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It was for Sissi. I read more than ten chapters, but I couldn't stand it anymore and gave up the book. To put it simply, this book has two poisonous points for me. First, the background of the protagonist is too strong. He is a child of a noble family, his parents are both members of the system, and he has an older sister who seems to be a publicist, so she has energy and connections. Within a few chapters, the protagonist easily left the company and prepared to become his own director and make his first movie. This process is too fast, and the starting point is too high. Some Huayu novels may not have been upgraded to directors after two or three hundred chapters. In 2007, there were still barriers to becoming a director, let alone starting a company. Maybe some people like this kind of heroic writing, but I really find it boring, because there is no sense of achievement and experience, and it feels like it all depends on a good family background and a strong background. To be disrespectful, author, why don't you make the protagonist the son of Da Da? Secondly, the protagonist has a young girl who is also a child of an aristocratic family. She has strong working ability and is beautiful. She helped the protagonist to open the company. Anyway, the author described her very well. But the better the author describes her, the more irritated I feel, because when I come to Huayu novels, I come to see the star actors. If you create an outstanding female character, or even one of the heroines, and she takes up so many scenes, what kind of trouble is that? This is the same as reading fan fiction. When I read fan fiction, I must be reading another story of the original characters. However, if you create an original female character and it takes up a lot of space, I definitely have no sense of immersion and no reading experience.