Become a Reiwa Tea Saint in Tokyo

It's really hard not to feel a stomachache Boldly sort out the current situation Known Male protagonist's perspective Liulizi has given sincerity, but it's ambiguous at the moment If Liulizi continues to be arrogant, it's difficult to judge whether it's sincerity or possessiveness from the male protagonist's perspective, which is equivalent to two people starting over. If Ruriko gets a, the feeling will be quite tragic Setsuna feels dependent and has an unclear attitude, but she has confirmed her identity as his wife and has Sakura's bonus. If Setsuna doesn't show his cards, then the male protagonist should have a "can't just let it go" attitude towards Setsuna. If there is a showdown, Setsuna's advantage is too great To Ruriko: The reason for the previous separation needs to be resolved. If it is the identity gap, then he must become the Tea Saint To Setsuna: If Setsuna and Sakura are not fused, then Setsuna and Sakura need to re-cultivate their relationship and treat Setsuna and Sakura independently Ruriko's perspective Have no choice but to separate, and come back to find that her boyfriends are married. , There should be a kind of anger of being betrayed and helplessness without a position If you are gentler, you will be concerned about the impact of public opinion and social pressure on Qing and Qian, and then slowly recover If you are tougher, the scene should not be pretty Setsuna's perspective The male protagonist should be the guide and companion, someone who can be relied on, but he should not hold many romantic feelings. Sakura and Setsuna are two people after all. To sum up Because the conflict is too intense, it is easy to get tired after pulling back and forth So it is recommended that both parties remain ambiguous, give Ruriko a love without lust, and give Setsuna a chance to fall in love again, round 2, fair competition. It's a little easier this way. Also, if you don't want to consider separating Sakura, you can ask the system to do a task, such as helping Sakura reshape her body by becoming a tea saint. By the way, the bond with Setsuna can also solve the identity gap with Ruriko. (Return to the question) But no matter what, conflicts cannot be avoided in the end when it comes to having a harem, but it will be much smoother with more foreshadowing. In fact, if the previous Midsummer Tea Party was done well, it could also promote the plot, it just depends on what Liangliang thinks. In short, no one hates ease, but there must be some people who don't read the knife. How to write something that is both relaxed and reasonable is the difficult part. Light novels are based on reality, but they do not conflict with reality. It doesn't matter whether it is unreasonable or reasonable. Finally, come on Liangzai

I love Liuli ٩(*´◒`*)۶

Although I have only read one and a half volumes, the first one and a half volumes are really beautiful. The male protagonist is possessed by Brother Lu, his writing is good, and he drives a lot. Although I am confused about why the female protagonists are all big (I am relatively average) (fog), it is still very good (probably, I only read a little bit, because the male protagonist missed Brother Lu too much in the early stage and couldn't help but make some random comments)

I really want to tell the author that what I most want to see is the interaction or plot with the heroine In fact, there is no problem in writing other things. After all, it is very difficult to write pure daily life. Generally, you still need to promote the main plot, and then intersperse daily life in the main line But the key to the problem is that the plot of wastewater is too awkward to write, and then it stands out. Other awkward places (there were also in the previous plots, but the main plot at the time was pretty good, so I let it pass) So far (Chapter 64 of Volume 2), the most embarrassing point in the whole book is the mindless flattery of Chinese culture. If you change the context, of course I won't say anything, but in the context of this book, it is too embarrassing. (This is a mentality of "heaven comes to the country and all nations come to the court") For example, the male protagonist is a native of the country and is not of Chinese descent. However, when he was preparing to run away, he contacted the embassy here. And he took it upon himself to send Miyagi, who was only having an ambiguous relationship, here There are many things I want to say, such as the difference in the heroine's personality and charm before and after the game. She was very high before the game, but she returned to the bottom after the game. This situation occurs in most harem novels. The main reason is that either the author does not want to spend more time on the characters that have already been conquered, or the writing is not strong enough. He will only write the characters like goddesses like many fantasy novels, but the storyline and dialogue that portray the flesh and blood of the characters after conquering are very poor or very little. Essentially speaking, this is an unequal mentality of licking the dog, not a reciprocal mentality of love, but there is no problem with this. After all, it is a novel. The main problem is that there is a lot of ink describing the characters before the strategy, but very little after the strategy. The last is the main plot outline of this book. This type of book is usually about the idea of ​​​​upgrading and fighting monsters in fantasy novels (increasing the level of tea master, this book will reach the full level of tea ceremony soon). The main plot of this book at the beginning is to pay off the debt, and then to retain the teahouse and the identity of the tea person, which is quite consistent with the theme of the book. Then there is the embarrassing main plot of wastewater, which may not be easy to write later. I'm too lazy to write anymore. I just finished reading it today and I wrote a little more.

The author is so coquettish, so coquettish, so coquettish, I like it.

It seems there was no update yesterday, what happened?

Alas, I finally couldn't help but want to complain. (It's well written, five-star recommendation!) The first volume is pretty good, with clear goals, fleshed-out characters, and an interesting plot. But in the second and third volumes, the shaping of the two eldest ladies is a bit different. . . Well, it collapsed so fast that I didn't react? Liulizi's trembling and lust-like behavior suddenly transformed into the disguise of a cute young lady? What does the love between the male protagonist and the dual personality "Miss Sakura" have to do with it? Finally, it's the male protagonist. I really, if I really knew how to stab a knife on set (laughs), I'm too lazy to talk about the waste water part. I'll just focus on the female protagonists and the plot. Where is the sister? Where is the monitor? What about Miyagi? All tools? How can you seduce the evil Asasi if you don't marry her? ! Judging from the contact with the monitor, this guy simply hangs people up, never letting go and not giving him a chance. He is simply scum (*￣m￣) In the end, since the male protagonist stopped contacting the system, I felt that the main line of the book was broken. Well, I feel like the male protagonist has completely lost his purpose since that exaggerated tea party? (Music) Oh, let's look forward to a happy ending😄

About Daigo Ruriko To be honest, don't let a lot of characters similar to Kujo appear just because I loaded the book Love Game and it became popular. To be honest, I personally don't like this kind of character, and I don't like the male protagonist even more. Also in this book, regarding the male protagonist's treatment of Daigo Ruriko, you can say that the author is obsessed with it in the later period, and how Daigo Ruriko is doing in the later period. However, as a reader, you can't see what happens later in the early stage, and many of them just don't want to read anymore. The author sees the character with the setting of the character and the subsequent plot, but the reader does not. We can only see the plot going crazy, and the protagonist being controlled by Daigo Ruriko with drugs. This is something that no one can bear, right? Then there is the more important issue of the male protagonist. The male protagonist boasted about Haikou and wanted to change the island country, and the author also said that he wanted the male protagonist to change something. However, when the male protagonist faced Daigo Ruriko's drug control, he immediately gave up. This contrast is like a warrior who is not determined, and is tortured by the enemy like a traitor. Not to mention that the protagonist has a system and can find ways to fight back. So in the final analysis, the author, you can make the protagonist forbear in the early stage, but you can't show us a weak character. Since he is a tea man, he should at least let us see his character and integrity. After all, facing a person who wants to use drugs to control you and turn you into a slave, how can you make the protagonist think about what to do in the future like ah q? Isn't that a spiritual victory method? It really makes me sick.

160,000 Words, thundering in a silent place. 6 foreshadowings, unexpected and unexpected; 4 heroines, unique and lonely; Confidence in 5 Chinese characters, vivid and vivid; 3 hours of extreme study, and everything is true; 1 self-report of writing point of view, Hong Shi is lonely; I don't wish the author to be awesome, because you are really awesome, I wish the author happiness.

About Nuclear Wastewater I have read this novel many times. But because it was about Japan, I never clicked on it. I couldn't sleep at noon today, so I simply clicked on it and read this novel that kept popping up in front of me. I thought it was real tea, but later I found out it was "green tea". In fact, I was a little disappointed, but it was still a different approach. But the nuclear wastewater plot suddenly appeared, and what the protagonist did not only made me feel less indignant and heart-wrenching, but instead made me feel inexplicable. I don't know what it means. Is it possible that the author is touching himself? If this was a science fiction novel and this kind of plot appeared, and the protagonist had the ability to take certain sanctions against Japan, I would be very happy to read it. But it's a pity that the protagonist is just a tea man. Apart from reprimanding and mobilizing some public opinion, he can't seem to do much. But it's a pity that in my impression, a tea man may be similar to a literati, something like public opinion. If the superiors are really determined to deal with it coldly, there are many ways to do it, such as, for example, and another example. I believe that I don't need to tell you. There will be a few things in everyone's hearts that make public opinion agitated and eventually become silent. Then, nuclear wastewater is related to the lives of countless people. Not to mention a tea person, even a beggar is naturally qualified to question it. But did you choose the right occasion? If it's your own home court, it doesn't matter if you ask questions or take photos or videos. You are responsible for any consequences yourself. Your sister can't help it. It's a blood relationship and you, a Chinese soul, have nothing to do with it. However, you choose to hold a banquet at someone else's house, and the host pays you to come, pays the salary, spends a large amount of money for you to coordinate the arrangements, and gives you enough trust. This is how you repay the host. How does the crazy heroine treat the protagonist? As we all know, many people like it. You cause trouble yourself and drag her into the water. It is irresponsible and lacks responsibility. Have you ever thought about whether other families will invite the protagonist to serve as a tea host and entertain important guests in the future? Will the host family be worried about what if the guests I invite are scolded by this Qianjia boy again? To be honest, in my opinion, without the author's blessing, even if the protagonist's starting point is correct, he is doomed to never be accepted by most rich and powerful people because of his rare occasion. My girlfriend's family affairs, and the Prime Minister she invites, she will make trouble without hesitation. Our relationship is just an ordinary relationship, and the invitations are ordinary dignitaries. I can't stand this big Buddha. If this were reality, I could still praise him as a good man, but this is a novel. The protagonist has a systematic cheat, so he can deal with it better and create a better character. As a result... In the end, the protagonist escapes back to China, which is actually quite bad. Maybe it is because I am from the bottom of society, so I don't know whether the protagonist's character background and identity as a tea man can be treated the same in China as in Japan. In other words, the protagonist's system. Will it still be useful in China? Is it easy to use? The foundation is still not stable, so it is quite strange for me to risk all my life to do this inexplicable thing.

What kind of logic is this? Can the heroine get away from this just by breaking up? This tea party is essentially organized by the hostess's family, and people are invited here. So many important people are being threatened here. The hostess's family is the first family in Japan? The only outcome would be for the family to plummet, and the best outcome for the heroine for making this mistake would be to be married off at the speed of light. And at this time, the female protagonist believed the male protagonist's nonsense and became desperate 🤔 Or did she want to escape to China? You are just a little tea ceremony master, but in the world of the novel, you are Japanese. If you slap a high-level official in the face like this, why should China protect you? In the world of the novel, why do you have a Japanese? What kind of influence do you have? The protagonist Hao Huo was deported when he fled to China. I am also very angry about this incident and can write about it, but if you want to become famous in the later period, your words must have weight. If you have said this now, will anyone spread the word? By your mouth? And I also forgot that the squad leader also handed you the information. What should the squad leader do? How many people in the family have been destroyed by the protagonist? If you don't want to write it down, just say it. The logic of the book has collapsed at this point. How can it be reasonably rounded out later?

Does the author want to hear horror stories? I heard that when Dante traveled to hell, there was a frying pan hell that liked to deep-fry authors. If the author wrote enough and good books in his life to cover himself, the deep-frying would not be able to fry the author.

If you want to write about preventing Japan from discharging nuclear wastewater, etc., Then write about urban superpowers. You can write whatever you want. Even if you blow up a shrine, it is trivial. If you write a life novel, why are you writing this? Do you want to dispel the idea of ​​​​the Japanese government with just a few words?

Daigo Ruriko setting picture (The picture comes from the Internet, if there is any infringement, please contact the author to delete it)

A certain tea party A person who came to drink tea said to Qian Linya: "Brother, brother 😆, you made this for me. Liulizi won't be angry if you know it 😃. It's very delicious. Brother, take a sip 😏. (呲) Brother, if Liulizi knows that I drink the same drink, A cup of tea 😊, she won't be jealous 😡, the tea snacks made by my brother are really delicious 🤭, Liulizi won't beat me if she finds out 🥺, it's so scary Liulizi 😥, unlike me, I will only feel sorry for giegie😌"

The author mentioned through the protagonist's mouth in the article that tea ceremony is a way of expression, and so is writing. I just saw a book friend saying that the nuclear wastewater incident in the author's article is quite different from the main plot of the book, and he thinks it is contradictory. However, as the saying goes, the author is dissatisfied with the discharge of nuclear wastewater in reality, but is unable to stop it, so he states it in the novel. Just like Mr. Liang Qichao's "The Future of New China", both dissatisfaction with reality and expectations are expressed in words. Nuclear wastewater discharge is actually not the hottest topic now. Even during that time, there were only a few people who wrote about it (directly or indirectly) in the article. Some friends around me jokingly called this incident Japan's renewed invasion of the Asia-Pacific region. Although it was a joke, the content was indeed reality. I discussed a solution with my friends, but in the end there was no solution. Powerless, sad.

My heart was attracted by Ye Liang. After ten years of book shortage, this book can definitely be considered a good book.

Author, I am willing to give up my virginity for ten years and ask you to be my girlfriend.

Now that I have read Chapter 35, there is something very interesting to say and write, but I promise you to let the protagonist live a free and easy life, or else don't flirt with girls, and if you do flirt, be more proactive and let the rice be cooked. I really feel disgusted by the kind of impotent Japanese protagonist who only has ambiguous affairs with girls.

Ps: This is my mood at a certain moment

Seeing the nuclear wastewater section at the back is also extremely outrageous. First, there is a lack of foreshadowing. There is no description of the protagonist's personal pain caused by the nuclear issue. There is no foreshadowing of the protagonist's dislike for several political leaders, and he directly makes up his mind to give up everything and toughen the Prime Minister. The so-called struggle and burning of the protagonist are like inexplicable castles in the air. The second is like child's play. In reality, if a hot-blooded young man really stops the Prime Minister from spouting nonsense, the Prime Minister will look at you as his failure. Being shot on the spot or imprisoned are your only consequences. Do dignitaries really attend events without bodyguards? The third is timing and method. You have mind control and truth tea. Is it difficult to make them sit down without leaving any trace of guilt? Why do we have to argue with each other? Just to show your inexplicable passion? And as a master of tea ceremony, this is not the only opportunity you have to receive dignitaries, right? Do you have to attack your girlfriend and her family now? I can only say that this is a parallel world. The human brain circuits in this world are completely different from those on Earth. I really can't understand it.

👴"Is this film sauce cooked?"👩"Do you want it?"👴"I definitely want this film sauce when it's cooked"👴🖕🤞🤘[f n=42], 👩🥴🥵, 👴👅💋, 👩🗣🤪🙄🤔👋🍆, 👴🈵🏹😅

Seeing that there are two things that I personally think are problematic Firstly, the plot progresses too fast. I can more or less guess Sakura's departure and marriage, but I didn't expect that Ruriko would come back so soon and then expand the Shura field. Shura field shouldn't be started only when the male protagonist has emotional basis for both parties. The marriage between the male protagonist and Setsuna depends entirely on Miss Sakura's commitment. This is simply not enough for the basic conditions of Shura Field. When the two women quarreled, the male protagonist took one look and said, "I like Ruriko but I don't like Setsuna. I am on Ruriko's side." The Shura field is over. What the hell is this! The hero and Setsuna shouldn't have lived together for a while and had a certain emotional foundation before starting the Shura field. Secondly, the male protagonist's character has obviously become weaker. He no longer dares to confess about his relationship or cohabitation. He has lost the courage to force the Prime Minister to drink nuclear waste water and to have a flash marriage with Setsuna. Delayed by asking Ruriko to propose fair competition, and then the male protagonist continues to live with Setsuna to forcefully increase Setsuna's plot. The above is just a personal opinion.

Updates are slow, and they are guarded against theft every day. They have to delete and re-add them every time. . . . . . Buddha

If you are new to reading the book, I suggest you bear with it a little bit when you see the part where Liuli Zi appears. This part is a poisonous point, and it is undoubtedly a poisonous point. However, compared with certain nine articles, it is quite good, and the length is not too long. It will be over quickly after a while, and it is not cost-effective to quit directly. As for the issue of eunuchs in this book, it is actually not a big deal. What the subsequent plot lacks is just an ending. The choice of the male protagonist has been clearly stated in the article. If there is no saucy manipulation, the ending is actually doomed, so I won't spoil it here. Although there is still a lot that can be written, as far as a love story is concerned, the completion level is already up to standard. The two heroines have all the roles they should have. There are more female supporting characters, but there is no room for them to take the lead. The female supporting characters are still female supporting characters after all. He insisted on letting the female supporting role become the heroine and join the party struggle, but she was left behind. Although eunuchs have to die a good death, this is a book worth reading even if they are eunuchs. It lacks a destined ending, so the impact is not very great. Actually, I feel that the author can come back to finish the story and leave the male protagonist's career aside. Anyway, the male protagonist won't order tea much in the later stage. It is written as an ordinary love party article, and then the ending is ordinary without any major work. I estimated that this plot can be written within 200,000 words. It's not okay to write it in a hurry and finish it within 100,000 words. The eunuch is indeed a bad character, so the author should come back and finish the story. After all, the rest of the plot is already clear at a glance, unless he still wants to continue his life.

I'm Liulizi's🐶! ! !

To be honest, after reading Starting Point for so long, this is my favorite book. As a single mother, my mood rises and falls with the story. The heroine of the story is brilliant, but what I like most is the character of the hero. He has his own responsibility and perseverance, and will not be weak and accept the love of the other party with peace of mind (too many harem stories, the protagonist has no ideas of his own, he just wants to be ambiguous with the girls around him, and accepts the good things from others). When he and Qingshui first got along, there was distance and rejection. Although he fell quickly, but think about it, even I really can't extricate myself. Always stick to what you want to do and don't be deceived. When you already have enough money, you won't blindly swipe the system. When it's time to experience life seriously, invest your emotions in living and loving seriously. Rather than acting for the sake of the system or the so-called tasks. The inability to maintain the original intention is a problem in many system texts. There are too many tool people who survive for the mission. The most important thing is the courage to keep moving forward, not to be imprisoned by the past, but to move forward into the future. This is what I most hope to have, the most important time of my youth, but I always live in the past until it ends and I realize that I have no way back (forgive me, when I say this sentence, it means that I am still in the past) I hope you can forgive me for taking so long to read it.

The author's second update was blocked yesterday, and it hasn't been released yet. The unedited version is in the group, and you can get the group files yourself.

I found the same throbbing feeling I had when I watched Date Live for the first time 10 years ago. I was obsessed with the second and third volumes, and I was either reading or thinking about the plot all day long. It can only be said that the author is too strong, and his level is too much higher than the starting point of ordinary authors.

Qing Shui has been shaped up, come on, write more sweet interactions with Qing Shui, I love her to death 🙂🙂 Qing Shui is so cute, shout out to me, Qing Shui is the best in the world