I Picked Up a Sailor Uniform Ghost

Hurry up and don't listen to other people's pressure. At least no poison has been found yet, except for the orphan status. That's how writing a book is, some people like it and some don't. Believe in yourself, at least many authors are not at your level.

This book has a lot of flaws, but the flaws are not hidden. The update is a bit slow, which is not a problem. However, there are fifty or sixty chapters at the back, such as ticket notices, notices for leave, and other useless garbage. This is very fatal and affects reading.

Let me tell you what I found when reading this book. I found some problems. First of all, it is not exciting. I thought it was just like a composition. The protagonist has his own telekinesis when traveling, but the author just keeps suppressing it. In most battles, there are other supporting characters beside him. In order not to be discovered by the official to have special powers, he keeps pretending and restricting it. So why is there such a telekinesis setting? Wouldn't it be better to switch to something else? Or just go all out to kill monsters and upgrade to official power. There is nothing you can do, but even if you keep pressing, the battle process is boring and boring, mixed with a lot of nonsense and some unnecessary plots, so the whole scene does not support my enjoyment of watching it. Another problem is the characterization. The protagonist gave me the feeling that his behavior was inexplicable. For example, killing monsters at first can strengthen his mental power and improve his telekinesis. Then he came up with the idea of ​​killing other monsters to improve his abilities. He did not make any plans when he did not understand the world. What if he encountered a monster much stronger than this one? If it is so powerful that you have no way to kill it, but it can kill you, what will you do then? Fight or flight? How to run?                                                                  And then there is the plot you have arranged, I will not mention this aspect, at least describe it in your mind because you are restrained by the Seven Sacrifice, you can only wait until this is over before you can do it, or realize that this monster's ability is changeable and difficult, and you have to think carefully, just like you realistically decide where to go tomorrow. A girl from school with the protagonist was eaten by a monster and was replaced by a monster. The protagonist accidentally encountered a monster while searching. There was no definite information before that she was really a monster. She was blocked by an enemy with a sniper rifle from a distance and was killed by Shundai. Her blood and flesh were spattered on her body without any emotion. From the previous content, I don't think the protagonist is a completely emotionless person like Chu Xuan. Although in the later content, the girl is indeed a monster. Because she is a monster, she didn't react to this scene? But how can you be sure that this is a monster? Your previous content did not say that the protagonist was sure to be a monster when she entered the door, nor did you say that you didn't have any reaction when you saw someone you knew being killed by a monster. After reading more than 170 chapters, you really can't stand it. There are too many unreasonable contents and nothing to watch. I think the title and synopsis are about a story about a time-traveling protagonist who takes a ghost girl with him to kill monsters and monsters. The monsters and ghosts are not written, and the telekinesis aspect is not interesting because of the disguise as I mentioned above. Even the theme of the ghost girl is dispensable. I have read more than 170 chapters and I don't know what the focus of this book you wrote is.

My evaluation is that if the plot itself has problems, no matter how attractive the title is or how many female characters are written, it will be of no use.

In the beginning, the image was that of an amateur exorcist holding a salt shaker and a wooden spoon. He couldn't charge more money because of the curse, and he was not very capable. To dispel a little ghost, he had to sprinkle a lot of salt and break a lot of things, and he picked up the wooden spoon and salt shaker himself. Later, when I was fighting Gouzi and Slime, I had a police connection, and my strength improved a bit, but I didn't feel like I was a master. The protagonist still had to fight the monsters. In this case, it was basically just a drag. Without her, the protagonist could have solved it with telekinesis. Since the second volume, she has become the master of the protagonist. She is called the Sword Master (even the sword was given to her by the protagonist...). She has fought various monsters and had several curses on her body. The big family is also rushing to let her accept apprentices. She has all kinds of fancy sword moves. She is also a special consultant to the police and is very powerful. This span is a bit too big, right?

To put it simply, the male protagonist has no sense of existence. It does not mean that there is less writing and ink describing the male protagonist, but it feels like the male protagonist has been making soy sauce. On the contrary, the male protagonist's master is like the protagonist, a bit anti-customer.

Crazy, can you put the main text at the bottom, and move the leave to the top even if you don't delete it? Otherwise it will affect the reading experience too much.

It's a pretty good book, why isn't it so popular? 🤔

After reading two volumes, I took a look at the table of contents and it was really hard to put my finger on it. 눈_눈 The biggest problem is indeed the sense of fragmentation, whether it is the title and the content of the novel, the protagonist's words and deeds in the first and second volumes, or the incomprehensible expansion of Ogiwara's combat power. From God's perspective, in the first volume, Ogihara was washed away 4 curses + obtained an enchanted weapon + healed his injuries. Two of the four curses are unknown. The 5-yuan reward has no effect on combat power, and only one restores physical strength to normal. However, the stone lion was unable to fight back against Ogiwara like this, and shouted that Ogiwara was much stronger than six years ago. Is it possible that there is a path to martial arts and spirituality? For another example, after the protagonist used the enchantment knife to kill the sunshine of heaven, he secretly thought that it would consume too much. What exactly does using that enchantment consume? An item that has no number of uses but only a duration and the cost of use has already been paid when it is made is ambiguous about what it consumes when used. Because even at this time, the power system of this novel is completely unformed. The originally established combat system using props and cursed power has lost its persuasiveness in the face of Ogiwara's expanded combat power.

This is too shabby... It looks fine from the front, but suddenly it goes "goo, goo, goo, goo" from behind.