult to define this book. The simplest definition is that the fandom is too superficial about this book. Basically, this book only borrows the framework of the world. Perhaps I would rather call it a story about the mutual redemption of a group of people. It's not limited to detectives, police, and organizations, but from the perspective of a family, micro-abuse, each person's image is very clear, Bai Heqing, a madman, genius, mentally ill, a very thorough kind, but nostalgic, unwilling to let go of every family member's child who lacks love People lose a lot of things in their life, some of which are particularly precious and even regretful for the rest of their lives. Keiko Hatoyama, the sixth protagonist that I will always remember in the novel I have read for 7 years. Just a few strokes, compared to the whole book, compared to the ties of fate, countless people, Belmode, and Shirazaki Shirakawa. . . . It can be said that Keiko's part is really small. After all, this book is still about the confrontation between red and black, but her gentleness, kindness, strength, and her love have led Bai Heqing's life. She personally drove a nail into Bai Heqing's heart, and then hammered the nail with the fate of the two people. Until Bai Heqing completely collapsed; she made Bai Heqing aware of good and evil, but also put the reins on Bai Heqing's hands until he was strangled little by little in her desire; like a joke from hell, she gave Bai Heqing all her love in the world, and then killed herself in front of him. Perhaps the girl in this ward has predicted everything? As the author said, no one understands Bai Heqing better than her. She anticipated everything. When sensibility and rationality were intertwined, she personally pushed Bai Heqing to another path of redemption. She fell down. That road was wide because he and his family were all walking on that road, but that road was narrow because no more person could stand on it. A difficult book to summarize, but like most books that leave a deep impression on my heart, this is a family's mutual redemption. Bai Heqing has never been a lonely person, because he knew that he was not the only one on the road. He walked home with scars all over his body as if he was late that day, while Keiko was waiting on the road early, just like before. I have written a lot, and now I am like a death row prisoner who is ready to be shot, because I will take a big knife next, but when everyone knows that this is a tragedy, walking on the bright road will more or less give people hope. Although that story has nothing to do with me (laughing), I feel a little emotional every time I feel the ending, because their story is over. No matter what, I still look forward to the ending. Keiko's love will walk with me in the remaining decades of my life. Isn't this a kind of romance~

The protagonist should be sorry for Belmode, but he has the heart to let his children, living lovers and those around him feel sad for him. If he has failed one person, will he fail others? Keiko must also hope that he will live well. Keiko's wish is for Ah Qing. Okay, so before Keiko died, she asked Belmod to take good care of the protagonist. Belmod must have loved the protagonist deeply and gave birth to several children for the protagonist, but the protagonist couldn't let go of Keiko. He was always obsessed with the past and couldn't let go. In fact, I think if Keiko was still alive Although I hope that the protagonist will become a good person, I believe that even if there is hell ahead, she will accompany the protagonist into darkness. From Keiko's refusal to support the research on silver bullets, it can be seen that she is a kind woman, because she knows that once the silver bullet research is successful, it will be monopolized by the author, and the way for the lower class people will be completely blocked. However, she is also selfish and hopes that the protagonist will be well. Before she died, he said that he regretted that he could no longer accompany the protagonist, and later entrusted the protagonist to Belmod. , So all Keiko's thoughts are only that the protagonist is good, and everything else is unimportant, but the protagonist thinks that she has failed Keiko and hopes that the protagonist will become a good policeman, and the protagonist's behavior is that of a villain, which breaks the protagonist's idea of ​​survival and chooses to die naturally, but Keiko's original intention was to let the protagonist live well, just like in The Devotion of Suspect

Even though the book is divided from front to back, and the author admits that major bugs occurred due to impulsive changes to the plot, it is still the best Conan fanfic I have ever read. The characters created by the author are great, especially Keiko, Mina and Elena in the later flashbacks. But this also caused a separation between the front and back of the book. In the early stage, a powerful protagonist with a mysterious past played against Red in a crushing manner, which highlighted how terrifying Black's power and ability were without the halo of the original protagonist. There are too many exciting moments in the book, including the killing of Fu Jingguang and the torture of the FBI in the early stage, the continuous plot of Clover Villa in the middle stage, and then basically transitioning from Mary's memories to the later stage. In the later period, although I recalled the whole story, the memories were written so well that the style of the entire book changed directly. This makes the plot of the two linked Lupine theater versions inserted after the memories of decades ago are very abrupt. Although it is to portray Bai Hejing, the style is too fragmented, and the emotions highlighted by a series of tragedies are washed away by this paragraph. Even when I looked back after reading it, I remembered that I had dug holes before. I stopped writing about Sato Miwako, and Cointreau disappeared after the death of Mamiya Kokoro. Even Mamiya Kokoro's death was understated. I doubted that the author was planning to find a reason to resurrect but just didn't think about the plot. If I hadn't looked back, I wouldn't have remembered these plots. The memory chapter has become my biggest impression of this book. If the focus in the early stage was still the confrontation between red and black, but after the death of Mamiya Kokoro, the focus shifted to personal shaping. The red and black confrontation in all designed plots was no longer the focus, but the activities of the protagonist and several people. This is especially true for the memories. Even the few cases that appear in the memories feel redundant to me. The memoir depicts the very likable characters of Keiko Mina Elena through tragedy, and at the same time enriches the image of Karasuma Renya. The character who had a pure background in the original work and said nothing but mystery was given a reasonable story. At the same time, the Edo Street chapter interspersed led to Shirakawarui killing the Kudo family neatly. But there are also some flaws in the Memories. The main flaws are basically in the cases. Because the author set the protagonist's IQ to be too high, no matter what case he is, he will be speed-passed, resulting in a lack of interest in the case. The island in Mary's Memories is just to replicate the Blizzard Villa model, but there are no explosive points. It is also the biggest problem in the later period. It is too watery, and the words at the end of the previous chapter will be copied to the beginning of the next chapter. As well as introducing the previous plot within the chapter similar to the summary chapter. It can only be said that the author may not really care about reading, and he really implements the concept of writing slowly. Originally, I thought that entering the memoirs would be in the later stages, but I didn't expect that I had to write for more than half a year and turn Mary's memories into the middle content. This book is very good when viewed individually, but in the end, when combined, it creates the impression of fragmented styles. I can only say that impulsive changes to the outline are too harmful. Except for the movie version of Lupine where Shirazuki is written, the timeline of the memoirs is very coherent, from the acquaintance of Keiko and Keiko to the departure of Keiko and Mina Okino, to the return of Keiko and Mina's departure, and finally to the introduction of Elena, Shirakawa's life trajectory and psychological changes are completely written through several characters. Then through the dialogue with Shiho, the protagonist's final choice is revealed, and then a perspective is cut to see that the efforts of the protagonist's children ultimately failed to plot against the protagonist, leading to the ending. If the memory chapter was connected with the ending, it would be a killer, but it's a pity that it was mixed into the Lupine movie version. This section should be placed earlier. Even if the plot involves plum wine and Akemi, placing it earlier will not have much impact. The way Akai Shuichi died was very appropriate, but the time of his death was also a bit problematic. Although the story time from when he was told by Carly where Mary was to his death was very short, the off-site reading experience separated a long memory. Akai Shuichi is said to be the representative of the red side, but since the red-black confrontation has not been the focus for a long time, Akai Shuichi is not as important as Carly. He can die early without waiting for the ending. The last message left to Mary in Edo Street should be released later. In short, the two people in the final ending should not be so far away from the previous plot.

Poof…

There is an obvious logic bug in the last chapter. Sharon died inexplicably. Sharon was shot and killed without even confirming Bai He's situation? Baihe Qingbian Hospital must have lost sight of Baihe, but the three siblings of the Baihe family didn't receive any information? It is obviously impossible for Miyano Shiho to have the energy to help hide it despite the power of the Shirakawa family. In other words, there must be a "Shirakawa" lying in the hospital to hide it, right? I can't explain it at all here.

A quick comment, hope to be friendly to Qin₍˄·͈༝·͈˄*₎◞ ̑̑