The Laid-Back Teacher of Tokyo

I feel like the old thief is about to change his number. He clearly wrote very well. But the routine (which is more enjoyable) is not quite right. This is what is missing, it's time for a wave of dragon field enlightenment 😏

Youxiang

The lively scene at the beginning may have been borrowed from the manga "Genki Tuanzai". I like the atmosphere of that anime very much. The author probably wanted that opening to reveal that feeling. The following characters and stories have nothing to do with anime. I like this kind of author very much, unlike the previous garbage that plagiarized the main plot. I look forward to the author's stable performance, but I am worried about where the author will go astray and change the taste. Come on (ง •̀_•́)ง

In fact, I couldn't finish Chapter 33, so I thought I'd read it later. For novels about Tokyo, Japan, they are generally written by manga (to be honest, I admire them very much. I have tried to write them myself, but my mind couldn't move after more than a thousand words.) Therefore, most of them are very young, and they have a taste of youth, and the acquaintance and love between people can sprout in just a few pictures. The pace is too fast, and it's easy to get bored when writing so early in the early stage, because there is no foreshadowing or a deep story in your previous development. Naturally, I can't write anymore. Personal opinion, Japanese text, it is recommended to have female characters, the length must be enough, but the emotion for the protagonist must be grasped by the neighbor's Omei sister or younger sister. In the early stage, she really regards you as a younger brother or older brother, and creates detailed daily life through interaction. The character's IQ must be online and complex but not superficial (coy for a second, immediately cover it with other emotions, the heroine cannot realize love or anything, please feel free to do so in the later stage) ), there is a system that allows you to show off your skills on a daily basis, but you should not exaggerate your abilities, and the villain should never attack the protagonist without thinking. The characters present can show a little surprise, with a little admiration at most, and then treat the protagonist as a convenient tool, but they will not really think so, that is, they will be aware of the convenience of the protagonist, but will not directly implement it, unconsciously allowing the protagonist to occupy more and more of her world in life. I like this leisurely style of Japanese writing. I think it will be stable in the early stage

There are no such signs in this book! ! ! When it comes to love, how many silly and sweet dialogues in the early stage poisoned a lot of Shennong to death? I don't object to the heroine's inner monologue of 'Ah, my hands touched'. But the premise is that it should be written in the middle and late stages, and more descriptions of the male protagonist's actions in the early stage will make people's hearts flutter, but the female protagonist will not feel it for a while, and then gradually add up, resulting in quantitative changes to qualitative changes. Of course, this is just a way of writing. If the author has the idea of ​​​​writing about love, other ways of writing are naturally welcome. But from the beginning, the IQ was brainlessly lowered, and the male protagonist looked ignorant or indifferent. Still sincerely hope not to have it. This kind of plot might be popular in anime, but that's a video. The information conveyed visually is far more complex than text, and it is difficult to understand and accept it based on the reader's imagination alone.

Let me contribute a little bit.

After it was moistened, I looked at the beginning

Rena

Kyoko

Can't we be more careful when describing the heroine? Nothing but sweet looks?