Teaching the Primordial World the Heaven-Covering Technique
我在洪荒传授遮天法
- Status
- Completed
- Length
- 279k Words
- Genre
- Eastern Fantasy
- Subgenre
- Xuanhuan
- Updated
- 4y ago
- English
- Request a translation
Synopsis
Stats
119Chapters
1.5kRecommendations
88Fans
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Reader comments 22
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A short-lived ghost with the Heaven-Covering Technique dares to come to the Primordial World? Does he not know what a seclusion period of one Yuanhui (a unit of time) means? Is he just bragging?
Immortals are not the same thing; the primordial world was clearly a world with abundant resources for longevity. In contrast, the world of Shrouding the Heavens has extremely scarce, almost non-existent, longevity substances. Yet, one can defy the heavens and become a mortal immortal.
First: There are no immortal substances in the primordial world. The novel *Covering the Sky: Perfect World* requires immortal substances to achieve immortality; that's a setting specific to *Covering the Sky: Perfect World*. You can't apply this to other novels.
It's best not to start arguments in fanfiction. The clash between "Covering the Sky" and "Buddha is the Way" will both attract criticism, as one is a top-tier fantasy novel and the other is a pioneering work of the modern prehistoric fantasy genre. Without the writing skills to create two top-tier online sensations, if you write poorly, you'll be criticized; if you write well, you'll be criticized even more harshly.
The Dao of the Primordial World was originally no less powerful than the laws of Shrouding the Heavens... So why do some people always think that the Shrouding the Heavens system is invincible?
The description exudes an air of nouveau riche, with an overwhelmingly sleazy, loser vibe.
It has potential. If it doesn't fall apart later on, it could be an excellent work, and might even be adapted into a manga.
Could you please speed up the plot? Each chapter is just repeating the same content from before.
The protagonist's cultivation process is just like that: the minions level up, and then the protagonist levels up himself. It's incredibly boring.
Like a poem, its resounding rhythm sings of classical beauty. Like a painting, its elegant brushstrokes render the unrestrained spirit of ink splashing.