The Life-Draining Artist

I just want to see the main character die on stage after his performance in the finale. . .

Finished spreading flowers! Is the protagonist really dead? So damn meow! Open the champagne!

List 5 serious shortcomings of this book. The first major shortcoming is the subject matter; the subject of this book is Wen Chao Gong. To be honest, the subject of Wen Chao Gong is poorly written. I can only say 0 points in terms of subject innovation. Writing about Wen Chao Gong can write a good book, but you have to have a strong grasp of the interesting points and plot of the article. The second shortcoming: the lack of grasp of the cool points. There is a system in the book, and there is a copy of the article, so this book is positioned as a cool article. The cool point of this book is to express your life, copy songs, and win awards. From beginning to end, there are more than 300,000 words. This process has been repeated. The first time I won the song copying, it can be seen as a refreshing release. This process lasted a full 300,000 words. The only thing that makes you happy is winning a prize for copying a song. What else can you do? Third shortcoming: The plot is weak. The protagonist wakes up in the Fourth Hospital and has written more than 300,000 words. The protagonist is still in the Fourth Hospital and the ward has not been changed. How about your plot promotion? You can also use some good medicine to extend your life in disguise. Plot promotion is one aspect. There is no daily plot either. Daily plot is a buffer and adjustment to the overall rhythm. This book has no daily plot. There is also the main character, a coder who becomes a god after one song and becomes a song artist. He has never learned the staff and then directly draws a staff of 20 lines per page. This plot twist is too blunt. I have talent, so I won the Nobel Prize after graduating from elementary school. Is this possible? The fourth shortcoming: the supporting characters and the passers-by are weak. Strictly speaking, this book only has two supporting characters. One is the grandfather I met in the ward, and the childhood sweetheart whom I lived with when I was a child. The husband is responsible for helping the protagonist cheat and solve all problems, and the sweetheart is responsible for unrequited love. What about other supporting characters, 1 with 2 with 3, passers-by, and villains. There are none of these. How can the protagonist be shown to be awesome and the story vivid? The fifth shortcoming: no sense of substitution. There is nothing wrong with the waste chai flow starting with a decline and then a rise, but the waste point is that you have to stand up after the second cool point. You can't be useless all the time, but the protagonist is really useless all the time. A full 300,000 words have been spent. The reader is required to keep bringing in a useless person who is lying in bed and will die at any time. Is it possible? There is no sense of immersion, so how can I continue reading.

I want to see the reflection of the world after Yue Li left, I want to see people remember Yue Li after music develops, regret his untimely death, and be jealous of talents, I want to see Heizi slapped in the face, I want to see everyone's respect and understanding for him, and I even want to see a movie adapted from his experience released Although the article has been completed, there are still regrets, please add a sequel

If the protagonist never dies, then he will be a gangster...

I would like to ask the author if he has been poisoned by dirty words.

The terminal illness was exposed and he could die at any time. When fans around the world found out, they were heartbroken and silently lost their fans in unison. See if the pig's feet are dead

A few years later, there was an article about the famous musician Yue Li in a textbook: "He grabbed the throat of fate" Yue Li, who was born in an orphanage, has a "musical talent" that is astonishing throughout history. However, as an orphan with no one to rely on, he was forced to become a musician in life. He was a programmer, but God's will played a trick on him, and he suffered from a terminal illness in his prime. Before his death, Yue Li struggled with death. He lamented the unfairness of fate and was unwilling to pass away silently. In the struggle against fate, he created unparalleled works one after another. He said: I want to hold the throat of fate, fate will never make me surrender!

Read a few chapters. How to say it. The main character in this book is so miserable. I have to spend my life to change the work, and I don't have a few days to live. The key is that the energy consumed in arranging the music will shorten the lifespan due to the energy consumption. . . This is too exaggerated. Are you going to spend the entire book in the ward? I read a book before that was also terminally ill, but that one was so energetic, and could still hold concerts, wander around, and at most faint when the plot required it. It's two extremes from this one. . . Isn't it neutralized?

The male protagonist went bald during chemotherapy and suddenly had no sense of empathy. He could be a sickly handsome boy, or even better.