Across the Heavens, Starting with A Little Reunion

Why does everyone who writes "Little Joy" dote on Yingzi? It is clear that Wang Yidi has a better family than Yingzi regardless of appearance. Are the aesthetics of these protagonists so special?

Why did "Everything is Fine" in the past always suppress Su Mingcheng and favor Su Mingyu? ! Apart from being a bit ambitious and impatient, Su Mingcheng is actually one of the better members of the Su family. He is filial to his parents, loves his wife, and respects his elder brothers. He was influenced by his mother when he was not good to his younger sister when he was a child. It is completely untenable to say that Su Mingcheng is an old man. If we were parents, who wouldn't like children who can provide for themselves and still be filial? ! What's wrong with leaving property to such a child? ! Do you want to leave it to Su Mingzhe, who will not come back to the United States, or Su Mingyu, who has severed ties with her? !

Zhong Lili is the best in the world, and Wang Yidi is the best in the world! ! ! !

Why do you write about so many self-created female protagonists in film and television fandom? There is no sense of empathy at all. It's useless no matter how many pictures you add. This is a failure

Why not choose Wang Yidi! ! !

Maybe it's because I have a bit of an obsession with science and engineering thinking. I prefer plots involving skills or professions. The sense of accomplishment of learning skills and then using them to become bigger and stronger, or to make life easier is unparalleled. Chefs, architecture, painting, music, literature, science and engineering, chemistry, biology, doctors, fashion design, interior design, even farming, pig raising, welders, lawyers, teachers, directors, actors, The important thing is not how much you learn, but in the process of participating in the plot, the process of learning skills, and the refreshing feeling of using skills to achieve achievements, and using skills to create new and unknown things. (In terms of skills, some simple knowledge and the process of achieving it can be added, which can better allow us readers to immerse themselves in it. Rather than having no process at all, you are learning, learning, carrying forward, and becoming awesome. Without any process, without any sense of substitution, it feels like a running account.) And it doesn't have to be all of these contents, but integrating them together while participating in the plot of the dungeon can naturally change the direction of the plot and take the plot in a different and unknown direction. Only in this way can we attract our readers with this sense of accomplishment and unknown novelty.

Several books have this. The youngest son of a chaebol family is really annoying. Skip them all.

I've flipped through the book and haven't read it yet. If I write anything bad, I have to write about Fang Yifan.

More points, I like this style very much

The tear between chapters is too serious. It always fast forwards suddenly and the experience is extremely poor.