The Last Winner in the World of Film and TV

The protagonist is quite a character, with his treacherous and nefarious tendencies maxed out. He has a thing for married women. Before the women in "All Is Well" married Su Mingzhe and Su Mingcheng, he didn't even glance at them. Even when he transmigrated ten years earlier, he acted as if nothing had happened.

I read the reviews before reading the book, and when I saw one saying it was harem-oriented, I couldn't sit still. Are there still novels like this? I have to give it a good critique. Of course, I'm someone who reads the Spring and Autumn Annals, and I always approach books with a critical eye, like Liu Bei. Let me clarify here that this isn't because I'm lecherous. 😍😍😍

Great! The protagonist's feelings are clear and straightforward. I found those novels where the main character fawns over the female lead after getting together with Zhu Suosuo disgusting; they're just driven by lust.

Xie Jiayin is great; she's a widow, a mother, and a rich woman—her buffs are maxed out!

The writing started off well, but later it got a bit unrestrained, with people belittling others everywhere. Take "Human Matters" for example, the male and female leads didn't do anything heinous, they were just a bit pretentious and the female lead was an ingrate. The protagonist himself isn't a good person either, yet he's still judging and mocking people in the story.

Author, you should probably stick to urban fantasy and write simple stories like Lao Gan Ma (a popular chili sauce brand). Don't even bother writing historical dramas; you don't have the ability, you know that.

Lately, there's been so little filler and so little substance, and it all feels like the plot is just for the sake of plot. Take "All Is Well," for example. They came out so early, and if they wanted to steal someone's partner, why didn't they just do it themselves? It's just about stealing Cao Cao for the sake of stealing Cao Cao. How despicable!

Lacking satisfying moments and with rigid plot twists, I suggest reading more similar works to see how other protagonists handle things in this world. In those stories, the protagonists manipulate women like chickens, controlling everything, and their backgrounds include system-given money and equity. Most importantly, the author's vision is too narrow.

There's no system task involved, so why get involved with the protagonist and his group? They're so rich and have no shortage of women, why are they trying to pull Cao Cao's stunts? They're not exactly stunning beauties.

Jiang Nansun