I Became a God in Billions of Small Worlds

This level breakthrough setting makes me completely confused. In simple terms, the protagonist's earth-level talent is considered a genius. Even if the pill increases by 100 micros a day, and a thousand micros is needed to temper a bone, which is more than 200 pieces of the human body, it will take more than 200,000 micros. Then it will take about six or seven years for the earth-level talent to break through to level nine. A sophomore student can break through to level nine without even having earth-level talent. If you write the protagonist to be so weak, and the training speed needs to be fast, then your supporting characters need to be corresponding. How long does it take for someone like you to break through the eighth level, and how many cultivation resources are needed. There are millions of warriors across the country, and what a huge cultivation resource it is. It only takes a few years for spiritual energy to be revived before a top-notch person appears. According to your settings, even a heaven-level talent would take hundreds of years. I was speechless.

The scene in the KTV really shocked me. A ninth-level warrior could attack others in broad daylight? Beat up a talented third-year high school student? Can senior college students wall between walls? Although it did not happen, it also shows the collapse of morality! Also, the first and second year students in college are only at the ninth and tenth grades, while the strongest person in the cult is only at the second and eighth grades? It's okay for strong human beings to go to the caves to fight and leave behind seventh-grade people, but the cult that kills geniuses doesn't even have seventh-grade people!

The author's writing style cannot express the sentences in the setting. The protagonist is a genius. He was initially considered a prefecture-level genius. A college student was afraid that the protagonist would take away his younger brother's admission spot, so he wanted to cripple the protagonist. He also said that although the protagonist was a genius and his own talent was average, humanity is in danger now. Compared with a genius, someone with a certain fighting ability like himself is more important, so it's okay. The second time, the protagonist was hunted by a cult. The protagonist showed a heaven-level talent, but the city lord didn't save the protagonist because he wanted revenge. Afterwards, everyone questioned the city lord. The city lord said that although the protagonist's talent was very high, humanity is in danger now, and killing a cult leader is more important than a genius who needs time to grow. The third time, the protagonist and his friends entered a city. Suddenly the town was attacked by a wave of monsters, and the west gate was broken. The soldiers went to force recruitment, and the recruitment came to the protagonist. At this time, the protagonist had already shown a double-level talent. The soldier said that although the protagonist's talent was ridiculously high, the town was now in danger and all warriors had to go to the front line. Then the protagonist's friend said that since the protagonist is so talented, let's arrange a position for him to fire cannons on the city wall. The soldier said no, and then directly asked the protagonist to block the west gate. The west gate had just been breached and was full of monsters. He had a narrow escape. Looking at it, I was confused. The genius had no protection or preferential treatment. Looking at this situation alone, one would think that mankind has been beaten to the point of losing its government, but in fact, mankind and the enemy are fighting a stalemate, and the hinterland is still peaceful, but they don't even want geniuses.

It's boring, a clichéd pretentious novel about slaps in the face.

Laxatives, I had already taken out my brain when I read this novel. I originally thought that I would not be poisoned if I had no brains, but I didn't expect to find out that I have a heart disease.

To put it briefly, the author should not think that tens of thousands is a lot. I don't know when your book is set. If it was the 1950s and 1960s, I didn't say, but if it is now, tens of thousands is really not much.

Pretending to be a slap in the face is understandable and barely acceptable, but what I really don't understand is that there are still people using the genre of pretending to be a pig and eating a tiger. Who doesn't know that this kind of thing is just a pig, how can he become a tiger?

If I can't catch up with you at level 7 or level 8, are you going to laugh me to death?

I've read five chapters and can't read anymore. The author's writing is a bit immature. I suggest you practice more. With 800,000 words, I don't have a single fan. If the author wants to do something big, I suggest rewriting.

There are also enemies that appear inexplicably. Isn't this the era of national war? Your country will let talented people kill each other. Talented people can only go to dangerous places to die.

I mind! The best guy who made a one-year contract with the protagonist, it is best to let him die in the cave Either he dies, and then the protagonist forgives him and admires his heroic performance before death If he does not die, the protagonist cannot forgive him Use the protagonist as bait, and don't care whether the protagonist lives or lives.

To be honest, you must not add some random settings. As mentioned earlier, the university country discloses all the information, and then tests the students' talents, tops, and then adds a setting later. To be honest, there is no point in messing with the settings like this. It will only make the book collapse in the early stage. Everyone reads it. Really, if you write like this, ordinary people might as well not practice and wait until the caves are directly opened. There is a problem with the cultivation level.

It's not like yesterday, it's a little bit poisonous. The protagonist doesn't talk about the Holy Mother, and it's not so awkward to pretend to be a slap in the face.

I was attracted by the first few chapters, but then I started to lose my mind. . I split directly

Damn, this piece of rubbish is still being written. I read some of it some time ago and it almost gave me a mental breakdown.

The old-fashioned show-off and slap in the face is meaningless. The template writing also needs to be a bit innovative.

The author used to work in the UC Shock Department?

To sum up, the power of faith is too little. It only takes one million people. Not to mention how strong the original power is in the small world, it consumes too much just to strengthen it. . .

This was written in imitation of Lilliput. But this is really true. Speechless. Especially your cultivation system. If it really doesn't work, can't you just do what Lilliput does?

Is this setting of a weird protagonist serious? The protagonist keeps calling me a genius and I won't die, and then performs various suicide attempts. If the protagonist's aura hadn't killed him hundreds of times, when did genius become synonymous with immortality? How many geniuses have died throughout the ages?

Write less about Blue Star, it won't look good.

I want the daughter country, when will it come out?

What kind of Madonna is the main character? Where did he get such a sense of empathy when he just traveled through other worlds? There are all kinds of Holy Mothers in the front and back of the time when he traveled to other worlds. A little loser whom he doesn't know at all can jump on the protagonist's face. A woman he doesn't know at all can give up and become stronger just to possibly die.

Isn't it the same as my Lilliputian country? Just added a few things, the basic routine is the same, no changes

This is embarrassing, not the only one, it means,!

This kind of setting is a good talent You might as well say it is a microscopic world

1, 2, 3, 4, 5, 6

If you become a god and develop believers, why has there never been a farming stream?