The HE Guide for the Mortal Villain Empress Who Traveled Through the Book

Come on, the writing is beautiful The words reveal rationality The characters are also very vivid I hope you will work hard to update it Support and support~

Thank you to the author Da Da Chan Liang. The setting of this story is really good. The characters, plot and writing can be seen that Da Da has good writing skills. I quite liked the beginning, but the follow-up was indeed a bit lacking in stamina, so I have a few complaints and please forgive me for offending. The main turning point should be the episode where the empress and the regent are alone in danger in a Taoist temple. There is still a big gap between the progress of the plot before and after this point in time. In the beginning, the heroine worked hard to change her destiny, including physical conditioning, and the plot of the game between the monarch and his ministers was quite compact. Until the distress plot gave the foreshadowing that the regent knew that the empress had been replaced. From the beginning to this point, it can be said that everything has been developed to a small climax. But the next plot felt like it suddenly took a turn for the worse. Personally, the biggest problem is that there are more and more supporting characters, and they are not prioritized, and the plot is dragging. Several main supporting characters, the regent, the original heroine, and the factory owner. These people are considered to be the most capable and have the greatest influence on the subsequent plot. However, as the plot develops, these people's contribution to the advancement of the plot becomes weaker and weaker. As for the regent, one is that the relationship between him and the original person has never been clearly explained, whether before or after the danger, there is no explanation except a few vague explanations; The second is that he has not enough foreshadowing for the understanding of the replacement of the empress. There are indeed foreshadowings, but it is not enough to support him suddenly saying that he knows that the empress has been replaced. The third is that there is not enough interaction between him and the new empress to advance his understanding of the new empress. He turned out to be a person who had a close relationship with the original empress, but after learning about the change, he had no entanglement, no rejection, no temptation. Apart from explaining that he felt that the new empress was thinking about the people, he had no other explanation, and then he considered mentoring the new empress... So what is his feelings for the original empress? ? Is it important or not? ? After explaining that he knew about the change of empress, his plot line was almost non-existent, so how did he decide how to deal with the relationship with the new empress? ? If he is the one who will spend his whole life with the empress in the future, then how can he have a future without even basic interaction with the new empress? Perhaps the plot hasn't progressed that far yet, and there will only be interaction between the two people in the future. However, for a character whose presence is getting weaker and weaker, after all the other supporting characters have taken up more important roles in the plot, and then suddenly takes a turn and introduces the Prince Regent as the male protagonist, is it really reasonable to advance the plot like this? The factory boss and the original heroine also have insufficient roles, and they also have these problems. The foundation of many changes or the reasons why they do things is too weak, so sometimes it is difficult to understand the subsequent plot development. I also saw that the author mentioned in the article that it is a coming-of-age drama for the heroine, and the others are supporting roles. But this does not mean that only the heroine is highlighted and all other characters are weakened. Regardless of the male protagonist or the supporting role, in addition to promoting the growth of the female protagonist, the more important thing is to promote the continuity of the plot. Important supporting characters have more interactions with the empress to maintain a logical main line of plot advancement. It is true that both Machiavellian plots and suspense plots require stories that are similar to peeling off cocoons to advance, but this kind of advancement can be controlled well so that readers, um, no, I can't speak for all readers, let's talk about myself, can allow me to follow the author's ideas to understand the story line. However, if the control is not good, the plot will be delayed. Once the logical line is broken, this train of thought will be completely unable to follow, and the subsequent plot will become more and more inexplicable. In particular, there are more and more supporting characters, trivial plots are sandwiched in the main line that is not clear, and important supporting characters are getting weaker and weaker. Maybe these supporting characters will be useful to the empress in the future, but in the current plot, the plot that should have attracted my attention was completely broken up by the plots of these unimportant supporting characters. Of course this is my personal feeling. After all, I don't like harem-type plots, so I feel that the harem drama breaks up the main plot. This is purely a personal feeling. So I personally feel that the heroine's growth story does not mean that all supporting characters are unimportant. On the contrary, successful and outstanding supporting characters can bring more exciting plot advancement. The nonsense is over, hahaha.

If you want to gain weight, look again, but. . Why can't I control my hands?😡

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