A Journey Through the Multiverse Beginning with Ultraman Tiga

I bet you won't be able to write more than 300,000 yuan and you'll be expelled from the eunuch because of poor grades.

First, you must persevere. Don't give up midway, get stuck, or end up unfinished. It's normal to not update as expected, but don't give up. Second, don't be afraid of poor writing. Take it slow and work slowly. For writing fan fiction, as long as the cause and effect of the matter are clearly described, the person who writes it is not a professional writer after all. Real professional writers probably can't write fan fiction. Sometimes there are areas where they are not good at plot description, such as the fighting process and psychological activities. You can focus on it and think twice. You can also refer to the plot descriptions of some well-written similar novels to continuously enrich yourself. Third, some parts of the plot of the original story can be abbreviated, but cannot be omitted. For the original plot that is considered unimportant, it must be briefly described without omitting the past. What you want to write is a complete story, not a diary. At the very least, people who have never seen the original work can roughly understand what happened in the middle. Fourth, try to enrich the description of daily life, psychology, body movements, psychological expressions, the enemy and the enemy and other multi-angle story plots. The original story plot can also be appropriately modified or extended. But you must also be careful, because most readers of fan fiction sometimes don't go too far into the plot that the author has worked hard to create. When seeing such an unfamiliar chapter, most people will choose to skip it. It's okay to change the original plot, but it can't be done in one go. Fifth, except for the protagonist and supporting characters, the author's fictional characters should not exceed his or her control over the plot. If there are too many characters in a certain work that are not in the original story, it will be difficult for readers to accept it and they will not be able to figure out the relationship between the characters. It is recommended to think twice before acting. Necessary characters can be fictional, but try to control them within your own overall story concept. New fictional characters should have prototypes as much as possible so that readers can adapt to them as quickly as possible. Sixth, be able to withstand the abuse and stick to the principles. The psychological quality must be good. No matter how you write, you will be criticized, insulted, intimidated, ridiculed... The work is your own, and you must insist on your own creation. Let those who curse die. Seventh, try not to wear random clothes. In a work, try not to mix characters from other works, except for comic novels. You can also learn from the plots, skills, character prototypes, etc. Of other works. Eighth, the settings should be clear. For some unique settings, explain them in the story instead of writing them in related documents. Many readers don't look at the relevant settings. Ninth, YY is the kingly way, don't be afraid of criticism. Without YY, there would be no point in writing fan fiction. It is precisely because of YY that it attracts attention. Tenth, don't go back. Unless there is a flaw, don't go back and make changes. It is advisable to continue writing. Do not follow the advice of some readers and go back to change the plot. It is recommended that a slow start is the best pace. Don't be afraid of boring and low income. This will be of great benefit to your writing skills and future income. Eleventh, what you like is the most important thing. If you create or adapt stories and characters that you don't like, fan fiction will lose its vitality. Twelfth, don't be afraid to overturn the original settings and deliver packages. Many novels and animations constantly overturn their own settings, and a story without flaws is incomplete. Thirteenth, chapters should be clear, and avoid no titles or chapters. The number of words in the title should be between 4 and 15 words. If the chapter is not clear, many readers will forget where they last saw it after the author updates it. 14. The number of words in each chapter should be controlled at around 2,000-5,000 words. Too short or too long will affect the reading effect. 15. Try to explain the unfamiliar terms, geography, etc. That appear in the novel.

After seeing this, I made a small summary. I found that there seemed to be no Ultraman characters in this book except for the victory team and the prophet, and these subplots seemed unnecessary. Just imagine, if you could become Ultraman, would the problems encountered by the protagonist still be problems? Maybe it's because I'm used to those violent promotions, and I'm really not used to this kind of slow-motion, but some places are really superfluous, especially in this Ultraman world, where you can destroy a city with a random laser and a random monster. Can these people resist? Compared with Ultraman's power, these things are really nothing now. There is always a feeling of picking up sesame seeds and losing watermelon. If you really travel to the world of Ultraman, shouldn't you try your best to obtain Ultraman's power? Ultraman's power is so powerful, so there's no need to develop it so slowly, right? It doesn't feel like the format of Ultraman. It's still good to treat it as a novel about urban demon slayers 😒

Emmmm, the author has let himself go too much. If you write about the heavens, you can open a dungeon when the main world has not entered the main storyline! You were the first one to capitalize on monsters in Ultraman Tiga, but visually you were cut in half because of your grades.

After reading it, author, do you want to write something more "profound"? Do you want to write about "human nature"? Do you want to write about the darkness of the world? Go and ask, how many great masters at Qidian want to write about the so-called "human nature"? I just want to say that at the starting point, all the articles I have seen that emphasized or said that the author "clearly stated" that he wanted to write about human nature were all rejected, without exception. The most speechless thing is, why do you only write about the bad side of human nature when you write about it? If it doesn't make you happy, why don't you write about it at the starting point? Just publish it.

The scumbag who bullied the original owner can just kneel down and apologize and return the things. The scumbag teacher wants to kill someone, but he won't report it if you ask him to write a note. What are these three views? Do these three views describe Tiga?

Author, you are writing about the TPC universe! The per capita moral level is among the best in the entire Ultraman series! What kind of trouble are you going to make when your competition culture with a complete worldview is still dark?

This is written in a bit of a self-pleasure mode. Or the kind that's so exciting that you can't find the route?

I really liked it. It was clearly well written before, but as soon as I got to the plane, the plot started to go crazy, with ghost elements, Tiga elements (less thieves), and finally the Samsaras. The plot went directly from the Ultraman area to the fantasy area, and the plot was written like I really can't understand what you are writing. Sensation is not the point, and there is no passion. You pretended to be cool for a short period and then directly went back to Zero to go back in time. You also made a trick saying that you can control who will not go back in time. Then you pulled out a Lost Paradise reincarnation and directly poisoned it. I should have listened to the comments from the plane! (I'm just saying my own opinion, don't fight me. If you insist on fighting me, then I will win and I won't reply to you!)

Selling Dog Meat by Playing Sheep's Head After reading about 50 chapters, I haven't seen Ultraman. Instead, there are plots such as campus hegemony, underworld fights, ghosts, exorcisms, demons and monsters. There are even reincarnations later, and then travel to Hong Kong movies and other situations. Even the system rewards obtained are so nonsensical. Popeye's spinach (the system states that you can do anything you want), and the props in Pigman are very idealistic. Just a hodgepodge. The author's writing is pretty good, but he strays too far from the topic.