Apocalypse of Abnormal Creatures

Disadvantages: The first thirty chapters are too slow Advantages: But after reading about forty chapters in one go, I personally think it is a better work. The set events unfold instantly.

There is Shen Nong🐴, how is this book 🙂

The Gods Appearing in the Calendar of Ten Thousand Calamities - 1 - For the view of the universe, setting and stratification, please read here first There is no distinction between high and low views of the universe in different works. When a work enters the world view of other works, it just reflects the color of the other work. Physics: the laws and regulations of the operation of all things in the world Refers to: refers to the act of naming a thing. The things here include all conceptual or non-conceptual existence/non-existence. When a thing can be described, it is included even if it is defined as "indescribable". Color location: The place where something is, the embodiment of existence and non-existence, right and wrong. Atrium: The Earth of the Main World in the Calendar of Ten Thousand Tribulations Yuanfu Qixian World: The Main World of the Calendar of Ten Thousand Tribulations Jamfu World: The world where other earths are located Xuan Ye: Space. Universe: the sum of all time and space, "the four directions above and below are called the universe, and the past and present are called the universe." Environment: a specific generation name, or a special name for a special universe (the universe in today's sense, the same below) World: a single universe, focusing on time World: a single universe, focusing on space Tian: a collection of multiverses Big Sky: the multiverse in the main narrative line Haotian: specifically refers to the top of Jianmu, the center The above are Jianmu leaves/ Canopy : single narrative Tibetan: multiple narratives Tibetan: plural multiple narratives, also specifically refers to the main narrative line The branches above are the branches of the building wood, which are small narrative ladders, infinitely bad, and one-way. Any behavior such as changing time and space/causality internally will not interfere with the development of the original narrative line, but will separate the if line. Haituos: The backbone of Jianmu, where Yuanfu Qixian's world is located Void Realm: The outer layer of Haitosu is close to the land of Wowu Wowu: The outer layer of Haitosu is close to the extremely thin place of Daluotian, and the void "penetrates" into the land of Jianmu, transforming into Wowu Nine Nethers: The foundation of Jianmu Taiyuan: Under the Nine Nethers Jianmu: The great narrative ladder, the infinity of the whole. The objects located somewhere in it will produce narrative projections, projecting different "doppelgangers" around, layer by layer, gradually weakening. There are corresponding gods in each layer of narrative, but if the "elephant" is destroyed, the things corresponding to the "elephant" will also be affected. Take Nuwa's mending of the sky as an example. In this article, Nuwa reconstructs the partial existence of the external tunnel in Haitosu. In the eyes of the people in the atrium, it is like refining stones to mend the sky. Just like a moon can have projections of different colors and states in the water of a thousand rivers. In the narrative echelon inside Jianmu, the projection is transmitted from layer to layer and attenuates from top to bottom. The projection will be limited by the rules of a certain layer. At the same time, when the layer is cut off, it will no longer continue to project downward. Note that the projected individuals are partially independent of each other. However, in the vast space outside Jianmu, an equal amount is projected into each narrative layer inside Jianmu. At the same time, the state of projection does not affect the original image. It is actually an orderly straight line, representing the order of the narrative. Its two ends continue to extend towards the place where Huangtianhou Tu is located. Liao Kuo: A super-narrative place from outside Jianmu to Daluotianjian, which is not affected by the narrative inside Jianmu. Daluotian: refers specifically to the shell that wraps the building wood Void: outside the Daluotian, the area within the fantasy bubble Da He: the folds of the fantasy bubble, the place of Taichu Virtual outline: the scene of Taichu Phantom Bubble: the cosmology of different works. Basically, unless the original author admits it, things in one fantasy bubble cannot enter other fantasy bubbles, and at most they can only enter the narrative ladder as projections. Delusion Realm: The empty and delusional narrative realm under the real reality, filled with countless bubbles. Several bubble sets assemble the Foundation universe. Each bubble represents its own world view. They refract each other, influence each other but do not interfere with each other. The same object has different hues in different bubbles. Different bubbles do not have exactly what other bubbles have, and some deviate greatly from the prototype. Just like writing different stories based on real-life mythological prototypes, different authors copied each other and established characters, and then created an unrecognizable prehistoric flow. In fact, the setting of Wandering Realm is to construct an entire fictional world. Each bubble is equivalent to the sum of the worldview of an author/group of authors, which is the omnipotent universe set by the author/team's series of works. Some of these bubbles cluster around the same theme and together form the entire Foundation universe. Due to the one-of-a-kind principle, the Foundation universe does not have a backbone orthodoxy like other overall universes, so the status of each bubble is equal. In all works, the sum of various settings, regardless of whether they are based on real reality, as long as they are created works, are integrated. Each series of stories by each author/group is counted as a bubble, and different stories with the same private setting can be regarded as parallel universes or something like that. Then bubbles can influence and project each other, corresponding to the creator's behavior of drawing inspiration from others. Then what floats outside the phantom bubble is the image that embodies various creative elements. For example, Jiang Mo symbolizes traditional conflict, conflict, villain and other creative elements. In addition, there can also be things such as copyright that push the phantom bubble to gather or separate, which is the embodiment of the realistic connection between original works/fans/derivatives/interactive works True reality: the real real world is different from the pseudo reality in the virtual world. The downward projection from the real world becomes the realm of illusion, and the reason why the realm of illusion can affect the real reality is essentially caused by the people in the real world. Calendar, narrative line, used to describe the development of narrative. Yanli, that is, a meaningful meta-narrative line, is the context of meta-narrative development. The overall direction remains unchanged, but it can be reversed, and some details can be changed when the narrative is repeated. Cause and effect, time and space can all be played by the gods, but the direction of the meta-narrative line will not be controlled by fictional characters [otherwise, you may see omnipotence in some novels, and when fighting each other, the timeline is still meaningful] In this world view, it can be simply divided into small narratives, large narratives and meta-narratives. Among them, meta-narrative cannot be transcended or changed. All pataphysical things, no matter how they play with the narrative line, also have a meta-narrative line in themselves. The meta-narrative line is the existence that describes the development of all narrative plots. Even 3812 cannot really change its overall narrative direction. Original God: the god born five tribulations ago Innate God: the ancient god born during the five tribulations The God of Acquisition: the old god born in the First Seatoworld The Gods of Inheritance: the new god born in the Second Seatoworld The timeline in the Calendar of Ten Thousand Tribulations is: ??? The First Tribulation/Five Innate Tribulations The First Three Disasters The First Seatoth Void Filter The Second Seatoth The Three Great Disasters Continuation of the Second Hytoth The time of this article is in the middle of the three disasters of Zhongda [The Red King has burned the World Tree for the second time //It is followed by the Second Hytoth, and the second Hytoth partially overlaps the second Hytoth, which is a reconstructed narrative line after eliminating the influence of the Red King This article is written differently from what I expected. If all the major events were focused on Fuxi Nuwa, it would be more compact, but I am too lazy to change it now. The expectation is that the ancient snake caused the Twilight of the Gods, and Fuxi and Nuwa descended into the world to put down the troubled gods. Nuwa killed the Black King and died to make up for the sky. And just when Fuxi was about to defeat the ancient snake, he was attacked by the Red King and took away the Dayan Number. Then Mr. Kuiyang replaced Fuxi to resist the Red King. Without Emperor Jun, it might be much more organized. The following is roughly arranged according to the narrative order of the original text and the correlation between the gods.

The beginning is just like a licking dog, how can anyone keep reading this? Why should I be a hero and risk my life to save people? This is not popular in novels nowadays. It's not like the Japanese protagonist still yells about saving the world all day long 😅

Baiqi concept map~

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Thanks to guangduang and book friend number 886 for the reward. Thank you for your support. I will carefully polish the content and present you with hard-core and storytelling stories about SCP. Thank you everyone.

How can I put it... At present, humans in this world are not worthy of redemption... The Foundation is too useless... It makes people feel useless... The Foundation tries its best to block anomalies from human society. Such a treatment cannot last for a long time.

Give the author some love. Jpg