I Can See the Talent

First

The number one hero is too procrastinating. In other words, don't just limit yourself to entertainment. If you have the ability, just opening an entertainment company will be overkill. If you make enough money, you can start other routes. Scientific research, finance, etc. Are not all suitable. Now it has completely become the number one hero. The hero is the protagonist, and the male protagonist is the supporting role.

Isn't it the theme of writing about being able to see talents? Why is it so written that it becomes the growth history of a singer?

What is the use of knowing talent? Can talent be realized without hard work? It would be more interesting to go to an orphanage to find children or to set up a preschool. After reading a few chapters and walking around the streets, I felt like a magic stick.

Are golden fingers used in the entertainment industry? Is it overkill? Feeling castrated

Overall, it's okay, but you can write about discovering music talents every day. National football and men's basketball are so difficult. If you have money, you can slowly start youth training, or even lose money to youth training. You can make money. Or other training courses are available

There is something wrong with the main line. This has become entertainment.

There is too much content in Flying Camp and Gougou... It's okay, but writing too much will make me feel like I've gone back to more than ten years ago...

Emmm, I saw Chapter 20. The author wrote it very provocatively, but it doesn't look provocative at all. Do you understand what I mean? It's a bit too embarrassing and feels like it's consuming the reader's emotions.

What are you writing about? The protagonist is like the master of Sanhe. He doesn't have a platform to know the usefulness of other people's talents.

It can only be said that Goldfinger was used in the wrong place. It's okay to click on the entertainment industry in the middle, but such a good subject is wasted.

I saw a comment saying that they go to colleges and universities to find talents. I don't know what the author meant, but I think the main character's search for talents is not all about money, right? Horses with thousands of miles of horses are always there, but Bole is hard to find. Those who are overwhelmed by life and are forced to embark on the road of working in their teens and twenties need a Bole to save them. Some people really don't work hard, they just don't have the conditions, or even if they work hard, it's difficult to make progress in the wrong direction. The writing is quite good, but the main focus is not on the protagonist. It feels more like writing small stories, with the protagonist being a connecting point. What do you say in the latest chapter? Did you see this kind of incident? The sense of fragmentation is a bit strong. Although I have found a new member and can watch it, I still have to pay attention to it.

Come on, it turns out to be profound and difficult to write later. Hope to hold on

The writing has no sense of substitution.

To discover talents, go to college campuses to recruit. Most of the people who go to campus to recruit want to make money by working part-time. You can easily recruit them by offering a high salary.

I don't know why you wrote the latest two chapters, but the strong sense of separation from the previous plot is really obvious. It's a pity that you don't write a good cheat and a plot that is not easy to make mistakes. I wish you good luck.

Why is he an orphan and single protagonist? What is the mentality of the author of Starting Point?

The story is very innovative, but it's a bit too slow. If a star can do so much, isn't it enough for society's geniuses to write about it?

Looks good and doesn't feel like a waste of time

Public universities all provide student loans, and there are also bursaries for poor students, etc. As long as you study well and pass the exam, how can you not afford to go to university?