I Use My Mobile Phone to Create a Century

The old problem of the city's God of Creation is that it's either a class reunion or it's going to be deathly ill.

Updated version 20190501 I have discovered a rule for urban online articles If the protagonist of the author's novel is an ordinary person (a lower-class *group), a novel that is rich, beautiful, and takes up two chapters within the first ten chapters is basically not worth looking forward to (most likely a waste of life), and there is also a document search for "women". When I read novels with urban settings, there are several situations that I hate the most. 0) The protagonist of the Ordinary Person Template has neither so-called malice nor unreasonable kindness in his life and work. Both extremes make people feel that the story told by the author is particularly fake. 1) The protagonist obtains superpowers, permissions, systems, items or other types of cheats, and immediately jumps to a family or organization. The protagonist must be accepted as his younger brother (pay attention to the difference between being led and cooperating). Personally, I think it is best to have an exclusive protagonist in the real world. If you look at the dungeon world, you need to add it. 2) The protagonist is originally an ordinary person, an ordinary person chosen by the author. As a result, it was discovered in the subsequent plot that the protagonist turned out to be the lost prince. Either one has noble blood or one's life is noble. Anyway, the protagonist is born dragon and phoenix. I believe that the vast majority of readers lack a sense of empathy, identification and belonging for this kind of protagonist, let alone emotional resonance and intimacy. 3) There is obviously invincible capital, but due to various reasons or things being restricted everywhere, readers feel frustrated. . . 4) The content here is dead 5) When you see a woman, you become mentally retarded, and when you meet a beautiful woman, you take her into the harem. The author's description of the relationship between men and women only includes the woman's body and mating, and nothing else at all. 6) An inexplicable sense of superiority, 7) The author is unable to write a protagonist with a high IQ due to his own reasons (knowledge reserves, upper limit of IQ, individual ability, cognitive limitations, self-conception, etc.), So he gives the villains a halo of mental retardation and feeds the readers with brain D fragments, vulgar and low-level clichéd idiot plot routines, or there is no common sense, anti-IQ and anti-common sense. 8) Lack of basic life common sense and social experience. 9) Distorted psychology and outlook, abnormal personality, some that conflict with my cognition. 10) For the purpose of promoting the plot or balancing the needs, especially books that abuse the main tone from beginning to end. 11) The character setting fails, or the character setting collapses in the story, or the character setting itself is inconsistent with the novel itself. 12) The storyline lacks description of the life changes of ordinary people and the changes in individual destiny. After all, the identity of most readers in the real world is just ordinary people and ordinary members of secular life. If the writing is too high-level and divorced from secular life and is unreal, it will make ordinary readers uninterested. 13) Conflicts in basic three views, such as braided novels, such as those who traveled through ancient times to purge foreign races from the Mongolian, Yuan, Manchu and Qing Dynasties, and those who traveled to ancient times but did not intend to change history (then write a historical time-travel novel), and those without basic social common sense, such as those who use reason to persuade gangsters to become readers as idiots, and finally the self-brainwashing of some fanatical believers. 14) I found that the authors of online articles have actually started to make up lies to deceive people, here is zero or more than a hundred words! Due to some objective reasons, some things do not require small writers to expose or oppose, but at least they should not become an accomplice to fool the public. 15) The loss of the lowest level of rationality is the rationality of normal cognitive thinking of Homo sapiens. For example, a modern ordinary person travels to the late Song Dynasty and the late Ming Dynasty and becomes the bottom. Without any extra golden fingers, he can change history and become the emperor. What does this kind of protagonist do to save the world? Talk? **Or the identity of a time traveler? Both blunt and self-consistent, a book like this is simply not written for people with normal intelligence. About system cheats and power system Added points are added points, why make it so complicated (the author said that if there is a system, there will be lottery and shopping mall, which shows that the author's thinking has been limited)? I have read a lot of novels about adding points, and my first reaction was "The Magical Prop Master" (this book has several million words. The protagonist's power system is mainly based on adding points. The difference is in durability, applicability and absolute characteristics. Of course there are upgrades, but at most it is the effect of adding points and the number of singular points). Feelings as an old reader To downplay the sense of existence of the system, the golden finger of the system is just a tool (those books that personify the system have a strong sense of existence, and they don't know who the protagonist is, and what other mandatory tasks or erasures are required. Haha, the protagonist can become stronger by chance, voluntarily, or forced by the environment (plot setting), but what does the system force it to do, is it a worker slave?). It is best not to worry about where the system comes from and what its purpose is, because the protagonist is an ordinary person in the real world. Finally, regarding the system, you can explain its origins or not, but one principle is to be high-minded (I have read a book with tens of millions of words. The prototype of the protagonist's system is the natal magic weapon of a small boss in the underworld (in Journey to the West, a passerby can't survive three chapters to receive a box lunch). As a result, it is in the hands of the protagonist in another world, and he directly PKs the gods to become the God of Creation. I like it xx), or it is mysterious and cannot be explained. Finally, the protagonist can transcend Goldfinger in the end. I have seen it, but it feels a bit redundant. 20210618 Additional point I found that many authors claimed in the introduction of their works that the protagonist was invincible at the beginning of the book or that he was awesome at becoming a god. As a result, after reading the book, readers discovered that they had been tricked into braised beef noodles. It was full of déjà vu and all kinds of tricks used by profiteers in the real world. All kinds of restrictions weaken the protagonist, and as a result, any number of soy-behaved cats and dogs can bully the protagonist. Fortunately, in the books I have seen, the authors have paid the price for their own clever tricks. Additional 2 points I like books in which the protagonist is extraordinary and gods come to the world, and human society is powerless, or the protagonist is extraordinary in the real world. . . For example, "World Modification System", "Dream Stealing All Humanity", "My God's Clone", "My Fish Tank Prehistoric" and "Mage Ivan" Supplementary 320210712 The author's protagonist (ordinary person template) can be stupid and stupid in some early things that are not very important. It is natural, but I hope the protagonist can learn lessons and grow up. For example, the protagonist of "Technology Super King" I watched initially sold gold in order to spread the money (the wisdom of ordinary people). However, he did not consider that the shape and specifications of his gold were special and cut it into pieces with a knife to save trouble.

I just read Chapter 8. The protagonist has some unintelligent bastards. The king who is about to die of old age wants to see God. The protagonist shows up with a soft heart and asks him what he wants. He obviously knows nothing but is soft-hearted and talks about whoring. He directly embarrasses himself and breaks Lao Wang's belief. As the pinnacle of a king's power, apart from being unable to control his life, everything else is available. Who doesn't want to live such a happy life forever? The protagonist also wonders why kings are afraid of death. I'm going to see what happens next.

Even after the creation of the world, we are still sentimental and sad for the spring and autumn. Just develop civilization. Why are there so many worries? The rise and fall of civilization, personal birth, old age, illness and death are already determined!

. . . You have witnessed the origin and destruction of a universe, and you still behave like a child. . . Is this reasonable? Since you are willing to help fulfill your wish, why don't you sum up the mistakes and guide a new civilization? It's quite weird, with weird behavior and dialogue. It doesn't look like a god who has absorbed information from an entire other civilization in the universe. It's better to say that he started from scratch. Although I have only read a few chapters, I really don't feel like the creation flow or the god flow. For me, no matter what kind of creation, what I want to see more is a kind of "miracle" that mortals can create, regardless of the guidance of God or not, that kind of epic feeling that combines the romanticism of personal heroes with the feelings of family and country or the honor and disgrace of the ethnic group. In addition, the progress brought about by the collision of ideas and human nature in various eras, the feeling that technology and people at all levels have brought changes to the world, are what really fascinate us readers who like founder-style and adult-style novels. I sincerely suggest that the author read those epics, those myths, read that thick sociology, and then write about the founding stream. Even if you don't mention the protagonist and don't get that information, you only know the last wishes of those destroyed civilizations and understand their despair, but in the process of witnessing history, you have grown, that's fine.

I want to write as little as possible about the present world. .

Another copycat, Stitch Monster

Don't write about female protagonists, it would be mindless if you write about female protagonists!

It's too fake and the timeline is too short. If a planet wants to evolve life, hundreds of millions of years may not be enough, let alone all races.

The new book has set sail. I hope you will support me and please correct me if I have any deficiencies.

If you can't grasp the rhythm and logical errors, you can use the supervision to raise all mankind/my mythical world, or you can exchange opinions with readers in the comment area, which will be better.

The author's writing style is a bit stiff and the narrative is a bit dry

I suggest you change the term 10,000 times a day to 10,000 days instead of 10,000 years.

Protagonist Meow

EDG is awesome😭😭😭

My name is Yang Nan and I have a mobile phone. There is a universe hidden inside. . . My name is Yuan, the king of the ape tribe, and I will protect the Aram civilization until it disappears. . . My name is Su, leader of the human race, I lead Atlantis until burial. . . My name is Mu, the ancient god, returning to the ancient times with extraordinary power. . .

The transitions and connections between various events are too blunt.

The following is extremely poisonous and gradually becomes a brainless white text

Author, why don't you resurrect Yuan? In this case, wouldn't Su be able to know about prehistoric civilization?

The pig's feet are a bit cheap and pretentious →_→! !

If it were a plane continent, I would still look at it, but for the star world, forget it.

I can still see the front, but I can't stand the back.

Dear author, can I have a role?