The Suspect in the Detective Conan World

Looking at the introduction, it's quite a setting that lets you let yourself go. Either you take off or you collapse.

Some personal thoughts about the original characters (I mainly want to elaborate on my previous views in the chapter, because the word limit in the chapter seems to have caused some misunderstandings due to the limited expression) First of all, can original characters appear in fan fiction? Of course you can. In fact, many fanfics will have original characters. If fanfics cannot have original characters, then nearly half of the fanfics may not be able to read them. Besides, the protagonist of many fanfics is an 'original character' himself. But personally, I don't like characters from the author's old stories appearing in fan fiction. It's not that I have any prejudice against it, but when the author directly uses existing characters, as a new reader who has not read the previous article, the reading threshold and reading experience are greatly reduced. This is not caused by the characters themselves. After all, they are all 'original characters'. There is no saying that one can accept one but not the other. In fact, the problem mainly lies in the writing method. For a brand new original character, his appearance must be introduced and foreshadowed, but an existing 'completed character' does not need this. To give a very simple example, if Gin appears in a Conan fanfic, then as long as the author writes about black clothes, white hair, Porsche and other elements, or even just a name, the reader will naturally form a character image of Gin in their mind, including his appearance, characteristics, personality, past, and so on. There is no need for the author to make additional introductions and shaping. Readers already know this character innately and already have a complete character image in their minds. Most of the time, the author's description of this character focuses more on the subjective feelings from the protagonist's perspective and the advancement and interaction of the plot, rather than introducing this character to readers from an additional perspective. So speaking of it, are the characters in the old novel considered original characters? Of course it counts. But for the author, he is also a "completed character" because in the previous article, the author has spent hundreds of thousands or even millions of words introducing and shaping this character. The characters in the old article have very detailed and specific content, and these contents are all known and completed. So when using such a character, most of the time, the author will use an existing character in the original work, but for new readers, this character is completely unfamiliar. So when characters from old novels appear repeatedly, new readers will repeatedly wonder, 'Who is this? Who is this? Who is this? ' Feeling. In fact, when introducing a character, it is very important to give him a position. It does not need to be a very detailed or long introduction, but when the reader's perspective follows the protagonist, a clear positioning and character introduction must be provided. The author can slowly draw out the clues of the character, but at the beginning, the information given must be clear. As for the character from the previous article who appeared at the beginning of this article, after I read the previous chapters and he appeared several times, he still stood there abruptly and did not integrate into the overall atmosphere of the article. For example, when the character Shirakawa was written in the first chapter, his name appeared together with Yusaku Kudo, but even Yusaku Kudo had the sentence "Protagonist Kudo Shinichi's biological father, the reasoning ceiling of the original work" as a clear introduction and positioning, but the character Shirakawa did not, there was no one-word introduction at all. This is the most important 'first appearance' and 'first impression' of a character! Moreover, he is an original character, but as a result, he was given less text than Kudo Yusaku. As an original character, is such an appearance really appropriate? In addition, the protagonist obviously remembers the general content of the original work, but he has neither doubts nor any thoughts about this sudden character. Regardless of whether the protagonist knows that this character comes from a winery, the protagonist is not surprised at all by this character. If he can name this character and accept the name calmly, the character "Shirakawa" must exist in the memory of the original owner or the protagonist, so regardless of the memory of this character Whether the character knows more or less information, true or false, as a reader who follows the protagonist from a perspective, of course, they also need to obtain the same information. Therefore, at least the positioning of Bai Chuan from the protagonist's perspective should be written in one or two sentences, instead of having nothing but a name, and then having this character appear repeatedly (and the reader still needs to make guesses when it appears). As a new character at the beginning of the article, his appearance is really too simple. This is the difference in character positioning mentioned at the beginning. For new readers, Shirakawa is a completely unfamiliar and unknown original character. However, in terms of how to use this character, the author uses the method of "complete the character" to write, as if he, like Gin, Vodka, and Kudo Shinichi, are characters that readers should have a clear positioning and understanding of innately. This will inevitably make the reading experience of new readers very confusing. So it's really not that readers have to complain about an original character. In fact, most readers don't care at all whether a certain character is original or has appeared in other novels. Rather, this character, as an 'unfamiliar original character', is written in a 'character that readers should be familiar with'. This awkwardness in character creation will inevitably cause readers to make all kinds of complaints when they see this character. (The above are some personal feelings about the character Shirakawa, the following content is only for reference) Speaking of characters visiting each other in the work, in fact, the original work of Conan has a good example-Kid. As a well-formed character with a clear image, when Kidd appeared in the world of Conan, what was his first appearance like? The author gives a fairly three-dimensional character introduction from the front, side, and different perspectives of different people. When I first saw Kidd in Conan, I had never followed any of Kidd's stories, and I didn't know much about the character. However, Kidd's appearance was not surprising to me, but do I know a lot of information about Kidd? At least I didn't when I first met the character. All I knew at the time was the information given in the animation, but this information was clear, and Kidd's positioning was also clear, so no matter how little I knew about Kidd, I would never be confused when I saw this character. Similarly, I later followed Kidd's series, and of course Conan also made a cameo. Even with Conan's "well-known" level, when he first appeared in Kaito, there was a special flashback to create this character, give him a clear position, and then tell the story. Therefore, even if you don't watch Conan, you won't be confused by the appearance of this character. Personally, I think this is a good reference. The character Shirakawa may have very few roles, but he is obviously very important in the plot positioning. So even if only a few words are used, he should be introduced to readers as an important and clear character, giving him the appearance he deserves as a character, instead of being so vague as now, which makes him feel out of place. [The above only represents my personal reading feelings and thoughts, and I don't mean to offend and I don't want to be offensive. I just want to express my meaning clearly. It seems that there are too many words = = Although it is not my intention, if the above content makes the author feel offensive, please do not hesitate to delete it!

1. Camp: This book does not side with the winery, nor does it side with the red side, there is only one vest (the big BOSS behind the original organization) The red side cannot win, because the protagonist sides with the black side and does not whitewash. The protagonist will create his own power, and his subordinates will be absolutely loyal (the kind that signs a rules contract) (ps: five people will suddenly jump out in the first few chapters, and then pull them out one by one and describe them individually) Caught between the red and black sides, pursuing loopholes in the law and absolute interests. The code of conduct is: as long as no one sees it, it was not my doing; if I kill witnesses, I am still innocent. ps: The protagonist is suspected by the red side in the early stage, and has a superior-subordinate relationship with Gin; In the later stage, he is blacklisted by the red side, has an ambiguous relationship with Rum, and does not get along well with Gin (one hundred things that drive Gin crazy) The protagonist of the previous book guest-starred as a winery boss in this book, otherwise the winery would have been miserable with only two bosses. (Before the Rum chapter, he had no role; but he will be described in the first few chapters, otherwise a big boss descended from the sky will be very confusing to book friends who have not read the previous book) Second, remove the CP and change the character. 1. Because the golden finger is related to the soul, the protagonist directly adopts Conan in order to avoid the halo of death. And because the admission process is different, it is not the class in the original book, and I don't know Sanxiao. 2. Miyano Akemi will die at the hands of the protagonist accidentally, but Haibara Ai will stay at Dr. Agasa's house. (The protagonist cannot offend the winery for the sake of the Miyano sisters, and is not interested in finding a eldest lady for himself) (Haihara Ai is not sent to Gin in exchange for money because Gin has not revealed the internal affairs of the winery to the protagonist, so there is no excuse) 3. Mao Lilan will pursue her own career with Sonoko with the support of the protagonist, instead of waiting for Kudo Shinichi's reply; After the theatrical version of "The Assassin in the Pupil" , Xiaolan will form a personality similar to Belmode (the name has not been decided yet) 4. Suzuki Sonoko, who likes handsome boys, will be seduced by others with ulterior motives in advance; 5. Matsuda Jinpei, who sacrificed his life to save the people, will take the initiative to go into darkness again for the people; ps: 1. The protagonist will not join the winery, but will instruct his subordinates to go undercover in the winery. 2. If readers feel that any setting is unreasonable, you can point it out. However, there is no need to change the small ones, and the big ones cannot be changed. Unless it is too unreasonable and will affect the plot, the author will consider patching it later. 3. If you don't like it, you can scold or comment, I don't mind. I will delete it anyway, so as not to disturb other people's viewing and my mood. (For the last book, due to various reasons, and because I didn't finish the outline, the more I wrote, the more I let myself go, and the farther away I was from the original ending. (So in this book, the author is more willful and only listens to himself) PS2: The last book, the author's later period The writing was broken, and the early stage was pretty good. For those who are curious about it, I don't recommend it. Don't rush to it on a whim! Then come over and scold me if you find that the style has changed!

To be honest, I can't understand it! Just kill Kudo Yusaku. Could it be that the author likes wives? Nausea. What are you playing (๑•̌.•̑๑)ˀ̣ˀ̣What kind of skills can a little Conan have? Without Kudo Yusaku, he would be a piece of trash.

I didn't even understand who the protagonist's gang was. They appeared too much and too suddenly, and they didn't have much of a role.

Life is tough! Most people don't dare!

The author is great, the content of daily articles is more than 100 million points, I hope it can cover the main wineries...

The author should have wanted to end it since Shirakawa Hoshi's large appearance. Otherwise, the protagonist should be cautious and go to Keiko's hometown to obtain the full power of anger instead of directly confronting Shirakawa Hoshi, who is immune to the mask.

In terms of the charm of the villain, Uemoto's relationship is more complicated and a bit worrying? This is not something that is so depressing. Let yourself go and be cool and handsome? Regardless of the black side or the red side, I stand on my own side and I am the boss.

Finally, it's not relief documents anymore, there are relief documents next door. Persecution~Making trouble~