Peking Opera Master: I Started Picking up Attributes from the Supporting Role

I am writing a novel, focusing on the plot. There are too many dramas. If I write only dramas for a few days, I will dissuade many people.

It's not particularly good-looking, it's okay, but the author always talks about some things that are not there, and never mentions the key points! I hope the author can improve it!

Come on, author, the novel is very beautiful and I am fascinated by it. Please update it soon.

I've been waiting for more than a month, but it's too late.

All the recommended votes for monthly fuel tickets have been cast

The first three chapters were just annoying to me. Forget it that a successful and famous person was inexplicably attacking a sidekick. Isn't it embarrassing for you to compare yourself with others by picking up things from them? Why is it so arrogant if the hook is turned on, but if it is not hooked, isn't it just a piece of iron?

I had a really good feeling before it was put on the shelves, mainly because it was fresh. There are not many operas written on the Internet. I am also a theater fan for thirty years, so I was very happy to see it. But after it was put on the shelves, it was almost impossible to read it. It suddenly switched to singing, and then there were various types of music, and the most ridiculous one was cross talk. The book collapsed. It's such a pity that I didn't get to read it.

Let's cut it. If you want to write about opera next time, don't write about the entertainment industry, don't write about pop songs. They are all here for Peking Opera. Who would read other than him

I was still singing at the beginning, so I picked up attributes on the stage. It was extremely poisonous.

The subject matter is good, but the writing is too boring

Has the author ever had a conflict with someone over 25 years old or had one-to-one communication with a teacher over 30 years old? Please observe more how normal people deal with conflicts in daily life.

After only reading one chapter, a person who is considered a master in the Peking Opera industry went to see his son's graduation drama, praised his son in front of a group of colleagues, and stepped on the protagonist, who was a walk-on. With such blunt slaps in the face and imbecile operations, I have already guessed the follow-up of this book. I bid farewell and leave such a "masterpiece" to the author to enjoy himself!

The writing at the beginning is really terrible, and the slap-in-the-face plot is hard to watch.

If you write Peking Opera really well, you can still watch it, but the whole opening chapter is so pretentious and stiff that it doesn't matter how you write it later. See you soon.

I thought I was writing about Peking Opera, but it turned out to be an entertainment article dominated by cheats, urban pretentiousness and slap in the face.

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After reading ten chapters, it was all a routine. There was an accident and then the protagonist came to the rescue. Everyone first laughed at him for not being able to see clearly, and then shocked everyone. There was a lot of rainbow farts.

Did the Qidian editor catch a cold recently? It's a good topic, but I don't know how to remind the author to control the branches and vines. Use the content of nearly a chapter to write the word "Pianya". The more you want, the easier it is to want something and have nothing.

Everything else is fine, but the lyrics are too weak, there are many chapters in one play, and the plot is too slow.

Does anyone really watch Peking Opera now?

I thought I was reading a novel from ten years ago. The pretense routine was still used ten years ago, but now it is no longer enough to just show off and slap someone in the face. There is another point that I have to complain about. It's nonsense that you can beat others' efforts of ten or twenty years by picking up other people's attributes.

Can an actor be so pretentious?

I can't stand it anymore. Please don't go into the entertainment industry. Can the author be more serious? What the hell is Jinshasha?

Chapter 1: Persuading people to quit. . . . Then I saw that the author was actually level 4. Still pretending that I don't understand appreciation. After reading it again, it turned out that I had read the first book. The great Peking Opera boss was reborn, but it was a pity that the key points were not clear, and then he found a good partner, and the character was completely destroyed, and then he was abandoned by me. Why is this one worse than the other? . . . . . The first book didn't collapse until at least the middle period, and the Peking Opera part was pretty good. Why is this book just a slap in the face in the first chapter? . . . What kind of Peking Opera plot do you want to use when writing a novel about Xiao Bai? Who among those who read Xiao Bai's novel watches Peking Opera?

I don't understand drama. Does drama have new repertoire in modern times? Or have you written new songs or lyrics?

I think it's very good both in terms of language organization and plot advancement. Come on, author!

Very interesting, cheers for the author! Update quickly

What an interesting book, Fire Pliers by Liu Ming

The subject matter is very good, the traditional country is broken, it will definitely be popular

Come on! Hold on, don't let it end, and update soon!