One Torture-the-Ghost Trick a Day!

It is recommended that there be no female protagonists. Those who like multiple female protagonists or single female protagonists should not use comments to argue with me. You can open your own forum to review. I just feel that there are not enough people to comment, and I hope that the author will see it. We are all civilized people, please don't curse or use bad words. I am just expressing my own thoughts. I think reading novels is similar to chasing stars (I personally don't chase stars). I'm watching the people I like become better and better, whether they are real people or virtual characters. Star-chasing girls will think that who can match up to a brother who is so outstanding and handsome? My brother belongs to everyone, and my brother must be the only one who is beautiful. Just like Chapter 23, everyone knows that Chen Luo is a genius, and every team wants him, but in the end he still becomes a non-staff member. This is because he is so good that everyone is coveted, but it is not good to give it to anyone, so no one can get it, so it is fair. I think the author has created a very good image of the male protagonist. He is handsome, independent, cautious, calm and adaptable. The supporting characters have distinct personalities and are quite interesting. But if you want to add a heroine, what kind of character should you give the heroine? If it is written, everyone will be happy, and readers will feel comfortable watching it. But if it is not written well, it will become a major poisonous point. Not only will those who like the heroine leave, but those who like the heroine will also leave. All novels must have protagonists and supporting characters, but it doesn't matter whether there is an emotional line or not (too few can write emotional dramas well). Too often, the male protagonist's character has changed after the female protagonist was written, and all kinds of delays are used to promote the emotional development between the characters. If the heroine is in trouble eight hundred times a month and the hero wants to save her regardless of the dangerous consequences, and if the heroine is a transcendent and wants to make progress, will the hero have to find resources non-stop (the protagonist's disaster-level abilities are more difficult to upgrade than others and require more resources. If it is a great and invincible novel, I didn't mention it). It is called a doting wife, but after all, it is not a sweet love novel. Isn't the label of this novel just to work hard to build a career. Or should I write a heroine who is equally talented? As for her character, if she doesn't write well, she will look like a colleague. Moreover, the protagonist has his own secret and confusing life experience, and it is inevitable that he will notice something after the relationship is very close. Therefore, the author must think carefully about whether to write a heroine, and don't worry about slowly polishing the plot and characters. I really don't want the novel I like to subtly change the character of the hero just because of the presence or absence of a heroine, and the article will not look like it was written by the same person.

I need to read it urgently!!!

Okay, the new author did a good job. This is the identity of whether the protagonist is dead or not in the middle period. The writing is a bit loose. Officials can check whether a person is dead or alive through their household registration. After all, after going to school for many years, you always have to have an identity when you go to school, right? Others are good so far.

The author created a calm and high-IQ character for the protagonist, but he is actually a cowardly character. The first thing that comes to mind when encountering a problem is to hide, and he reacts passively to everything, so it seems very contradictory. Look at the protagonist in Air Conditioner's novel, he is smart, calm and stable, but he is always actively searching for the truth. Instead of just waiting for things to come to you passively, it seems uncomfortable and completely inconsistent with the character you have created.

Why did the protagonist want to investigate the mother and son by himself? The authorities figured everything out in one phone call. The protagonist also had to buy a camera to investigate without reporting to the authorities. I don't understand. Isn't it true that the authorities are not going to back it up? Even the police have discovered that there is something wrong with the protagonist, but they haven't discovered the problem with the orphanage yet. The authorities are too far-fetched. In addition to the sacred weapon of the law, does the protagonist have secrets that the authorities don't know about? Isn't it okay to ask the authorities to investigate the orphanage? Is it because they are worried that the resurrection from the dead will be known? The author's character design for the protagonist should be a strong, calm and calm master, but the story gives people the feeling of being cowardly and fearful, with too much hesitation. The protagonist should be more decisive. What the protagonist wants is thinking, not hesitation. The two are different. As a state machine, the government is too weak and needs to be strengthened. The title and introduction of the book are light-hearted, but the article always writes about the death of many people. The protagonist is angry and pretends to be deep, and has a strong sense of separation. It is very dramatic. I hope it can be changed.

To be honest, this writing style is really strong, comparable to some great writers like Platinum. It's just that the title of this book is a little bit... I'll help you recommend a few groups of college classmates to support it!

Interesting, the combination of Dragon Clan and Douluo?

New book for newcomers, don't miss it if you pass by

The mask is the real body The protagonist is the villain, who tortures the master every day.

ヽ( ຶ▮ ຶ)ﾉ Came from Arjun!!!