The Daily Life of a Third-Rate Writer

From "The Divine Skull", I know that the author's writing style is not bad and the writing is interesting. But the writing style of the work is the same as that of Lan Jing's big book, which is too dry. I don't know how to describe it, it's like the dishes you carefully cooked, the color is beautiful and the smell is delicious. But it tastes tasteless. To put it bluntly, there is too little emphasis on background setting and description of the environment when characters interact. It is completely focused on character stories and interactions. If the description of the environment and the background settings are the flesh and blood of a book, and the main story and dialogue of the characters are the skeleton, only the skeleton will be incomplete.

The characters lack a sense of empathy, the plot fails to arouse emotions, the writing is actually okay, and the plot cannot be said to be bad. It always feels like what you write is for yourself to read, not for others to read. It is recommended to write more about the inner changes of other characters. The simplest is to directly change through the plot, and the more advanced is to continuously imply the amount of hidden information from the words to achieve a subtle influence. The ups and downs of the plot are too light, and even if the protagonist almost dies, it still cannot arouse the reader's emotions. For example, the author of the story written for the heroine can make up a short story, or a short story that makes people laugh. Rather than just saying I will tell you a story, or simply describing a story without writing it, dialogue and discussion from the standpoint of the author and the reader reveal a rudimentary world view to continuously improve the character image. Even if there is no plot, this fictional character can be fleshed out. Simply put, it is to throw away the baggage little by little. The story writing is actually pretty good, but it seems tasteless, a pity to throw away, and too tasteless.

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Come on, come on, I'm here to see you, Beihan