One Piece: All Villains

The pirate flag designed by Idle Time is going to be used as the cover

(Reading impressions of Chapter 72 for now) "Commendable" 1) The cadre members are villains from another world. This is a good idea! 2) The villain's story, emotions and abilities are slowly revealed one by one as the plot progresses. This kind of mystery maintains and deepens the characters, which is worthy of praise! 3) According to the timeline, there are original stories and changes to the plots of One Piece, which is better than those works that copy the plots of movies or animations! 4) Some scenes are quite pirate-like, such as the first announcement of the bounty orders for each cadre and the selection of crew members in the Black Bay! "Worth Attention and Suggestions" 1) The protagonist's system is simple enough. You use sin points to exchange for things or evil people; but the origin of sin points is a bit unclear. Is it to kill sinful people? Is it fear due to the spread of notoriety? Or both? This should be explained clearly early in the story. 2) The protagonist hates fatalism, which can be seen from the first meeting of the Straw Hats, but what about the protagonist's goal? Anti-fate? Punish all sins? Become the Pirate King? 3) The villains in the other world, in terms of character sketches or positioning, are becoming more and more individualistic. Although they absolutely support and obey the protagonist, in terms of acting style, they can also follow the villains' own opinions and principles! You can also add more interactions between the protagonist and the villain, and the villain and the villain. Everyone's "evil" can also resonate and bond! 4) It is not recommended to kill the members of the Straw Hats before the protagonist's layout is completed! If the protagonist really wants to fight against fate, he should ignore the Straw Hats and make plans to kill all the Celestial Dragons and Five Old Stars by himself. He can also use the power of the Straw Hats to kill them. If the protagonist becomes the final winner, he will successfully fight against fate! From the first meeting between the protagonist and Straw Hat, we know that there are obstacles of fate, not to mention the more serious backlash of fate... If the protagonist's IQ is online, he really won't kill Franky... 5) Write more about individual fights and group battles. In addition to the bonds, One Piece depends on the sudden changes in the battle and the coolness! In the future, the protagonist will not only have one Black Pearl. If he wants to fight against the world government, the Celestial Dragons, etc., He will have to fight on multiple fronts. Only then can he feel the charm of the villains from another world fighting against the pirate villains!

Someone come! Hit the orphan with a book, just a few hundred extremely evil books will suffice

The author's malice towards the protagonist group is like a child losing his temper, full of subjective malice. The protagonist in the novel is becoming more and more like a clown. If you want to be a villain, be thorough and don't set up a memorial here. If all the members were really evil, they should be more cruel than Blackbeard. It would be ridiculous if the protagonist group wanted to fight against the old system and improve it in the later stage, and all members would become clowns.

I am Shennong and I was poisoned to death. Whoever gives me likes will revive me. I will give the elixir of life to anyone.

The protagonist is a villain, but he is a good guy. The perception is really distorted. I originally hoped to see a real pirate captain, chasing treasures, grabbing what he wants, using any means, no bottom line, just to satisfy his own desires, an absolutely free pirate.

Summon "Gin" and let him be an undercover agent. CP0. Give him a chance to be an undercover agent too.

Pirates should indeed be such vicious people, but I still prefer people with charismatic personalities like Captain Jack Sparrow. "Where to go next, Captain" "I'm going to the distant horizon for a romantic date"

I'm not very optimistic. I'm inexplicably trying to make enemies of the protagonist group. They have different beliefs and can't be friends. I can understand it. So what's the reason for fighting? Do you want to kill Luffy just because you hate him? I don't really like this kind of protagonist with a special brain circuit.

The protagonist travels through Douluo and plays Madara Uchiha at the beginning. He scares the Shrek Seven Monsters into tears with a move called Sky-blocking Zhenxing, making the useless Xiaogang kneel down and beg for mercy on the spot. By playing different roles, he made villains with incredible strength appear one after another in the world of Douluo. Uchiha Madara, Killer Hit, White God Goku, Whitebeard, Death, One Punch Man Saitama and so on. Book title: The Beginning of Douluo as Madara Uchiha, just click in to read it, come and take a look.

This book can be roughly summarized as an embarrassing story about a useless virgin bitch with no charisma who leads a group of very charismatic crew members to show off in the pirate world, and then accomplishes nothing. The protagonist has no other highlights except that he can say some pretentious words and then be killed because of the pretentiousness. Looking forward to the author's next book and the return of the author's wisdom, come on😊!

It was food before meeting Luffy, and it became extremely poisonous in the chapter when he met Luffy. A book friend said it well, since the protagonist hates fate. Either you kill Luffy decisively, or you don't have anything to do with Luffy. If it doesn't work, you'll tie up the other people on the airship. Wouldn't it be better to separate them by force? Can't do any of them?

It's not that the author's writing skills are bad, the key is that you are not a great master, but you still always imitate the great masters to make trouble! If you don't write the regular plot, you'll create a spin-off and an original one. Who can resist this?

Alas, this book has been written to waste. From Mouse to now, I really can't read a single chapter.

I finally understand why the protagonist is called sweetheart by Harley. This plot makes the protagonist look like a clown 👍 Harley must like it.

A good subject has been written to pieces by the author

The title of the book should be read backwards, it is actually "One Piece: All Saints"

It's not a traditional routine, with a bit of a literary youth (self-pleasure) feeling. It was really amazing at first, but later on I got tired of having to put on a show when killing people (I didn't act decisively when killing the minions). It wasn't until the extra chapters appeared that the whole book felt wrong. It was not easy to make the supporting characters come alive. If this writing style tells a story around the protagonist, it will be more comfortable when the supporting characters are vividly written. (If this writing style were normal, it would probably be very good. The protagonist has a system to summon evil people to kill the evil people in One Piece when he travels through time...)

If it weren't for Barbossa's charisma, this book wouldn't be interesting. I kept reading. When Luffy started fighting with him, I was confused. Then it became confusing again. Rules of the game? ? ? I thought I was reading another novel, and it poisoned me and I skipped it. The subsequent description of the battle scenes of the protagonist in the City of Seven Waters, forget it. You don't have that talent. It's better to describe the battles of the supporting characters. There are a lot of verbosity. The protagonist's strength is gradually declining, and he is almost becoming a fool. After that, you are weird again in the description of Harley Quinn's battles, right? If you want to write weird, why don't you mention it in the introduction? So much originality stands out at once? If you don't know how to write, don't take pictures. It's poisoning me. The charm of the characters is not clearly described. The fighting scenes are disharmonious and distorted. The title is good, but the content is really not interesting.

The most exciting thing so far is that Harley calls the protagonist "Sweetheart". He is a real clown. No wonder he is called Sweetheart. Good guy, I am wondering if I should steal Brother Ming's nickname. Forget it, a virgin bitch plus a clown plus a brainless person. How can this thing suppress this guy? Why not let Basa Bo be the one? The protagonist is still a bit interesting. Now this protagonist can just be a supporting role. It was the first time I saw a flying dragon riding on his face and he was run away. The reason for threatening him was actually the monkey that held the deputy captain hostage. The protagonist also has a domineering look. The first reaction is not to be stunned, but to compromise. Good boy, you are a real clown.

This book is like a childish doodle by a middle schooler