Marvel’s Lord of Hell

Pictures found when flipping through photo album

Spider-Gwen

I've read Chapter 190 so far. Let me make a quick comment: The previous plot is actually quite interesting and I enjoyed watching it. But from about halfway through, the protagonist starts to disappear, and then appears at the end. At other times, he doesn't appear for the whole chapter, which leads to a fundamental problem and makes it less enjoyable. The plot is stuck in a loop. An incident occurs here, and Chaoying solves it. The incident expands and the losses increase. The protagonist comes out to harvest a wave, and then resolves the incident. The protagonist becomes a guarantee mechanism. Some readers commented that the protagonist is the devil of hell, cannot help Chaoying unlimitedly, has to pay a price, cannot be reduced to a nanny, etc. The author's response is that the protagonist only intervenes at the end and disappears in the beginning and middle. I also saw that the author remembered the "promise" with Gu Yi after the protagonist had been wandering for a long time, so he couldn't easily interfere with Barabala. But in fact, we all know that the purpose of Ancient One is to cultivate an alliance on the order side to help her protect the earth. She does not actually care about human souls. She only cares about killing people for their souls and causing the destruction of the world. And there are many loopholes in these agreements. For example, like the protagonist at the beginning, he took the initiative to go to dangerous areas and put himself in danger to use the right of self-defense. Before whether the protagonist intervenes in these events, there is actually a more fundamental question, which is what is this book about? It was said at the beginning that the protagonist is a lord of hell. He went to the earth for fun. The early expansion was to become a veteran lord of hell to protect himself. Now that he can protect himself, shouldn't the protagonist pursue the pleasure he desires? The plot should be about what happens in the protagonist's pursuit of pleasure. In these events, he can act as a planner, manipulate the chess pieces; he can act as a destroyer to break the original destiny ending, etc., But currently he is a bystander, and he only takes a look occasionally. We have no idea what the protagonist is doing at other times. Watching a group of supporting characters fighting fiercely, the entire plot has no main theme. The plot is designed for intense conflicts, but for the protagonist, he is just taking advantage of it afterwards. Now I have only one comment on the current plot setting: boring. Because I have no idea what I want to write about in this book right now, I will give examples by comparing it with other works. If the main purpose is farming and using the technological development of the Mechanical Hell and the addition of a large number of scientists to technologically crush other civilizations, then it should be like "The Cursed Dragon", focusing on how technology and inventions are born, how they influence and what changes they bring to the subsequent world view. Instead of constantly collecting the souls of scientists and then withdrawing from each one-off product, the focus of the plot should be on how these scientists had twists and turns and how they were conquered. Their talents brought about differences from the original plot, and how brilliant they should actually be. If the main purpose is to describe the stories between these superheroes, it should be like "The Days of Being a Spiritual Mentor in American Comics", digging into the stories behind each superhero, filling their regrets, and guiding them to join them, so that readers can have an impression of their characters that transcends the original film, television, drama or comic version, and have the author's personal interpretation and expectations for these characters. Instead of all characters being labeled as tools, if you want to turn them into comedy characters (such as Banner and Shi Da Ke), you must always use the plot to guide the whole text and the style of the whole text must be consistent. Don't throw it away after use. The little spider has not appeared for a long time, Banner just shows his face and then disappears after being beaten, and Shi Da Ke is completely poisoned as soon as he makes a move. I personally feel that some characters are not suitable for comedy because the inherent influence of the audience will make them feel a bit OOC. Moreover, it does not fit the style of the full text. For example, "Cultivation Chat Group" is a book with a comedy line, so the group portraits are comedic; "The Fierce Taoist Couple Is Reborn" is a book about eating sweets, so the group portraits are all about eating sweets, falling in love, and having fun. If the main purpose is to have a refreshing and invincible flow of writing, then it will be cool, and it will be done with multiple female protagonists. Like "Dimensional Code", the protagonist breaks the constraints of the original plot and writes more interactions with various female protagonists (Sister Mao's book is too restrained, after all, the previous ones are gone). Instead of the current situation where the protagonist is invisible throughout the whole process, the female character's power is strengthened to imply x life, and there is no excitement at all. The direct interaction between the male and female protagonists is also pitiful. The writing is obviously very good at the beginning. The one that I am currently most satisfied with involves Marvel, multiple female protagonists, Shuangwen, Invincible, and superhero teams. The author can refer to it.

The culture spread by the ugly people is a cancer. Their so-called peace, freedom and non-killing doctrine. Look at the Middle East, Afghanistan, Syria, and Iraq. Is that the case? In the original Batman comic, Batman was a murderer. Later, the editors thought that this Batman would kill all the bad guys one by one. Then it would be troublesome to draw bad guys in the future, so they simply came up with the idea of ​​not killing. Anyway, it will come out again in a few episodes of the comic. From a realistic perspective, the so-called non-killism is irresponsibility for the victims. Batman used the reason that he cannot judge this group of criminals as an individual, but what about their government? In the United States today, murderers do not kill, so can the victims resent the government and the so-called freedom heroes who do not kill? In other words, the personal heroes in comics and their governments are all murderers, because they are irresponsible and perverted towards those crazy murderers, and do not deal with them, resulting in endless suffering. As long as the criminals are not dead, the number of victims will always increase.

Who is in favor of this kind of Gwen and who is against it

After reading the conditions discussed with Gu Yi, I knew what was going to happen next. Even if the writing was really interesting, I didn't want to read it. The territory is connected to the earth, or you annex the earth into hell. But unfortunately, I know that the author would not write like this, because if swallowed into hell, human beings cannot survive in an environment like hell. There's no plot, and the author can't get enough of it. Don't say that the earth is an eternal heart that cannot be destroyed. Eternity is a concept. It has not really died. Isn't it easy for others to recycle their own hearts? Even the concept of territorial integrity and independence does not include any hell lords. I originally thought it was written like the annexation between hell lords to increase the dimension, but I didn't expect that I still have to rely on the original plot. In fact, when lords harvest souls, they use souls to create subordinates. To become stronger, lords still need to annex other territories and then increase their dimension. What a pity.

Please improve it... I have no interest in DC, the logic is confusing, the character's combat power fluctuates, the elephant and the ant become teammates, the super power can destroy the earth at will, but it is defeated by the money's ability. A city where the crime is so heinous that nuclear bombs should be dropped is mostly private property, and it can obviously be managed to become a sunny city, because the shadow of a rich man's childhood has become a playground for him to relax. The so-called DC, everything is to serve Batman's emotional ups and downs. The so-called justice and evil are also the master's self-identification. For his so-called not to break his own bottom line, the whole city and the whole world accompany him to play the game of "I'll catch you, I'll catch you!"

Spider-Gwen

The routine repeats endlessly, even if it is a different DC universe. Superheroes are all useless snacks. It would be better if there were no superheroes. Anyway, we are just waiting for the male protagonist to save the day. It would be better if the male protagonist has superpowers in the whole world. No matter how many movies you add into it, it will only become more and more boring.

Damn it, you wrote nearly two thousand chapters on Black Robe alone! ! ! ! You are such a cowhide