I Will Cut Off Immortality in Tokyo

After reading thirty chapters, I really can't stand it anymore! There are too many poisonous points that I have to complain about! In the front is Suzuki, a miko who smells the scent of a spider on the protagonist's body and wants to destroy the protagonist without saying a word! I think this is normal, but I was convinced by the protagonist's reaction and didn't resist anything. After the misunderstanding was resolved, the heroine bowed and apologized and the protagonist directly forgave her (it really depends on the face, as long as the protagonist is beautiful, she will forgive) When we get to the next two bosses, Tamamo Mae and Otake Maru appear and want to destroy the city. Later, the protagonist kills Otake Maru and Tamamo Mae disguises herself as a high school student Tachibana Chika. Then I really accepted the protagonist's tricks. The protagonist doesn't know that Tachibana Chika is Tamamo Mae. I understand this. The protagonist also sees that Tachibana Chika and Otake Maru come out together, but they are on Otake Maru's side! But Chika Tachibana is in the same class as the protagonist. Isn't the protagonist afraid of Chika Tachibana killing someone? ? The protagonist doesn't want to take care of things, and just thinks that Chika Tachibana is just a bad woman (ok, I can tolerate this), and doesn't even remind the witch Reimu! The most convincing thing is that when the protagonist sees Chika Tachibana living next door to his house, it seems like nothing is wrong. He chats with Chika Tachibana normally and lets her come to his house for dinner without any sense of protection (it can be said that as long as she is beautiful, the hero will be 100% smarter and lick her back)

Excuse me, I have been reading online articles for 8 years, but I didn't expect that the poison resistance is still not enough. It is not as good as Hunyuan Daluo Jinxian. I personally recommend not to read it. . .

That Suzuki really fucked me. People are already in a different world with you. You can still do it by giving him a beating instead of hacking him to death, right? Why keep it if you're not the heroine? If a stranger wants to kill you, can it be solved by misunderstanding? If the protagonist wasn't as strong as her, wouldn't the book be the end of the show? And what are the spells? Isn't a thermal weapon with the dual-karma fire and immortal slash abilities better than a spell? Thermal Weapons Apart from ours, in other countries you can buy all kinds of thermal weapons from any gangster.

Complain about it. . In nine out of ten Tokyo novels, the protagonist has a younger sister. . They are all raised, and most of the plot revolves around the younger sister.

The first four chapters were well written by the author, and even the role of the younger sister was well created, but why were chapters 5 and 6 so poisonous? Shen Nong in Eight Years almost couldn't resist it. Can't there be legitimate defense? If the strength is low, does it mean that if you kill, you will kill. After killing, you will say that I was wrong and nothing will happen? It's so disgusting, MD, why is such a strong male protagonist so frustrated? Even if you don't dare to kill her, you don't dare to beat her up? Grass

😅😅 I have always felt that the black Immortal Sword of Danyilang is much more beautiful than the Immortal in Wolf's hand.

The author's speech in Chapter 6 is really interesting. I know it's wrong, but I just don't change it. Hey, I'm just playing. To be fair, I'm afraid the author didn't bring this up.

Please post it here too, the fruits of your labor... Whenever I have time, I will draw a picture of my sister

After reading thirty chapters, I really can't stand it anymore! There are too many poisonous points that I have to complain about! In the front is Suzuki, a miko who smells the scent of a spider on the protagonist's body and wants to destroy the protagonist without saying a word! I think this is normal, but I was convinced by the protagonist's reaction and didn't resist anything. After the misunderstanding was resolved, the heroine bowed and apologized and the protagonist directly forgave her (it really depends on the face, as long as the protagonist is beautiful, she will forgive) When we get to the next two bosses, Tamamo Mae and Otake Maru appear and want to destroy the city. Later, the protagonist kills Otake Maru and Tamamo Mae disguises herself as a high school student Tachibana Chika. Then I really accepted the protagonist's tricks. The protagonist doesn't know that Tachibana Chika is Tamamo Mae. I understand this. The protagonist also sees that Tachibana Chika and Otake Maru come out together, but they are on Otake Maru's side! But Chika Tachibana is in the same class as the protagonist. Isn't the protagonist afraid of Chika Tachibana killing someone? ? The protagonist doesn't want to take care of things, and just thinks that Chika Tachibana is just a bad woman (ok, I can tolerate this), and doesn't even remind the witch Reimu! The most convincing thing is that when the protagonist sees Chika Tachibana living next door to his house, it seems like nothing is wrong. He chats with Chika Tachibana normally and lets her come to his house for dinner without any sense of protection (it can be said that as long as she is beautiful, the hero will be 100% smarter and lick her back)

To be honest, it would be more interesting if the protagonist in chapters 5 and 6 directly picked up the knife and chopped Suzuki to death! As a result, run away, run away, run away! The character is broken! An aloof academic who doesn't care about anything but his sister. . .

Farewell, it's really poisonous. The protagonist's personality is contradictory and the plot is also poisonous.

The character design is really not good, it is too easy to change. It is a big boss template at the beginning. There is no big problem with having a sister, but from the description of Huang Mao, the image of the protagonist begins to decline in my eyes. After that, she stopped fighting and changed her demonstration skills to prove that she had no problem. However, the female protagonist written by the author had a bad mentality and wanted to take other people's secrets. I didn't see Suzuki in the article having the slightest intention of exchanging compensation. She looked like a gangster theory. A female protagonist with such a mentality is still called a female partner? Does this kind of person need so many roles? Normally, wouldn't it be enough to give a passerby the identity of a guide? The Suzuki written by the author feels that his character is not good. He has a set of gangster theories, a feeling that he should not be deeply friends with. This kind of person is more serious and just kills you for your own good. Poor character Poor character Poor character

Chapter 567: No. Someone wants to kill you, even if she is a beautiful woman, it is useless. People's first reaction must be extreme anger. The protagonist in your novel is like a licking dog, without any self-esteem of a strong man. Let Bu just let go like this, even ordinary people without power can't do it. What's more, the protagonist has such power. People with power must be arrogant. It's okay not to offend him, but it's not so easy to let him go if he offends. What's more, it's a fatal disaster, so let him go lightly? Just imagine that a beautiful woman drove her car deliberately and almost killed you. How would you feel? Then she misunderstood and you just let it go! ? It seems that the only word for women in the author's dictionary is "licking".

Farewell, what Suzuki wrote is really rubbish. He was beaten to death in the front, and gently carried away in the back, and then he wanted the secret technique. He came up with a funny sentence: "I don't want it, I am afraid that it will be lost." I suggest you go directly to Pepsi and let them give you a copy of the core formula. I don't want your company's secrets, I am afraid that something will happen to the person who keeps the formula, so keep it first.

The inexplicable brother-sister relationship at the beginning The inexplicable Spider Woman The inexplicable instantaneous and super long-distance breaking of the spider's legs, but when the opponent has no movement to kill, he gets close to him for fear of being stained with blood, which makes it slow to get home. Spend a few minutes to listen to the opponent's reasons for not killing. Ordinary roosters need a few minutes to read the message, but it's better to explain The inexplicable rich woman, inexplicably knowing that the opponent is weak but unable to fight back Summary: Weird and weird

I'm a little confused. Isn't my sister the protagonist's most important bond in this world? But somehow, human supremacy can kill my sister? If you want to write about a sister-controller, write it thoroughly. Either the real sister-controller is like Lelouch, who can fight the world for his sister, or you can just fake a sister-controller. What you write is specious, and you really can't please both ends 😅

Personally, I feel that the first 4 chapters are very good, but I can't get through the fifth and sixth chapters.

How to say it? The character is not likable 1. A perverted pseudo-girl. There are not many girls in China, most of them only watch pornographic stories. I won't like a brother who is too perverted 2. He is a pseudo-poor man and has a lot of skills. He is good at recruiting monsters and gangsters. Pig's feet don't care about black money anyway. 3. If you want to lick the dog, kill that Miss Suzuki. Anyway, she wants to kill you first. If you are afraid of being exposed, you shouldn't learn spells from her 4. In a place with so many monsters, no one knows the authenticity of the monsters. That's the most unscientific thing. Not every local government can keep secrets at all times

😅😅😅 The content of yesterday's chapter was really inexplicable and very poor. The characters were very separated. The previous content had a good relationship between brother and sister. The pig's feet had no sense of belonging in the world. This chapter suddenly became inexplicable. The changed sister is endangering the world, and Pig's Knuckle kills her to prove human supremacy. Didn't the first three chapters say that if the sister had not been restrained, she would have fought against the world with her own force? Don't you think it is contradictory for a potential anti-social element like Pig's Knuckle to be human supremacy?

The author's writing style is indeed good, and the various descriptions are also very good. However, it was only after reading about half of the story that I realized that the protagonist was revolving around his sister. For children, over-protection is doting~~~ Everyone has their own growth trajectory. This is their own life. It is better to design the protagonist's sister as a character who needs protection from others. This can stimulate readers' desire for protection and promote the story more smoothly. . . The protagonist designed by the author is impeccable in almost all aspects in terms of appearance, study, connotation, strength, and life; the younger sister is a genius in swordsmanship, excellent in studies, well-behaved, and loved by everyone. It can be said that it is also a perfect character design, but I personally feel that this is the biggest flaw of the book. When people get along with each other, they must be in a state of interdependence and interdependence. This is the reason why each other needs the other. However, the two characters designed by the author with no obvious flaws lose the meaning of their coexistence. When these two characters are put together, the sister is like a beautiful doll, which sometimes seems a bit redundant. . . And the various actions of the protagonist, the sister-in-law, will also make people feel like they are doing something unnecessary. Personally, I think the portrayal of Corulus and Nunnally is very reasonable. In the early stage, Nunally was blind and her legs were disabled, which was a sufficient reason to protect her sister. Afterwards, Nunnally's sense of character was established in the various conflicts between the two. In the later ending, the emotional portrayal between the two became in-depth. Just like a work of art, a perfect work of art can only be used for appreciation. Any changes you make will only make people feel like superfluous, but life is dynamic and constantly changing, just like the process of constantly creating a work; poor people chase money, and lonely people long for emotional care. Stronger than Saitama, he is also troubled by the triviality of life. Of course he can sweep everything, but before meeting Saitama, wasn't Poros also troubled that he had no opponent to fight against? Saitama is a mature person with mature thoughts and understands the consequences of his actions~~~ In summary, characters will be more profound if they have flaws and shortcomings~~~The author of this book has a personal feeling about the design of the characters~~~ Different people have different opinions.

This Suzuki is a bit disgusting. Just kill her. It's boring. Being associated with her will cause you to have to battle wits with her family in the future.

The Qidian light novel is completely rotten.