Public Executions Started from King Dumao

My post was deleted, but isn't what I said true? I felt bad from the beginning of the concept of Honkai. In the end, I was really afraid of what I was going to do, and it was still there after so many chapters At first, when others said it was bad, I helped the author to argue. After all, the Fifth Holy Grail War, Demonic Change of Ninja World, Lion Heart How can Wang still be able to make sense, but after the complete emergence of Honkai, it will be over, just like the sea, it is all water And my money is real money, and I have been giving monthly recommended tickets during that time, but now I can't complain?

Just a little bit

This background seems very suitable for joining Sekiro, the alternation of generations between mystery and science, and may also explain why certain things are not

The author is great, it's not enough, please update it quickly.

I still remember that day, my painting won an award at school, and the principal asked me to go on stage to deliver my acceptance speech. I was speechless and didn't know what to say. Suddenly, a flock of crows flew from the sky and circled in the sky. Because I had sand in my eyes that day, I rubbed them for a long time while off stage, which made my eyes red. Suddenly a crow fell from the sky, my mind twitched, and I stretched out my hand, and the crow landed on my hand. Everyone seemed to be frightened, I muttered, go back! Everyone was scared, but who knew it was amplified by the loudspeaker and the whole school heard it. The crow seemed to understand and flew away with the crows that were circling in the sky. The principal seemed to have seen Naruto before. Although he was frightened at first, he thought it was unbelievable and asked me to continue. I was about to start, stretched out my hand and cleared my throat. Suddenly the group of crows flew back and flew across the sky. One crow laid an egg, which happened to fall on my hand. After the group of crows saw me, they all flew towards me and circled around me. Then more crows flew in the sky, covering the sky, and everything became gloomy. At this time, the students in the audience were frightened and shivered. Suddenly, a crow's feather dregs flew into my eyes. It hurt so much that I covered my eyes and trembled on the stage. It was so painful that I threw the eggs in my hand. The crows saw that I threw their eggs and smashed them, and they all howled miserably. I became even more irritable, and more crows were hovering around me. When my eyesight was about to recover, I raised my head and opened my eyes. A crow hit the lantern used for school events, and it happened to be red. It shot straight into my eyes. I yelled "I'm blind, damn" uncomfortably. Who knew that everyone heard it as: Sharingan, open! With the crow blocking the light, the red light shining on my eyes was particularly dazzling. At this moment, the sky flashed, a thunder flashed, and then it started to rain. The speech had to be stopped. The red light was turned off by mistake, the crows dispersed, and all the students who should have cried were frightened. Since then, I have become famous in school, and I also have a nickname: "Uchiha Sasuke's brother" (Copied)

The Touhou Project has always been an enduring topic in anime. What makes me ashamed is that I don't know where it has become in the perception of a lot of people. The monsters in the Touhou series are very weak and cannot live without the fear of humans. Gensokyo is a small village. It is forced by humans to have no choice but to confine itself to survive. Humans can be wiped out at will with hot weapons, etc. (I guess they are annoyed by the Touhou people and have a rebellious mentality.) They swear that these series of settings are from the government. (Crying) The reason why I posted this post is partly to popularize science and partly to preach (laughing). If you just want to see the combat power, you can just watch the end. In fact, in the early days of the Touhou series, there were no people, and no one discussed issues such as character design and combat power. The earliest rise of Touhou should have started with the release of "Touhou Red Demon Country" by God Lord. Touhou was once very popular and became one of the three major doujin wonders. It can be said that when Touhou was at its most popular, even the other two major doujin wonders, the Xing Yue and Higurashi Cry series, were suppressed (after all, the gap between the commercial series and the full openness of God Lord is still obvious - laughs). Readers who have experienced that period may have some impressions. It can be said that at that time, among the 10 books in the Qidian doujin series, 6 were Touhou, 2 were comprehensive comics with Touhou, and the rest were others. At that time, Touhou was everywhere, giving people the feeling that I, Touhou, was invincible. At that time, in the eyes of Touhou, the monsters in Gensokyo were the beginning of the multiverse per capita, defeating everything (laughs). Because of this attitude, many people from other ACG circles came to compete. Why are you hiding in Gensokyo if the East is so powerful? Human beings obviously need to be afraid to survive. What is there to be proud of? And a series of questions. At that time, various second and third designs were proposed and rejected, and there were constant quarrels every day. (In a sense, it also led to the development of the East.) In the end, the most discussed topic was why the monsters wanted to establish Gensokyo, and whether the monsters were strong or weak in combat, etc. After a series of good discussions, we have the public impression that Dongfang is very weak in the previous article (I cried when Dongfang lost the line). No way, at that time Dongfang's series of settings were not perfect at all. It relied on a series of second and third settings to support the public framework, which was simply untenable in the battle. Although we can rely on the powerful settings and outstanding performance of the monsters in the East (Purple M can directly send people to the moon, 800 million can change the trajectory of celestial bodies, etc.) To claim that their combat power is outstanding, but considering that we do not talk about the contribution and only talk about the settings, it is a bit of a rogue. The energy has become only a little stronger than ordinary people (crying) Fortunately, with the development of the times, the God Master is also constantly improving the Touhou. With the release of a series of official magazines, the last thing everyone is most concerned about is why Gensokyo was established, how big Gensokyo is, and the combat power of the Touhou series. There are also official documents. First of all, let's talk about why Gensokyo was established. According to the official magazine "Touhou Bungo Shinpo" There is a saying "In the so-called civilized era, the night was illuminated by lights, and human beings were deprived of the fear of darkness. The power source of monsters was human fear. Later, some people who were afraid that the power of monsters would fade changed their own reasons for existence and created Gensokyo. After the change, the new reason for existence of monsters was to be forgotten by humans outside. That's it. The monsters that humans are afraid of today are just showing off. The more they are forgotten in the outside world, the more the monsters can emphasize their presence and enhance their strength. It is an epoch-making system. " It can be seen from the article that the establishment of Gensokyo is not because monsters are weak and cannot defeat humans, so there is no way to compromise. It is an epoch-making change, and Gensokyo is worthy of being called a paradise. When Gensokyo was established, youkai no longer needed to be feared by humans, and instead relied on humans. They no longer needed to be feared by humans to become stronger, and became an independent race. As for how big Gensokyo is and how powerful it is against Touhou, you can find it from the official magazine "Touhou Gaiwai Wei". It says in the article "In addition to the Hakurei Great Barrier, there is another barrier that covers the entire territory of Gensokyo. That is the "realm of illusion and reality." This barrier that has been opened since 500 years ago is a barrier that "turns Gensokyo into a fantasy world and the outside world into a physical world." On the one hand, the power of the monsters in Gensokyo increases and establishes their dominant position. On the other hand, the increase in the world's population in the outside world leads to the expansion of human power and territory, and the barrier also has the effect of automatically recruiting active monsters into Gensokyo. Of course, the nature of the barrier is to form a so-called internal and external range, so its range can cover the whole world, and overseas monsters can also be attracted in. The epoch-making advantage of this barrier is that the more humans expand their power in the outside world, the more power the monsters in Gensokyo will expand. This influence is spreading its effect all the time now. Maybe some kind of monster has entered Gensokyo today. By the way, the one who opened this barrier was the youkai who controlled the realm, Murasaki Yakumo. She seemed to call the opening of the barrier a "youkai expansion plan." " It can be seen from the article that Gensokyo and the real world are like the outside and the inside of a coin. As the real world grows, Gensokyo will grow proportionately, and as the map expands, the monsters' strength and power will also grow. It can be seen from this that the purple M. She is worthy of being called a sage of monsters. Even if you say you can only take one step or three, you are underestimating her. Now it seems that during the lunar war, Purple M has already made a calculation. If he wins, he will occupy the moon and open a second base. If he loses, he will clear out the group of die-hards who disagree with the establishment of Gensokyo. This is the so-called you may win, but I will never lose (laughs) (this private article) As for the combat power, we can also look at these two paragraphs. First of all, the reason for the establishment of Gensokyo is that the monsters are weak and cannot defeat humans, so it can be seen from the size of Gensokyo that the Oriental people are actually very strong. Why do I say this? Let me give you an example. It has been said that as long as she is willing, she can knock down Youkai Mountain. This is nothing. If the map of Gensokyo was not determined at first, it would be difficult to deduce the combat power from it. But now it seems that if Gensokyo is replaced by the earth and the Youkai Mountain is converted into Mount Everest in equal proportions, can the combat power be deduced? Let's look at the big changes in Gensokyo that can cover the entire Gensokyo with red mist. Miss, it can replace 800 million of the moon and so on. It can be said that as long as these "people" are willing, they can easily exterminate most ordinary people. At least judging from the development of science and technology in the 21st century, as long as the sun is blocked, 99% of the people in the world will die. As for the nuclear bomb, it may be able to kill them (because there is no specific data, it is difficult to analyze), but in the future. Judging from the gap between the purple M, no matter how you throw it, you will probably only be able to blow up the person who threw it. Finally, judging from the current combat power of Gensokyo, most of them have the combat power against the city in the anime. The more powerful ones probably have the combat power against the country. As for the top ones, they should have the ability to clean the surface (less than 10%). Broken Star). Another point to add is that the combat power of Gensokyo is not actually the same as that of the East. The Eastern world view is actually very large, including immortals, gods (especially those like Tsukiyami), kings of hell, gods, demons, etc. The top level of combat power now refers to the kind of people who can open up the world and call themselves ancestors. PS: I hope this article can give everyone a general understanding of Touhou PS: If you have any opinions, whether you agree or disagree, feel free to speak. Gensokyo is a place that welcomes everything and tolerates everything (although I don't necessarily watch it) (laughing) PS: It's really embarrassing to run away after pretending to be cool.

😊😊

This post was written before Chapter 50 of the book, and only discusses the content before Chapter 50 As of today, this book has been updated with the content of Chapter 50 In my opinion, on the whole, the shortcomings are not hidden, and it is an excellent two-dimensional fanfic Updated 50 chapters, I have to say that some of my inferences are wrong, and to re-summarize, I will distinguish the content of this article: 1. Public execution and interaction between characters 2. Demonstration in front of people 3. Demonic transformation plot (!) After reading it again, I will still say that (1) accounts for the majority of the cool points, but , (3) is gradually accounting for more and more of the cool points of this book. I predict that soon (3) will become as important a part of the book's cool points as (1), and even surpass (1) But obviously, the shortcomings of the magically modified plot are obvious, especially for someone like the author who has also changed his character. However, I do hope that the author will stick to it. After all, for now, it is still "reasonable" The good part of this book is basically According to my research, readers feel refreshed about live broadcasts in public because this type of genre satisfies readers with ① a sense of superiority over the "information gap" and ② "display of knowing things". The former simply means "I know you want to show off, and I know what the result will be, and people are just as amazed as I was at the time"; the latter can be understood as "exposing the things you like to others to make others have other emotions." The latter is more important than the former, because Because ② can make many readers feel ①, that is, the reader discussion will make some readers who are not familiar with the work have a sense of "participation". The so-called "comment area is far more interesting than the book" is the reason why The author chose fate/zero, which is very popular and has a high audience, as the first execution at the beginning of the book. First of all, from the perspective of readers, there will be more readers with more ① types of pleasure, and this will increase the conditions for the birth of ② type of pleasure, which is a positive cycle process. But the current shortcomings of this book also exist. For now, the author's execution has no intention of starting anew, so I subjectively think that the author intends to write it in the form of a unit drama. Although this writing will cause some trouble in pacing, it is not a problem after all. However, the author currently has a problem: The appearance rate of primary and secondary characters I Personally think The main characters and secondary characters should be distinguished. In my opinion, the author should focus more on characters with more appearances in character interaction. For example, in order to pave the way for the future five battles, more words should be given to Emiya, Illya and Tohsaka Rin. After all, Artoria has been accepted, so the five battles must be more reference to Sakura's line. As the protagonist of the future five battles, he should get more appearances to pave the way. (We can't change Five Battles to Demons and have King Dumao as the protagonist.) Because not all readers have read Fate, future "protagonists" like Emiya need to brush their faces in advance. It doesn't say anything about readers' acceptance, but it can give readers a better reading experience This principle can also be used in other aspects, that is, for non-related character interactions, such as Tokisaki, the next execution target who is pre-determined by the protagonist. Kurumi (well, the author can't regard Kuritsugu as the caster in this unit drama) can arrange her interactions in advance to improve the reading experience In terms of writing, I still think it is very good. The special effects description and scene rendering are not amazing but definitely not bad. It is better to have fewer nonsensical descriptions such as "Kiritsugu making the signature Kiritsugu smoking expression" occasionally. In conclusion, it is highly recommended and a rare source of food. After subscribing at the current level, at least the first 40 of the two-dimensional monthly tickets Suggestions to the author: ((1)) ) World function construction theory:Three worlds that the protagonist needs to prepare to build this world into a semi-supernormal world: 1. The world with the "historical resonance" and the containment function of the fictional world work - the Xingyue world. The execution is constructed with the Holy Grail War as the main line, and the important characters of other fictional works are added as heroic spirits, such as the half-step ghost king-Kamado Tanjiro; the descendant of Tianxiang Ryusen-Kenshin... This kind of method can not only replace some heroic spirits that are not familiar to many people, but also reasonably improve the combat effectiveness of this kind of work with low combat power level. Second, the world that provides human beings with the ability to acquire extraordinary abilities - the Forbidden World. The awakening of superpowers in the Forbidden Superpower Camp is to "build one's own reality" and is similar to the book's setting of "Fantasy will have power". This can be used as a way to obtain superpowers, like the day when this book appears. Ordinary or science fiction-oriented characters (such as Kiritani Kazuto and Yukinoshita Yukino, let me tell you that the author should not dismantle the cps of the great teacher and Kirito) can obtain superpowers through this method. If it is written well, it may not be a fun point Third, the world of the construction of the big world framework and the elaboration of human destiny—— The vastness of the tree sea system can be used as a large structure to collapse the world of the sea of trees. The description of the sea of trees can also allow people in the world in the book to understand why there are worlds with completely different basic settings and where they come from. According to the setting of this book, this understanding is necessary, otherwise distrust and suspicion will affect the birth of fantasy. At the same time, The setting of Honkai can give people in this world a sense of solidarity and increase recognition, and recognition represents more fantasy (so it is recommended to start writing about Honkai before civilization) Why use these three works? First of all, regardless of the story itself, the upper-level structures of these three worlds are very well described. , And these three works themselves are also very well-known. Finally, these three works are laid out large enough to accommodate a lot of things (for example, the equally complete Fullmetal Alchemist in the upper world is not big enough, and the Pokémon world cannot be integrated into the others) ((2)) I still suggest that the author not to accept too many female protagonists. Now the problem has been reflected, and the time left for the interaction between the male protagonist and the female protagonist is too short. ((3)) I don't think this book can be considered a joke, so don't let yourself go too far when describing it ((4)) It is still recommended that the villain gain power through execution. For example, when the church sees the black mud pouring out, will it not think that it is the power of their "god"? Moreover, if you know both the pros and cons of this kind of plot of divine manifestation in front of a person, it may bring about a different sense of experience. Digression: Regarding the treatment of characters Is it reasonable for the author of Long Shuwen to change the characters this time? To be honest, it is reasonable, indeed reasonable, but I believe that few people will accept it easily. The reason is very simple - the popularity gap. Why is there so much controversy over the recent change of Luffy's rubber fruit into "Nika fruit"? It's not that the plot is unreasonable, but that Luffy's character of "achieving victory and freedom through hard work and krypton life" is deeply rooted in the hearts of the people, and now Luffy seems to have unlocked this "fifth gear" without any loss. The uniqueness and the feeling of being chosen behind the Nika Fruit make many fans feel that Luffy's original character has been violated. Yes, it is "the character has been violated." Author, you seem to have failed to deal with Long Shuwen's character this time, but in fact it's more about causing Shining's character to be "infringed". What is Shining's character? Arrogant and conceited, but undeniably powerful. If Flash were to retire due to pride after a fierce battle, many people would not say anything. However, being attacked by a sneak attack really "violated" his character. Even if there are indeed examples of him, it is the "character" that is most well-known. In this aspect, the so-called plot rationality has to give way. For example, if Long Shuwen is replaced by Wang Hassan, then this "kill at first sight" will not trigger the rhythm. Why? This is the type 1 pleasure of live streaming works that I mentioned earlier. Wang Hassan may not be much more famous than Long Shuwen, but because the type 1 pleasure will make readers feel reasonable, and some people who do not fully understand it will also be transformed into the type 1 pleasure with the blessing of type 2 pleasure. So to put it bluntly, Long Shuwen is not up to standard in terms of basic set strength and popularity, so this is the reason why Rhythm Of course, due to the particularity of the author's work, I can give another special example. If the person fighting against Shining is not a type moon, but Aizen, in this case, there may still be controversy, but the controversy will change from "it is wrong to write this" to "I don't accept it, let him leave the show" because Aizen's popularity and character have led to this It is "reasonable" and feasible. The author can use this as a reference for future popular characters when they are frustrated. Of course, there is a better way. Write a super long fight scene to show the details of the battle However, I suggest that the author should not easily change the personality of a popular character. The higher the popularity. The easier it is to pick up the rhythm, Long Shuwen is not very popular, so there is no big problem in randomly changing the character I typed so many words without realizing it, alas... The reason for typing so many words is very simple. The book shortage is too serious now, especially in the comprehensive comics area. It has been too long that I can't read the work. Anyway, please do your best (*¯¯*)

I really can't stand it anymore, from the moment it was bright at the beginning to now it's like a running account... Sigh Let me talk about my feelings, I think this book should be gradually dying since the Naruto chapter. It can be said that the most obvious part of the whole book is the Naruto chapter, but the Naruto chapter is actually good in general. If I insist on saying it, it is obvious that the author has no passion to write a book and has started to perfunctory. It is obvious that he can write more things. It is a good script. The Naruto chapter is a good stage for writing stories, but it was made It's unremarkable, even in the Naruto chapter, if it weren't for the appearance of Han Ran who explained the background and ambitions, it can be said that the entire Naruto story is a mess. Obviously, the foreshadowing at the beginning makes people look forward to what kind of story you are going to write. But overall, the protagonist of the film is not Narusa. Even Ben is not the protagonist, and even Ritsuka is a dispensable supporting role. The Only Accomplishment Aizen was a really disappointing chapter. If the Naruto chapter can only say that the author is not a fan of Naruto or that the author was in a bad state during that time, then the subsequent fights in The Lion King and Warcraft will basically be copied. If you say you are careful, you are indeed careful. Basically, I will write down every second of the scene. But it doesn't feel sincerity, it just makes people feel that other people's writing of this section can only be done quickly, maybe 20 to 30 chapters, but the two chapters combined are almost 600 chapters. King of Heroes is okay, at least there are other stories interspersed with Ritsuka's anger and the changes and added battles at the end. The writing is also good, but the lion play, forgive me, I thought about it for almost half an hour, and I just didn't expect anything outstanding. If you want to say that the final defeat of Honkai Impact, the writing is okay. Then I really doubt your ability to appreciate novels. Moments like this when you encounter an opponent's sneak attack should be very thrilling, but I didn't feel any passion in his writing. Then the combat aspect was pretty good when facing the weird one, and the many doubts that were laid out later seemed to include the element of battle of wits, giving the impression that you decided to take the writing seriously and stopped writing it. As a result, you changed hands and entered Honkai Impact, abandoning the fairy chapter that you planned to write before. Forget it. But what you wrote in Honkai Impact is not even as good as The Lion King! This is copying, and you clearly want to write about Otto. You clearly stated that the person you want to awaken is Otto! How come your perspective is that of Chiyana and the others? Your way of writing can be said to be your biggest mistake since I saw you writing this book, because you copied without even understanding the character you were copying! The main character in this article is Otto, but if you don't write about Otto, you are making me emotionally incoherent. You have only highlighted his Lao Liu and Qiyana's misery and knife. If you plan to release Otto's knife all at once, then you can release it now? What are they doing when you write about Yana? Isn't this taking the spotlight away from the guest? The thing that upset me the most was when you created the Star God of Joy. I thought you were really going to cheer up and get back to the same level as the first 500 pictures. But as a result, you are now creating Joy, saying that your character is fun, and those of us loyal readers who are still reading your writing have become clowns. The author, why don't you tell me what you are planning to write next? Do you plan to write directly according to the plot until Otto breaks into the tree? Or if you honestly tell me whether the original author has been replaced, it is really hard to imagine that the level is so different. If you are weak at the beginning and strong at the end, you are making progress, but you are strong at the beginning and weak at the end... Are you atavistic?

I added too much MiHoYo in the later stage, and I don't play it at all, and I can't understand it. Originally, I was chasing fate, but what follows is all nonsense!

Is this hanging on fate? It feels like there is no room for characters other than Fate to appear. Once it comes out, it's just a name. What's the point of fitting it into the fate box?

If the protagonist is set, it can be the Tree of Kabbalah The Sephiroth symbolizing the soul, the 22 paths symbolizing thought, and the tree symbolizing the body When the protagonist possesses the body, soul, and thoughts at the same peak of reality, a reversal can occur The essence of reversal It is Nyarlathotep, the messenger of the alien gods in the Cthulhu mythology Next, I will briefly talk about the abilities I designed and see if they can be used First of all, the tree has the power to carry all abilities The Sephiroth, which is the essence of the protagonist, can be fought according to the appointment br>Twenty-two paths, ignoring time and space, fate, cause and effect, everything can go to where the heart wants without any way to stop it Reverse, but return to the complete posture, the moment of mental collapse, you can use all the abilities of Nyarlathotep, the messenger of the outer gods Here I divided Nyarlathotep's abilities in the form of the Thousand-Faced God Divided it into three lurking chaos, messenger of the outer gods, and leader of the earth camp. With these three as the core, plus other incarnations, this together is Nyarlathotep

It's so difficult. It's written about the duality of good and bad. There are often shocking words of dissuasion and detailed descriptions. In some places, it's tempting to stick stereotype labels to death. Romanticism and realism appear alternately. I really don't know how to evaluate it. What I like is good-looking, and what I don't like is easy to get offended.

If you write fate, it is definitely a good book, but because of the subscription problem, you suddenly turned to writing about collapse. This is really a backstab for readers who like fa. Don't forget it from the beginning to the end.

The author himself is so excited that he can't stop. Why don't I watch anime when you write like this?

Already a little cracked. The status of the main world and the light curtain is reversed, from behind-the-scenes flow to viewing flow. The status of the main world is too low. In my opinion, there needs to be a lot of clones like Merlin hanging around to raise the audience's expectations, otherwise it is really not as good as the light curtain. In addition, the heroine and the hero are completely reduced to foils, with nothing to watch, and the emotional line is not attractive, giving people the feeling that they are just there for ribs. Xingyue is too long, like General Thunder, who stayed in the introduction for 500 chapters before a shadow appeared. Many characters are only inserted to make them look familiar, and many elements in the main world are not actually used. Ark only has place names, Beng San and Genshin Impact only have character names... It should be a two-dimensional hodgepodge, but now it has become a unique show. The combat power is also broken. The fight inside the light curtain was in complete darkness, and each force was higher than the last, but as soon as the reality came into view, it was over in an instant. It felt better or worse, but I was completely overwhelmed by the light curtain. Readers have no real sense of the extraordinary character's strength, and there is no actual change in combat power. There is only one sentence that can defeat the sacred horse, which is a very poor impression. Generally speaking, the author is limited by this subject matter. If it is set as the earth fighting against the invasion of dimensional villains, it should have a stronger look and feel. The author can also mix his imagination between the pros and cons at will, and he will not be so restricted. Even if he wants to write something weird and strong, the protagonist will be hurt. The writing is weak and weird, and the pretense is not cool enough. (Only represents my personal opinion. It is a rare two-dimensional novel. I really hope that this work can become better, so I speak more emphatically)

Well, I just have one opinion. I don't have any objection to writing about Fujimaru Tachibana and Fujimaru Tachibana, but can you reduce Mashu's plot? After playing Fairy Lostbelt, I really feel that Lady Lion is not worthy of teaming up with Fujimaru Ritsuka. First of all, she married the Lion Lady and performed Beauty and the Beast. She did everything except the wedding night because she was "nervous". And compared to Fujimaru Ritsuka, she really has an emotional connection with the Lion Head. Then he also suffered from amnesia. When Fujimaru Ritsuka saw Mashu three times, he would have the urge to say something but could not say it, while Mashu completely forgot and had no memory at all. The last thing that disappointed me the most was that at the end of the plot, Mrs. Lion actually said that she felt that she had experienced unprecedented growth and found herself. I really can't stand it anymore, my dear, there are nine unique points in the main emotional plot, four sub-species singular points, so many activity singular points and six strange news. You just got through it, and you didn't grow at all. On the contrary, marrying a lion made you grow.

There has been absolutely no change in the five battles. It is said that Xiao Mo will be replaced, but is the essential change too big? Can Aizen Tokiomi completely change the plot? Now the following is becoming more and more like an ordinary "viewing stream" The Demonic Kai Fujimaru Ritsuka stands in the long river of time... The gem man dare not write about the parallel world for fear of discovering the secrets. Do you dare to write in the long river of time? Then came the character of the "protagonist", who is called the "creation" character in the movie. A creation character acts as a liaison to Destiny, which feels very inconsistent (of course, the author will not mention it later) And... In a comprehensive comic, except for the fate character and Aizen (now Aizen is about to become an NBC), all other characters are like going through the motions, and their sense of existence is really low (The above is a comment from a reader who has gone from 40 chapters to more than 300 chapters. If there are any mistakes, please point out)

Gilgamesh and Li Shuwen fight, and the probability of the latter being stabbed to death is too high. Does the author want to write the plot himself? Try not to change it too much, otherwise it will be easy to lose control.

To sum up, open high and go low. In the early stage, it will be jelly grass, in the mid-term, it will be stretched, and in the later stage, it will be delayed.

Stitching setting, is Kurumi Tokisaki the companion spirit of the time tree that Kagome traveled through?

I have an idea, or a suggestion. Should we hire a few more destiny liaisons? As soon as there is only one liaison for the protagonist, it will definitely arouse suspicion over time. After all, the protagonist himself said that there is not only one liaison, but it is strange that the other liaisons have not appeared for a long time. Besides, when there are more people in the future, we can't all have the protagonist take responsibility and unlock the banned information, right? In this case, recruit a few more people to serve as liaisons, set up a system, hand over the information and training authority of the people they are responsible for, and let them provide support, and then these people will be directly under the jurisdiction of the male protagonist. In this case, we can also sew in some daily characters such as Black Cat and Tori Yurikka who are very popular but have no fighting ability. We can't all be infected like the Yukinoshita sisters. The liaison officer can provide various types of auxiliary support to the extraordinary beings managed, such as strengthening and treatment. And it can help them connect through the consciousness network to improve combat efficiency. In this way, when there are more extraordinary people in the later stage, a combat team with the liaison officer as the center can be formed, and there is no need to fight alone. Similarly, after they become liaisons, they can also obtain some limited but certain extraordinary powers, so that the male protagonist can avoid being suspected by using some not-so-powerful extraordinary powers in daily life. As for the extraordinary power... It can be set to gain part of the abilities of the person responsible, or it can be transformed directly. For example, Kotori Yurikka was excited to show off her abilities but found out that her ability was not the "Evil King's True Eye" but the "Condemned Princess"... Well, the voice is the same anyway, so it doesn't matter 😃

It would be better to write each story separately. Moreover, what should have been the main plot and mystery has become a dispensable embellishment. The book fell apart after I started writing Fate as the main plot, and basically couldn't sew other things into it.

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The anticipation was high at the beginning, but the author kept the author in the middle, and then I continued to follow it until chapter 1200. The more I looked at it, the more strange it became, and all I could think about was, what is this? I decided to watch it, but the more I watched it, the more uninteresting it became, and in the end I was really disappointed. Overall rating: Gold head, silver body, bad pants. It's not bad. I lost money, but not much. I personally suggest that you stop when you see 1,200 chapters. At least so far, I still have good memories.

Oh~ It's such a pity that there are still a lot of pitfalls to be filled, including the possibility of Fujimaru Ritsuka's fight against Honkai, the shining of the Thirteen Heroes, the doctor's awakening, the malicious conspiracy of the mysterious party, and even the mystery of the decisive battle between the protagonists. What a pity, what a pity! No matter how much I think about it, I can still write a lot without saying anything. I look forward to the next book. I hope the next one will be more substantial and better.

Qiu He is a novel of the same genre

The first part was very good, but suddenly the writing collapsed and I skipped reading it at the beginning. The more the author wrote later, the less I wanted to read it.

ps: Everything in this review is based on the analysis of the chapters before it was put on the shelf. The ultimate purpose of publishing reviews is to make this book better. I will try my best to summarize the suggestions without being subjective. The general world view of this book: Comprehensive Comic World There is something called the power of fantasy, which is partially similar to the common setting of "power of faith" in online books in terms of collection and production methods. When people associate with an object, they will have the power of fantasy, and the power of fantasy will gather towards the fantasy thing, but except for the protagonist who has the support of the world, no one can directly observe and use this power (at least for now) The interesting composition of this book: 1. Global Direct Broadcast, public execution Evaluation: Although it is said to be a "public execution", there are not many real black histories. Currently, the main target of persecution is only Emiya Kiritsugu. The others are not executions, but full of force Although it seems to be a little off topic, the impression is not bad. (Composition: 65%) 2. Appearing the saint in front of people, fighting against the mystery Evaluation: I personally think that this part is not handled well. As a refreshing point, when the mystery comes, the part of "appearing the saint in front of people" is handled extremely poorly. No one sees it, or if someone sees it, the author does not describe it, which means he is not pretending. Considering that the protagonist is currently strapped for money, it is not impossible to sacrifice for the sake of rationality, but I hope the author can improve it in the future. (Composition -5%) 3. Plot modification, world mixture Evaluation: Not good. Compared with the original version, the characters of Kotomine Kirei, Tokiomi Tohsaka, and Ryu Shumon have undergone major changes, but the processing is relatively good, and it is acceptable in my personal subjective opinion. At present, it is certain that the worldviews of different works will be mixed, but the specific method is to mix them all into one work, or to divide them into several "parallel worlds" to build according to several major works with mature worldviews. It is still unknown(By the way, I prefer the latter) (Construction (Income: 40%) Readers who this book is suitable for (determine suitability by serial number) ① Pan-two-dimensional readers who only stay at the level of reading or even hearing about most works, but are willing to understand them ② Readers who control the details of animation and like the world view more than the characters. ③Heavy acg enthusiasts and readers who have a rich understanding of otaku culture. ps: If the above is not the case, it means that this book may cause you discomfort in some plots. If it is not a book shortage, be cautious before entering. The protagonist of this book: The traditional starting point protagonist is most concentrated in the description of thinking, which is full of starting point self-interested thinking. However, the protagonist has the most basic three views, knows how to take responsibility, and his rationality is currently far stronger than his lower body, so he can rest assured. Since the protagonist of this book will not take up much reading time, you don't need to worry about it. The writing style of this book (5 stars) Continuity: ★ Mysteries always appear suddenly, and there will be some "emergency events". The links are too blunt, and the author still needs to work hard. Clarity: ★★ The ability to summarize and describe information is very average, and sometimes it is unclear what the conditions are for the current situation to occur. Fluency (reading experience): ★★★ The writing is basically fluent and can be read smoothly, but occasionally some bad jokes and very "homey" descriptions that outsiders don't understand will destroy this sense of fluency Logic: ★★★★ The author's writing is the strongest part of this book, although the analysis is It occupies a large space and has an impact on the reading experience, but it does achieve a certain degree of "logical self-consistency" Environment (special effects) rendering: ★★★ The special effects of waves, the sense of picture, and the general line drawing to set off the environment are insufficient, especially the background of the environment, which is basically non-existent. That is, the description of mysterious things has a good sense of picture and pulls the star. Psychological description: ★★★ Passed Action (expression) description: ★★★ Fight... Well, um... The description of the beautiful girl's expression is good. Controversies that may arise in this book 1. The combat power and the setting are torn apart; this is difficult to avoid, especially because the world is mixed, and there will definitely be tearing up Oh, by the way, I will also end up, tearing up the combat power and so on, how interesting, ahem~ 2. The character design does not meet expectations; this is not sure, but "I often walk by the river, how can I not get my shoes wet"? 3. The problem of recruiting girls, this book and the official setting; everyone understands it The next part is related to the plot of this book, and is protected from spoilers. 1. Why did the author give Kotomine Kirian a heroic character? Here I have an idea, but to prevent spoilers, I just give a hint: to pave the way for the fifth battle; it is related to Shirou. 2. About how the "execution" will be carried out in the duel ① Directly ignore most of the settings of the duel, and only carry out "execution" based on the information from Kuang San. ② Follow the plot of the duel, but Kuang San does not like Shido ③ Fully integrate into other world views, leaving only Kuang San alone. 3. After confirming that Demon Slayer: Kimetsu no Yaiba has been integrated into Inuyasha, what other works can it be integrated into? Demon Slayer + Inuyasha, what is the basic world view of this universe? I guess Naruto can, his combat power is similar, and both sides have similar power systems. As of now, these two works can still be incorporated into the world view of Xingyue. Of course, there are more suitable ones, but it is not inconsistent with Xingyue.

(The title comes from "The Gods Themselves" by Arthur C. Clarke, one of the world's most famous science fiction writers) Author, you may wish to consider other science fiction technologies. I feel that the technology in Da Liu's universe is no worse than Xianxia novels. Not to mention the five god-level civilizations in Liu's novel 1 "Poetry Cloud" God-level civilization: Li Bai has god-like technology. He once firmly believed that technology can surpass all god-level civilizations. His only hobby is art, and he is an art master in the universe. I accidentally saw the artistic "poetry" unique to humans in that universe, and was angered by the Earth poet Chongzi's attitude that he firmly believed that human poetry and art on Earth could not be surpassed. He began to call himself Li Bai, and solemnly declared to all civilizations in the galaxy, "I am Li Bai, the Li Bai who is about to surpass Li Bai." He wanted to transcend and end, but for the first time he saw the art of human "poetry", but his faith was sadly broken in front of human poetry.         ，，DNA，，，，DNA， Note 1: In that universe, at least in the hearts of gods like Li Bai, a god-level civilization who has seen countless civilizations across the galaxy, no art is as concise and powerful as the poems of human Chinese civilization. Most of the art is sculpture and other arts. In other words, the biggest golden finger of mankind in that world is the unique art "poetry". Note 2: In the heart of Li Bai, a god-level civilization, all human existence is completely unworthy of the artistic "poetry" created by humans. It is probably a problem that many civilizations in the "Shiyun" universe and the Milky Way cannot figure out. How could such a dirty, wretched, greedy, and depraved human civilization create such a unique art that makes God so obsessed with it and cannot be surpassed 2 "Three-Body" God-level Civilization: The Zeroes, the only known god-level civilization beyond the dark forest in the Trisolaran Universe, the ultimate ideal is to transcend the zero dimension of the universe and redeem all civilizations. Throughout the Three-Body Trilogy, the Zeroes' technical performance is very little, but it can also be seen that the power of the Zeroes is that they can ignore the Hessian Law (even the weak human civilization in the Three-Body is aware of his existence).                                                                                                                                                                     canting the total amount of matter equivalent to the Milky Way into the deadliest line in the universe can be converted into pure energy, and the language of all advanced civilizations can broadcast the entire multiverse (there are really many large universes in the original work, if you have to compare, I can show you). The technology inside at least involves instant light speed technology, cosmic material conversion technology, and advanced civilization monitoring technology. 3 "The Messenger" God-level Civilization: In the future of human civilization, a certain unnamed person who loves to play the violin (you should all know me if I don't tell you) looked at the atomic bomb in fear and fell into deep worry. Does mankind still have a future? Even now we can create such terrifying weapons, is there any hope for humanity in the future? At this time, the messenger appeared and lent him a violin. It was a masterpiece of future humans. No matter how much you played the violin, its wires would only increase and would not be broken. Then the boss laughed when he looked at this scientific masterpiece that violated the law of conservation of energy. He finally understood that the Chinese in front of him was a future person. This was an arrangement by the future government. The future people took a time machine to send a message to every scientist who has made great contributions to human civilization. Human civilization has a future and is extremely great. It's just a short story, which at least reveals the future of human civilization, two technological masterpieces, time travel and creatures out of thin air, which are absolute technologies that even Li Bai's civilization cannot achieve. Note: It is a time travel in the true sense and will not produce the so-called parallel universe, because in the end, what the protagonist is thinking is "it's almost time. The law of cause and effect is really troublesome, but that's the only trouble." It almost proves that except for the limitations of the law of cause and effect, human civilization can do everything in the future. 4 "Fiber" God-level Civilization: Parallel Universe Human Civilization, the technology in it is rarely expressed, but at least it shows that it can easily find the corresponding universe in the infinite fiber universe, and can nonchalantly give away glasses that can see other parallel fiber universes. It is the undisputed master of the parallel fiber universe. The technology inside at least involves infinite fiber parallel universe search, infinite energy extraction, instantaneous transmission across fiber universes, and instantaneous perception of new fiber universes. 5 "Chao Wen" God-level Civilization: Risk Removal, the technology displayed is to use the grand unified model of the universe to monitor all civilizations, instantly erase Einstein's equator at super-light speed, and plant grass, use technology to create a Chinese, and instantly create the altar of truth in a way that humans cannot see. If you have a super-unified model creation method for the entire multiverse that may exist to destroy the entire multiverse. This civilization can be called the future human civilization second only to "The Messenger"