Hunter X Hunter: I Really Don't Want to Be the Leader

So many time travelers have made their abilities so complex, but their IQs really can't keep up. Why didn't the author choose something as simple and crude as the strengthening system and the releasing system? A protagonist with a low IQ plays well with those geniuses and is really confident. Based on the intelligence of those sinister hunters, it seems that it is difficult for any author to be able to control literary drama.

The idea is very good, the creativity is very good, but the IQ of the characters seems a bit behind, I mean the original one. Hunter, in my opinion, its most attractive feature lies in its strange mental abilities, novel settings and world view, and most importantly, the battle of wits between its characters and the wisdom of fighting. You don't seem to have reflected this.

Although I am a rare hunter fan, I still have to say that the protagonist is too disdainful. He doesn't have a lovable personality. He talks about wanting a plain life, but he is actually real. . . (Although this is also a common pattern for the starting point protagonist), and giving away girls and so on (in order to save his life, he betrayed others, and also gave the heroine who was fond of him and loyal to him to the brigade)

From a characterization perspective, I find Bisiki's description quite strange. First of all, she is a two-star gem hunter, the inheritor of the Heart Origin Style, and a person with the ability to change minds. But judging from the plot of this extra episode, what emerged to me was a warm-hearted and muscular elder sister. The hunter's worldview is generally realistic and leans toward darkness. Her performance of blocking Xiaodi many times to protect the two supporting characters was too deliberate. In order to highlight the supporting characters and enhance the protagonist's presence, the characters in the play were described in a nondescript manner. Judging from the fact that Killua was trained in the original work and the pervert was used as a test subject, she is not a foolish and benevolent being. What's more, she is also a person with change abilities who is famous for her capriciousness. Protecting the dragon once can barely be considered as maintaining the harmony of the team. Isn't she just a silly elder sister with an overweight mother's heart? It is unreasonable to have to oppose two members of the brigade in order to protect a sidekick who is attacking the protagonist. For the follow-up plot, I still hope that it can be carried out while respecting the description of the original characters. Changing the characters themselves in order to forcefully write the plot is a bit putting the cart before the horse. If you are not capable of writing extras, you should just follow the original timeline honestly.

It felt like it was written by a female author, and I don't know how many readers were turned off by the Phantom Troupe section.

The subject matter is attractive, and it can be seen that the author has the intention to write a novel that is different from following the group flow. From the prophetic poem at the beginning and the concept of the ability to shoot, it can be seen that the author is still willing to write his own things, but the author's writing style is somewhat unable to support his own ideas. For example, the cooperation with the gangster family and sending Xiaodi to the tour group. When the gang leader faced a person with special abilities who saved him, without a reasonable psychological description, his attitude was to simply ask and then directly choose to train him. This kind of bridge that promotes the development of the plot actually, well, feels a bit deliberate, and even has a bad look. Some people may not understand it, but I said it well. As the boss of a gangster family, one day your physical condition suddenly ignited like a catkin on fire, and the family was thrown into chaos. Your subordinates were in a hurry and went to the doctor. A young magician (ps: 15 years old) was cured by you. After waking up, he briefly handled family affairs. He also asked his subordinates and confirmed that the person who saved you was the Holy Son of a small gangster who made money by doing telepathy. The subordinate who took over explained the process again. The boy was killed by your subordinates, resurrected, and his temperament changed drastically. He was coerced and pulled to save your life. By the way, just to force him, he killed his father. What is your decision now? Perhaps, some people will say that the relationship between the protagonist and his father is not good, and the former owner of the body has little relationship with the protagonist, but does the gang boss know? Of course, please understand, I don't mean to be critical. I don't mean to look for reality in the novel But as an author, I hope you can understand that although a good novel that touches people's hearts does not necessarily have to describe the communication fragments well, since you have chosen to use communication description to present what you want to express, wouldn't it be better to improve it? As for the description of letting Xiaodi go to the travel group to develop, it happened without any foreshadowing or psychological description. It is very... Maybe the author should try to see it from the reader's perspective. Maybe you, the author, think that readers can find their own Hamlet in their minds. But my answer is, no. If the character's personality and the delicate inner psychological activities of the character are not much, it will be difficult for the character's imagination space to expand in the heart. It is difficult for readers to read more than the literal meaning. It can be seen that the author really wants to write well, but his writing techniques and ways of thinking are really lagging behind, and he cannot express his inner thoughts very well. It is recommended that you read more books about writing techniques by famous writers to lay a solid foundation.

It was too fast to enter the dungeon. I wanted to come in and see how the leader plays, but after reading dozens of chapters, I lost it. I recommend focusing on the interaction between the church and the protagonist group, and innovating without losing the original plot. The collision between the church group and the protagonist group creates new plot sparks. The plot of the arena is really a failure. The protagonist's strength is straight to the end. Who were the original protagonist group and the people in the arena at that time? It's not an exaggeration to say that there are three religions and nine schools. You let the leader fight in the arena? The protagonist is the leader of a religious sect, and the author has arranged for Aunt Bi. Can you really think of no other plot? Even if you want to find someone to practice with, why not do it privately? For a powerful leader, arranging such a stage fight is a waste of character. Protagonist, you can lower everything, but you can't lower your strength! The game started with cultivating forces, and I thought it was a group game, but in the end, there was a twist: the protagonist was fighting alone, and the forces became the backdrop.

Living under someone else's roof, living a life of captivity, why does the protagonist think he is safe? ? ? ?

The poison spots are not big, they are all small poison spots. But even if the protagonist is capable, why does a two-star hunter like Bisji always ask the protagonist for his opinion? The protagonist is not even a hunter. The author can still make some adjustments now. Just to highlight the protagonist, don't make everyone else smarter. Hisoka and Bisij have no opinions of their own. They all listen to the protagonist and ask him about everything. Hisoka wouldn't say it anymore, a veteran like Bisji and a two-star hunter didn't have any opinions of his own, and he was still the leader of the team. What does the protagonist think of everything... How does such a character pass the hunter exam?

The setting of the embodied telepathy ability of equivalent exchange is really good. The restriction should be lower potential and energy than normal people. The telepathy ability can fill oneself with other people's energy and use it for equivalent exchange.