Strange Recovery: I Can See the Script of Life

First of all, the plot setting is very good. The unitized story and the details left in it enable the subsequent plot to develop coherently. Personally, I feel that the plot of the widow unit is too detailed in its description of Xu Jiaojiao. The poor person must be hateful. For the audience, the plot can be made more streamlined (to be honest, I am not here to watch this kind of filial piety). The inheritance of subsequent veteran sacrifices is relatively better. The series of each short story in the unit drama can indeed develop the plot, but I hope the weight ratio of the description of the main and supporting roles can be more appropriate. For the audience, the exciting plot of the protagonist group is the focus of the story.

Seeing Chapter 191, the poison is finally revealed The character branch is too long. A dungeon talks about everyone's psychological journey starting from the supporting characters, and the climax only ends in one or two chapters. It would be fine if the characters were wonderfully written, but by the third dungeon, the background of each character was almost very unique. To put it simply, you can basically know what is going on when you see the beginning of a character, and there is almost no twist. Furthermore, the character interactions are too dramatic. It has always been said that the character's mental journey and behavioral motivations were to be explored, but it took most of the page to lay it out. On the contrary, it makes people feel that every character in it is inconsequential, and they engage in irrelevant conversations and inner dramas when they should be doing things. The originally intended to create a scary atmosphere is quickly dissipated. The first dungeon is quite eye-catching at the beginning. When the second dungeon begins and there are more and more characters, you will find that the behavioral logic of many characters is really beyond what a normal person can think of. It is very confusing, including when a mortal is almost killed by a ghost and is stunned by the master The character assists in love, and the righteous friends are thrown into dangerous situations to save other mortals. Although these add playability to the storyline, they all make the characters too superficial and unrelatable. If the characters are to be written in a long form, the characters will not be able to stand up, and the story will appear to be very streamlined.

Overall, it's pretty good, but the emotional scenes are a bit awkward.

It's not enough. Two chapters a day is more than enough 😥

Author, take a look

It's relatively good-looking, but it's too long-winded and deliberately cluttered with numbers. I often have to jump to read it, which is unbearable.

Author: I saw that part of the live broadcast, and I have to say that the number of words is too short, and I actually wrote several pages about the memories of a ghost. I hope the author can close the memories part. Of course, the plot and writing are still good.

The plot is good, but it's too slow. It took 100 chapters to complete a script. It's conservatively estimated that this script will take at least 30 chapters to complete. It's so awesome.

The scene where a windfall is inserted into the widow is simply incomprehensible. I had a premonition of danger. On one side is the widow of a two-star script who has already appeared a wandering soul, and on the other is a windfall who still doesn't know the situation. The protagonist actually chooses to go to the widow's side. I can't understand at all why he doesn't let his teammates go and then stays by himself.

Look at you Xia Li quietly!

When the author can condense the story behind each supporting character from several chapters and tens of thousands of words to two or three hundred words, the author will be a platinum star just around the corner.

I'm halfway through reading it, and I'd like to mention my feelings. First, it's best to write less moral plots. There can be some, but not too many. This can easily make the book hijacked by morality. Let's talk about why the protagonist doesn't hand over his skills to the country. The country can create a group of super masters and save more people. But if this is the case, the book will not be able to be written, and the protagonist will have no advantage. The second is to control the protagonist's ability. If this book is going to take the horror route, if the protagonist is too strong, the horror elements will be diluted. Refer to Hong Kong horror movies. If you want to take the invincible route, make the protagonist stronger, have more supporting characters around you, and start the Mowing Warriors mode. Everyone can enjoy watching it without having to worry about it. In addition, can you add some tricks to this life script cheat? For example, you can open a copy of historical events through super 5-star items, retrieve the truth of the past step by step, and obtain the skills of immortals and Buddhas to pass on to the world.

Alas, there are 65 chapters without reaching the climax of the plot. It is too slow to drag on like this. Every one or two chapters are just memories and introductions. It feels like you have not watched it before, and the interest is slowly worn away. I'd better keep it first. If you raise it more, you can always watch the climax of the plot.

The horror part is good, but I really don't want to watch the recent youthful campus love memories... Can you explain it in a few words, and there are too many live broadcasts and it's a bit watery...

I feel that the writing is quite good and it feels quite immersive. However, the plot is too slow. Sometimes it is uncomfortable to watch and I can only skip and watch.

To sum up, the plot and routines are good, but there are a lot of pitfalls. Finally, let me talk about the shortcomings. Don't be sensational from time to time. At the same time, I feel that the character of the male protagonist is not well established yet.

The plot moves so slowly. Writing has to have priorities.

It's too watery. A female neighbor who can't play a supporting role has to recall several pictures.

The early stage is very good, and the story also has a sense of substitution. The description of the inheritance of the three generations of Zhenyang Jue is touching 😭, but after the live broadcast of the dungeon, it is a little bit put before the horse. The story of the small dungeon uses too many chapters to describe in detail, which can easily make readers tired. Sometimes the protagonist is not seen in many chapters 🥺 If the normal dungeon is a little more streamlined, and only large dungeons with 6 stars or above are written more, it will be more fascinating. Anyway, come on, author🌹 Small support

It's really painful to watch. Can you write extras about things that have nothing to do with the main plot? (O´Д`o)ノNow this situation gives readers the feeling of being long and smelly. The experience is really bad. It was originally a good book, but it just included too many irrelevant things in 4 or 5 chapters. It hurt like hell. I compiled those into extras so that readers would be interested in reading them. But now I can only say that there is a suspicion of a low word count 😒😒😒

The author can pave the way, but don't do it too much. You won't even see the protagonist for a few chapters at once. The word count, subject matter and artistic conception of the book are okay, but it's too slow. It would be much better if it was less procrastinating and less watery.

I feel that the author hopes to tell every story well, so I would like to make a suggestion as a reader. Too many irrelevant details. The author's pseudonym is a filmmaker. To be honest, I really doubt that the author is a filmmaker or a movie script writer. Every paragraph in the book seems to be trying its best to present a picture, so a lot of words and ink are used in many details that I think are unnecessary. For example, the treatment of Wang Wenhua in the book Fei Lai Good Luck can be described in one and a half chapters, or can it be condensed a little more, and the psychological activities and hardships of treatment before meeting Robert E. Lee can be summarized in a few sentences. In the Shenming Museum, it is enough to focus on the name changes of the museum and the changes in paintings. Foreshadowing can be added. The attitude of the people around you is enough once you first enter the museum. There is no need to repeat it. Movies are different from text. A five-second shot may require thousands of words to describe the surrounding scenery and the psychology of the characters, but you cannot write like this in a copy of a novel. It is too tiring to read. I don't know if the author has ever read novels before. Although many of the great writers at Qidian have written relatively routine books, they use words at a very high level and can use the shortest sentences to allow readers to imagine the most pictures. I recommend that a complete dungeon should not exceed 60 chapters, a small or excessive dungeon should not exceed 30 chapters, and daily plots should not exceed 10 chapters. Sometimes the characters don't need so much mental activity because the situation is critical. The protagonist's actions, such as sweating and staring, can illustrate the mood and thoughts at the moment. Too many details will not flesh out the characters, but will turn the story into a running story.

In fact, the author's writing is quite good, but the background story is too long. It doesn't matter if they are all free chapters, but readers will have to pay for each subsequent chapter. As far as I am concerned, I have read almost ten chapters and still haven't gotten back to the topic. I really don't want to continue to subscribe because I feel that these ten chapters can be condensed into one or two and the effect will be similar.

The monthly pass is almost expired, so come on. Also, can you add some essence? I've never done it before, let's see what it looks like (*^_^*)