American Drama World Exorcism

Say important things three times, this is the hero, this is the hero, this is the hero

The novels written by Qidian are so exciting. This novel made me eat up my phone!

Aren't there countless skills, and they are all unlocked? Why does Pig's Knuckle only have four skills that can be used? In the past, you could use fireball when you had more than 10 magic points. Now, when you have a few thousand points, you have no other abilities. At least you have some auxiliary abilities. If you lose 11, you have to find it slowly.

You can still take a look at the front, but when you get to the vampire, you really can't stand it anymore.

The content is good and worth watching, but the protagonist is too "incompetent". If it didn't fail, the protagonist would be a complete brainless loser. Not to mention that he was a programmer before time travel. He had been dealing with extraordinary creatures for several years, waiting for things to happen before resorting to relying on others to solve them. Programmers don't dare to live so "stupidly", right? Two souls share symbiotic memories, one is an FBI, CIA security consultant with various professional titles, but the protagonist only uses the "little secrets" of high-level officials... Various agent skills and methods are basically zero. The same memory of the same body, but nothing. Is the author trying to highlight that the protagonist is a "fat otaku with no ideals, no goals, no fighting spirit, and if he has the skills, he just won't learn them, and just wants to eat and die"? With the official high-level officials deliberately targeting, the hatred of monsters retaliating at any time, and the attitude of the demon-hunting family unknown, there is no way to improve the strength for the time being. Shouldn't it be to consolidate the territory and expand its own power? Just name yourself as a guardian, open a demon hunting guild and be done with it? You care about the people around you so much, and you have a lot of enemies. Do you think that because of the protagonist's halo, the people you care about can't die? There are some questionable things and people in my own territory, and I have not thought about management and investigation at all. Buddhists are not willing to do anything. It's very confusing.

The protagonist is not exorcising demons in American TV series, he is forced to exorcise demons and is exorcised by demons. What's interesting is that the protagonist is just waiting to die. Even though he has powerful magic skills, he never cares about it. He is just forced to find an escape route from the skill bar when danger comes. Guarding his restaurant, looking at his adopted daughter, looking forward to reincarnation when he grows old.

A truly useless protagonist, who knows the plot, can only rely on the author's aura as the protagonist. In this world view, he is not prepared for danger in peacetime at all. He only starts preparations when the danger of the plot comes, and it is not 11 useful.

I didn't want to read the first chapter. . . I'm a Buddha. A 33-year-old greasy middle-aged man is okay. I really don't have a sense of empathy at all.

Regarding the issue of the publicization of vampires, there is a problem with the protagonist's thinking. Moreover, after 11 was rescued, the protagonist lived a completely salty life, and the further he went on, the more he felt like he was in trouble!

Can anyone really relate to the thirty-three-year-old greasy bald male protagonist?

After reading books for so many years, I don't mean to summarize some of them in a negative way, because I can't represent the majority of readers, but I personally feel uncomfortable with them: The protagonist has a powerful and despairing enemy that he doesn't know but the readers know. This kind of plot is too frustrating. To avoid this kind of plot, cliche, the protagonist knows but can't beat it, there happens to be despair-pain-persistence-strength. In this way, the process of character growth, or rather than writing about this kind of growth, the protagonist means: I know I can't beat him, but I also have trump cards. The author doesn't need to write down the trump card, just insert a small foreshadowing for the boss battle and use it directly. Or you can learn the boss's weakness by some coincidence. Advanced method The author buries all the clues about the big boss into the plot. Near the end of the big plot, the villain appears in a reasonable and unexpected way. Then if you want to highlight the will of the protagonist, you can let him fight a wave that will hurt both sides. If you want to highlight the wisdom of the wave, the protagonist: I predicted your prediction and so on. Wouldn't it be wonderful If the boss still has value and there is a role behind it, then let the boss and the protagonist have a mutual sympathy. I recognize your will/wisdom/power and I look forward to your growth. Or the boss discovered some kind of information during the battle with the protagonist. Boss: What, the protagonist's skills/identity/weapons/you turned out to be... Simpler boss: Hum hum haha. So that's it. I found out... Hey, I just won't finish. I just want to leave a suspense. It's acceptable. Of course, you readers may think that reading too much has become toxic. This is just a personal opinion. One more thing, the protagonist must grow, not only the growth of ability, but also psychological growth and changes. The protagonist has a golden finger in an uneven environment. I am just a salted fish. It's too frustrating. Reading books must have a sense of psychological identity. It is human nature to grow and become stronger and survive. Those who don't want to survive will not read books here. Can't the salted fish protagonist be good? Yes, but the reason must be clearly stated, and it must be written as soon as possible, or there may be some clues or clues, otherwise there will be no reason for a long time, and readers will give up. The reason can be very simple, but it must be logical and non-daily novels. The protagonist always has to beat the enemy, otherwise it will be more fun. And if you are good at the early stage, you must keep up with your growth later. You have to arrange adventures, and you cannot break through the sky by chance. You are a confident salty fish. How can I feel better if I don't have the confidence and strong backing to pretend to be B? You have to learn the basics of pretending to be B. For example, I live in the Fifth Ring Road. The Golden Finger is a nuclear explosive boxing. You can grow exponentially with simple practice, but the radiation is so strong that you will die after practicing it. Is it reasonable for me to be salty? In order not to affect my strength, no one knows it in the mountains. The author wants me to pretend to be B, or arrange for me to be praised by people who can observe my potential/strength. Or arrange a younger brother who is shocked by my ability. I can be both cool and happy. Is that reasonable? But in the context of the biochemical walking dead, this is a bit illogical. In the post-apocalyptic world, survival is the first priority. You practice boxing for fear of dying from radiation. If you go to no man's land, you have to struggle to survive. In the prosperous environment, I have a gold finger. I am worth tens of billions. I have a gold finger, but I just don't need it. There is nothing wrong with me, but I can't find a way to become stronger. I want to play the salty fish of Resident Evil. I can't stand such a book. Furthermore, what is the salty fish for? It can't be salty fish for the sake of salty fish. The salty fish in the early stage can create a stronger contrast with the powerful behavior of the protagonist in the later period, and can express the psychological growth of the character more simply and clearly. The opportunity for transformation and growth can be simple and must be logical. I am a fat man and I weigh 300 pounds. My golden finger is fat proliferation. I am desperate. I am salty fish. In order to save a person who jumped from the building, there is no other way. I can only use the golden finger to proliferate myself. I have reached 500 pounds. I am in pain and despair. I am salty fish, but the person I saved came to sincerely thank me. I got the thank you points, my gold finger upgraded, I can increase other people's fat. As long as I have thank you points, I can still level up. What should I do? Go for beauty and body shaping. I can have close contact with countless young ladies every day. I earned money and upgraded. It's refreshing. Fatty, what are you waiting for? But will most people believe that a 500-pound fat man can do beauty and body shaping for himself? Don't hesitate. Believe in yourself. I definitely won't. So what should I do? Work out. Isn't the motivation here? Okay, get fit and become a male god. Well-known beauty expert, the gospel of countless beauties. Here are some more enemies. Proliferate fat on the enemy. Proliferate on the belly. Scare people by saying that their skill is to touch someone and get pregnant. Be cruel. Fatty liver and fat kidney. The whole package. Be crueler and the subcutaneous fat will swell and burst the skin. Such a 300-pound salted fish protagonist. It is an urban novel with a little color, a little bit of ignition, a little positive energy, and a witticism. Some people should like to read it.

I want to read novels by Cassidio, Dean, and Sam

So beautiful! A fat white man is the protagonist. If this book doesn't hit the streets, it will become popular. I will never read novels in my life!

Will you become younger? Will you become more handsome? It's a bit hard for middle-aged people in their thirties to accept greasy fatness.

I have been looking for novels about American dramas for a while, all of which were about the protagonist being a gringo. I stopped reading and left.

Are there any other Stranger Things fans?

After vampires were exposed on the table, the taste of this book changed.

The overall concept and structure are good, but the connection between the plots is a bit too rigid, like stitching. You can extend the timeline and write some other things between the connections of each story to achieve a linking effect, and it does not have to revolve around a small town. You can also write about other daily or money-making things. It does not have to be limited to exorcism, and it does not have to revolve around the protagonist of a TV series.

Maybe you, the author, don't really like handsome men, but there's no need to make a greasy middle-aged fat man the protagonist! Wouldn't it be better to make the protagonist a macho guy?