Reversing Fate, Starting with Strange Tales from a Chinese Studio

Cooperate with the hospital? Keep your secrets hidden. Don't be a fool who's completely open. This kind of idiot who strips himself bare isn't a saint. If you're going to leave, leave cleanly and decisively. This should be cut off completely. Leading to demise shouldn't be done this way; it's illogical. Some secrets belong only to you; sharing them with others is a path to death.

Two suggestions: 1. The idea of ​​a real company transferring assets is a pipe dream, and those worthless, incompetent relatives are really capable of covering up the truth. 2. Don't write about cancer cells in the Innate Realm and Foundation Establishment stages. They've already cleansed their meridians and marrow, eliminating impurities from their bodies. Can't cancer cells be washed away?

Writing about reality is really painful. Even though I'm laying the groundwork and it's not easy to be realistic, it's still a bit boring. Will Reiki resurrect in reality someday?

The reward is never the best one, and then they try to justify it.

It's another fake fantasy novel, lacking any real ethereal quality. What's the point?

Your time travel is too basic. Going from a higher world to a lower world, what's the point? It's just for plot purposes. These different worlds should all be the same person—Uncle Nine—Strange Tales from a Chinese Studio.

Do they really have to use a realistic plot to disgust people? Cancer, bad relatives... It's ridiculous...

The author doesn't even understand the relationship between receiving ordination and spiritual practice. His understanding is superficial and misleading. Receiving ordination simply means the Heavenly Court has your name on a list; it has absolutely nothing to do with your spiritual practice.

To create a protagonist with high intelligence, the author should showcase their overwhelming wisdom and actions in the first three chapters, allowing readers to follow the protagonist's lead without question. If the author's intellectual limitations are revealed at the beginning, every subsequent choice will be scrutinized and evaluated by the reader, constantly pointing out plot holes and influencing their perception of the story, creating a vicious cycle.

To write a novel, you need to have exciting moments (selling points). The plot should be reasonable and conform to popular opinion. Don't go against the consumer's ideas. The reason why those masterpieces are masterpieces is that they are both reasonable and unexpected. Choosing the most mundane options in every situation will not make you successful. Either don't have any options, or if you do, choose the most unexpected and surprising ones.