Stealing the Springtime

It's not that I disagree with Lu Xingchui being the male protagonist, but I hope he can understand that this is a female channel, and he can only think twice about it. Please ask him not to care about the female protagonist in the future and make decisions for him and do some thankless things...

Now I don't know what the author wants to write about the main plot, and the career has not developed very well; the relationship writing has also progressed at a sloppy pace, and the male protagonist is not as existential as the fourth uncle; I have written more than 300 chapters of life history, but I don't want the female protagonist to find out. Obviously the protagonist's family is just an ordinary businessman's family, why is it so exaggerated that he has to find a stand-in to change his identity and send him away for so many years? A new character finally appeared, but he just found a new breakthrough and passed it over with a few strokes. It feels so perfunctory. What the hell is this article? I can't help but... Is the heroine's mother some kind of royal aristocrat who is guilty of crime?

The heroine is Ji Lao Er's child, and the dead one is the eldest lady's child. The second brother is not from the Ji family. Is it too imaginative for me to think like this? Wouldn't the plot be more interesting this way?

I'm curious. . . Is it normal for the male protagonist and the female protagonist to be so close in ancient times? The elders don't seem to think there is anything wrong with them being so close. . .

The writing style is very good, but the portrayal of the male protagonist is too deliberate, and the uncle generation thinks about the junior generation every day, and even brings his friends with him to think about it, which is very confusing. I don't know what to write. The male protagonist is even more funny. He either goes into the water to save people, or pulls a horse to save people. He is a character who cannot stand out unless he does something important. The prominence is too unnatural, routine and boring. The author is afraid that he cannot write a dull and interactive plot. The main line is also messy. The business of this bathhouse. . . . What a mess

Let the heroine enter Ji's house without telling her anything. Is the heroine a god? If you can live without being wronged when you don't know anything, even a novel can't force your wisdom, right?

What I am most looking forward to is your updates, or additional updates. There has been a shortage of books recently, and this feels like the last piece of my own land. It's good just like this, write slowly and write well.

It is well written, unconventional, and the writing style is good. It is not a vigorous narrative story, but has a sense of expansion and expansion, which makes people want to continue reading.

The image and personality of each character are quite distinct, but after watching it for a long time, it is a bit boring. The unfolding pattern is really a bit too small, whether it is the place where the heroine has been staying, the plot, or the business expansion to other merchants, various industries, major merchants, various aristocratic families, and Beijing There are almost no descriptions of some of the upper-class families in the city. The layout is too small, and it feels like the heroine doesn't like the hero that much at all. It is written with the mystery of her life experience as the main line, but it is almost over and has not yet been revealed. The heroine is still doing other things in the middle, which is quite confusing.

Abandon reading It's too ink-stained, so I won't read it...