
In Tokyo, Will There Be a Reward If the Favorability Level Decreases?
东京,好感度降低才有奖励?
- Status
- Ongoing
- Length
- 254k Words
- Genre
- Light Novel
- Audience
- Male
- Subgenre
- Everyday Romance
- Updated
- 1y ago
- Source
- Qidian
Stats
0Monthly votes
2.5kRecommends
27Fans
112Chapters
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The writing style is not bad, but the writing is inexplicably frustrating. It does make sense that it is tepid 🙂🙂🙂
Isn't the protagonist full of charisma, and the system has no restrictions? If you play Ai Doulu, you can increase the emotional value a lot, and then the house will collapse and the machine will soar.
I am Shennong
After reading twenty or thirty chapters, I can only say that it makes sense why this book is not popular 🙂
The rhythm is a little difficult to evaluate, the progress is too fast. The performance session should be at a later stage as it is a mid-stage section, not to mention that it is the male protagonist's heart knot. This kind of thing must be slowly untied step by step later. The first thirty chapters are more suitable for a step-by-step approach, using certain daily routines to expand the background settings and character descriptions to slowly guide readers into the story. The general framework of the musical performance conference is okay, but it is too far forward. As a result, the main characters have not been shaped to a certain extent and appear to be very empty. It gives people the impression that one second they are introducing the characters or even not finishing the introduction, and the next second they jump directly to several levels to fight the boss, just like the boss at the end of the level. It is recommended that you carefully consider the arrangement of the plot and the speed of the rhythm.
It's so stupid. The male protagonist is really stupid, even more useless than Asashi in the Japanese manga.
The plot is a mess. All in all, it is a story in which the protagonist gets a system that plays with women's emotions, obtains the talents in women by playing with women's emotions, and then uses the talents to show off. The protagonist has an unpleasant personality. He seems to be serious about things, but he is more casual at heart. He gave up in the first match because he felt that the talent he stole was not as good as the opponent's talent. The opponent needed to win the game to prove himself to his mother to realize his dream. However, the real reason was to gain talent by lowering the opponent's favorability. The plot at that time was hinted at through the opponent's favorability data, but this reason was not clearly stated. Others thought that the protagonist did not respect the opponent's right to choose. So what does the second game mean to the protagonist? It doesn't make sense. It only means something to the opponent who let off steam at the time. An upright game only restores the opponent's favor. As for what's the point of restoring the favorability point back to 93, well, it doesn't make any sense. Because you can say that the protagonist's existence is meaningless. He only exists as the system host to drive the plot. Here are a few characters that are well-written and poorly written. The president is more reasonable. Except for the outrageous ability that the system cannot recognize, he maintains the status of the student union, protects his subordinates, takes school tasks seriously, and also teases the protagonist with a little personality. , It can be said that the image of the president is very clear, but the president of the newspaper wrote relatively lowly, was played by the protagonist, and then retaliated by publishing it for a month. He wanted to be friends with the president, so he waited for the protagonist, used a challenge to show his goodwill, and said that the grudges were over. Don't you think it's ridiculous when you think about it? Playing with someone's feelings so you can take revenge and let everyone know you've been played? Because a friend was teased, the bestie steps on the protagonist's feet and throws a cake in his face in revenge? Maybe it's because I don't know how to write emotions, so I let the system make the decision? He also has a rather ambivalent attitude towards money. It doesn't matter if he is in urgent need or not. When faced with a one-million-dollar contract, he can reject it with dreams because he wants to move out because he cares about it. In the end, the relationship with his sister eased. From the beginning of the co-writing, he never thought about actively choosing to ease the relationship. He relied on the system to drive it. The summary is that the plot is poor, there are good characters and bad characters, the protagonist's personality is relatively vague, and the favorability system has a relatively high presence.
Needless to say, the content of the forty or so chapters that I have read so far has nothing to do with the title of the book. After all, you can practice your skills on your own. According to this title, I thought the content should be a novel about lifelong regret/chasing your husband in the crematorium, but unexpectedly it turned out to be about the daily life of youth and unexpected pure love? Although there are many women on the scene, the only one the male protagonist has a crush on is Sakurai (I think she will be referred to as the female protagonist from now on), and she only feels guilty (questionable) towards the other girls. At the same time, what another book friend said makes sense. Although the wind performance competition is only a prelude to the national competition, it is indeed too early. The main reason is that the emotional knot between the protagonist and the heroine (?) Will be resolved in the selection competition, which leads to a large proportion of selections, so that I can't imagine the scale of the national competition. After all, the national competition should be the focus in theory, but the conflict between the male protagonist and the female protagonist (?) Resolves during the selection, so what should we do about the national competition? Create another conflict? That would be inferior. Just write about the daily life of youth? That would be too bland. So as it is currently written, the name of this work is a bit inappropriate.
About the Wind Music Competition
The All Japan Wind Music Competition was established in 1940 and has four categories: junior high school, high school, university, and workplace. Awards are gold, silver and bronze. Nearly 4,000 schools across the country participate in the high school group every year, and 29 schools compete across the country in the end. The order of promotion is regional conference, prefecture and county conference, regional conference, and national conference. There are no regional conferences or prefectural conferences in Tokyo. Those who get the gold medal at the Tokyo conference and are named representatives can participate in the national competition. (A gold medal may not necessarily qualify. If you only get a gold medal but cannot qualify to participate in the next round of competition, it is called a waste gold.) There are nine judges in the conference, and the scoring system is ABC third class. If five or more judges give an A, it is a gold medal; if one judge gives a C, it is a bronze medal, and the rest are silver medals. Attached below are promotion maps for each region. ps, the picture comes from the Japanese Wiki PS again, in the setting of this book, the author tried to be as close to reality as possible. If there is anything wrong, just point it out.
The name of the first heroine made me stunned for a while. Her surname was Uesugi and her name was Mei. . . Little monsters and rice cookers come to mind. ❤️
I can't stand it anymore. The last 5 chapters of this book haven't been exciting, and not even much time has passed. The pacing has gone wrong, and even the dark moments (which I think are the general term for the stories that readers are looking forward to) feel exhausted. I feel like there isn't much of the main plot of the characters that is still buried. I can only say that the author has laid the groundwork for this book to death.
Little Saoshu, do you want some big coins from the reader's father? If you want it, then why don't you move quickly? Do you still want me to move myself?
This book has the following shortcomings and strengths. Shortcomings: 1. The character description is relatively empty, maybe because the plot progresses too fast. 2. The main line is unclear. It feels like the author has no outline or the outline is too out of the ordinary. 3 The characters were not written in depth, which resulted in the feeling that the plot was not deep enough and the time progressed too fast. Excellent: The author's writing style is good and it is comfortable to read.
If you can't afford a chapter name, you will never get ahead.
Please read, please read.
Readers from Tuesday to Wednesday, please be sure to read the last picture and stay for more than ten seconds. This is important for new books. The author Jun is here to beg you all.
The protagonist in the back is too smart. He said before that he doesn't want others' favorability to drop below 0, and then he wants to drop a young lady's favorability below 50. You said that below 0 is hostility. What kind of attitude is -50? I really appreciate it. There is also the underworld at the end. The protagonist is in Japan, but he is still so naive.
I really don't understand why I couldn't call Shangshang when I was threatened to sign a contract in recent chapters. She is the eldest daughter of the four major chaebols. Does it matter how powerful she is? Why do you have to accept this nonsense?
I'm still reading, but don't stop updating the author!
I think the best way is to make a debut
After gaining a certain reputation, he first establishes a good relationship with other celebrities, and then causes conflicts later. In this way, his fans will have a good impression of the protagonist, but then they will hate the protagonist. Many of them should be able to achieve a reduction of 60