The Ultimate Conduction Terror Beast Stands Above Douluo Dalu

This book is considered to be an extremely rare type among Douluo fans recently, that is, the kind that neither tramples on Tang San nor praises Tang San very highly. It is completely a breath of fresh air. The author said that based on his work experience, he believed that Tang San in the original work may have some shortcomings in spiritual personality, so the protagonist was placed in Tang San's childhood in order to fill the spiritual hole. This is very interesting, at least I have never seen a book written like this in Qidian. There is a problem here, that is, the author is too rational. The author starts completely from logic and analyzes the internal behavioral logic of the original characters, making this book right in the middle of the so-called "stepping on the three factions" and "licking the three factions". The Trampling San faction will think that the author is working as Tang San's nanny and is a dog licker. But the Li San Sect felt that the author was changing the innocent young Tang San, and Tang San did not need to change. It's really a bit miserable to please both sides and hate both sides. In terms of writing techniques, the author is not like the current "fast food" novels, which use fast and powerful hot spots to quickly attract attention and gain profits in the early stage. When the hot spots are used up in the later stage, he cuts the book and runs away. Instead, more pen and ink are used to describe the inner changes of the characters, focusing on the inner thoughts of the characters rather than external performances.        Old Jack, the nameless doorman in the original work, and even Xiao Wu, who can be said to be the protagonist's pendant in the original work, have been carefully portrayed by the author, making the characters seem to have come alive, with their own lives and their own ideas. But in this way, the overall pace of the book is very slow, the plot fails to advance quickly, and the readers are attracted to the book until the author has no passion, and finally it is abandoned (just saying this, the author must not cut it, I will vote). I hope the author can update more. These problems will not be a problem as long as they are updated more. (Since I have written so much, the author is great, could you please add more details)

The common poisonous points of imagination writing have begun to break down. The author seems to have little experience in writing books, and his mentality is almost unbearable. He has become aggressive with the readers, and no one in the explanation even complained. One of the advantages of this kind of imagination writing is that it is groundbreaking and novel. It has low requirements on rhythm control, plot arrangement and writing style, and is suitable for novices with ideas. But the disadvantages are also obvious. Novices have no patience and only have three minutes of enthusiasm. Without planning, they write whatever comes to mind. In the end, they will dig holes everywhere, one in the east and one in the west, and none of them will be dug deeply. The author's first hundred chapters can't be called a novel. They should be called detailed outlines of settings. I've posted large sections of settings. It's too lenient for readers to tolerate it. After that, I just dug holes all over the place, and I couldn't write down all the cool points in detail. What about the previous Lanta? Like a transparent person in a vase, the figure is almost invisible; where is Zhu Zhuqing's power of the underworld? He is also invisible every day, and his development and training are no longer progressing. He feels inferior to the comic master. What about Ning Rongrong's two auxiliary systems? The spirit of a battle is gone, and the difference from other people's team battles cannot be reflected. Not to mention the previous relationship with Wuhun Palace, the connection with the three upper sects, and the future layout. What about these main lines? With so much to write, my mind got hot. For a whole week, I updated it every day, and I was thinking about strengthening the water and ultimate ice that day. I had to kill everyone and win the hemp. It seemed like the previous one hundred chapters of racking my brains to strengthen it seemed like a relief. Every point can be written in depth. There are many things to see if you dig deeper. If you have to try them all, you will not be very good. I just want to play, I just want to happily spread my imagination, and I don't want to do the difficult and long completion and in-depth cultivation. If I continue like this, I will just be a courier delivering creative ideas to subsequent authors. Online articles never matter who is the original author. Whoever writes well will take all. The leader of various streams is never the pioneer, but the one who writes the best

I only saw licking Tang San and clearing Tang San's name. What the hell are the first two written about? Tang San's fault is not Tang San's fault, it's because the people around him influence Tang San. Tang San's mistakes are not wrong. Is it right to say that the people around Tang San became like this because of the people around them, and then they are all cleared, right?

Shrek Academy is full of stains, but everyone in Wuhun Hall is spotless. They are all pitiful people. Do you also want to be Tang San?

The theory is well written, and I really like to read setting novels with a well-developed world view, but there is too much information in one paragraph, so try to write it separately. Many people who read online articles just want to make a quick and enjoyable article. It is too dry for you to put all the information together. The positioning is relatively middle-of-the-road, not extreme anti-three, nor extreme negative. The master is a devilish person, and his view of Shrek is relatively negative for the time being, while the image of Wuhun Palace is very positive for the time being. However, the author believes that due to reasons such as having no parental guidance, no one to care about him, and being brainwashed by pyramid schemes, Dou Yi's Tang San's three views are very imperfect and can be changed. The image of Xiao Wu is that of a very naive and innocent idiot child, which is almost fantasy. Even in the sewer, many fans try to create a second set of a soul beast in heat. Isn't that disgusting and offensive? No matter whether the old rabbit has lived for 100,000 years or cultivated for 100,000 years as an immortal species, he is still living in the forest. He is a simple-minded little idiot. I think it is quite normal. Pretending to be innocent is ridiculous.

The author always keeps updating. I think the fundamental reason is that he spreads the field too wide. The biggest highlight of this book is the protagonist's research on martial arts. The setting of the six-dimensional map and the selection of soul skills are amazing. Especially the arrangement of the soul skills of the archer apprentice and Xiao Wu really gave me a reasonable skill matching system. But in addition, the author wants to integrate other elements, such as artificial soul bones, research on soul guides, such as the disasters that are suspected of coming to Douluo Continent with the protagonist's terrifying beast spirit, such as evil soul masters, etc. However, if these elements want to be written together, it will be a test of the author's skill. And the fusion of some elements is not suitable, such as the evil soul master. As long as the protagonist goes out, he will definitely encounter the evil soul master. Even when the protagonist visits his old friend in the branch hall of Wuhun Temple, he will encounter the plot of the evil soul master making trouble and the Wuhun branch asking for help from the protagonist. This plot arrangement is too deliberate. In the Douyi timeline, the living space of the evil soul master is very narrow and the relevant law enforcement personnel are very strong. Where does the protagonist need to turn the tide? Coupled with the disasters caused by the author, as well as a series of research on artificial soul bones and soul guidance devices, the author wants to write too much and is too complicated, which is torturing himself. So the author, if you adjust yourself this time, I suggest that you really need to adjust your strategy, clearly distinguish the priorities of the book, and not be able to do it at the same time. Trying to write about everything will lead to a slow timeline, day by day, month by month, and the slow timeline is one of the important reasons why you are stuck. For example, you have written a plot of 100,000 words, but the timeline in the book may have only passed half a month. In half a month, the protagonist's strength has almost remained unchanged, or has been promoted to a level, and the protagonist is researching things for half a month and it is impossible to produce results. Then the problem is, you have written 100,000 words, but the content is hardly interesting, because Whether it is six-dimensional attribute diagrams, martial soul research, or disaster research, it is not possible to produce new results in half a month in the book, or to mention a small new discovery. These are the core of the book's fun, so the author feels very uncomfortable here. He cannot write the core fun, and can only write some ordinary transitional plots. This is why some readers feel that it is watery. Or make the shop bigger to get new pleasure points, but this is a vicious circle and tortures oneself. So the author, I sincerely hope that you will make good adjustments this time, appropriately close the incoming and outgoing lines, and allow the protagonist to participate in less things, such as the evil soul master. The author should not let the protagonist get involved first. After all, it is only a small soul sect, and it is still fighting in the timeline. Where do you come from so many evil soul beasts for you to encounter. If the author wants to write about this aspect, he can wait for the protagonist Soul Saint to slowly participate. Don't rush and let the protagonist get involved. In this way, the branch plot should be narrowed down a little. Don't get involved in everything, or don't get involved too deeply. Just leave a button to let readers know that there is such a thing. When the protagonist grows up, he will slowly intervene in the plot in subsequent plots. Let the protagonist's timeline jump, so that the timeline won't last more than a month after hundreds of thousands of words. As long as the timeline can be moved, many plots can unfold. For example, if the timeline jumps forward two years, will the protagonist and his team be able to absorb the new soul ring? Soul skill selection, six-dimensional map update, etc. Can be carried out smoothly. Has the new artificial soul bone produced results? At what stage has the research on soul guidance devices developed? How far has your little apprentice grown? These are things that the author is familiar with, and they are also the core of the book's excitement. The author writes them logically. Instead of holding it in for hundreds of thousands of years and finding out that the timeline is only half a month, it's not that satisfying, it's full of water, and it makes you miserable.

I thought it was fairy grass, but I didn't expect it to be a poisonous pit. Let me tell you a joke. You actually want to change Tang San through friendship. It's not so easy to change an adult's mind. Besides, you're a thief who stole secret books.

Chapter 51 is about the protagonist and Tang San becoming brothers. Let's talk about the Tang San brothers in the original work. The first one is Tang San's brother Dai Mubai. Before Tang San became a god: Boss Dai. After Tang San became a god: Mu Bai. Tang San's brother Ma Hongjun's wife is also Tang San's cousin Bai Chenxiang. Ma Hongjun begged Tang San to be lenient, but Tang San ignored her, resulting in Bai Chenxiang being unable to go to the God Realm and dying of old age in the human world. Ma Hongjun lived a miserable life in the God Realm, and Tang San's good brother Dugubo didn't get a single piece of fairy grass. Tang San didn't treat his good brothers well. . .

I feel like the protagonist is a bit crazy, just like a Chinese reincarnated in Equatorial Guinea and trying to influence Bokassa. Are people with this kind of thinking normal?

Tang San was not particularly crazy when he was fighting in Douluo 1, but when he was fighting in Douluo Dalu, he started to become particularly weird.