Raising a Mythical Civilization

I think the most important thing about creation literature is imagination. This imagination does not mean that you move other people's things or put together some familiar elements to express your imagination. You need to internalize it. The so-called internalization is to transform the materials you have accumulated into something new of your own, at least so that others cannot see its origin at first glance, or they can only discover its prototype after a little more careful consideration. And in the process of reading the imagination of readers, the most important thing is the expression of new things. Take myself as an example. I don't want to know how powerful the protagonist is, nor how to upgrade and become invincible. I just want to see the author's imagination in the process of his "creation", and use rich and informative descriptions and details to show his new world. It must be innovative and make people feel that this thing is original and a dynamic new thing, rather than the same old templates. The author's restrictions and arrangements for the protagonist, or the so-called "upgrade" system, should not limit the author's imagination. These arrangements should serve the plot, and the plot of this kind of article should serve to display the imagination. What does a "world" need to show the reader? It should be a novel experience, a surprise similar to seeing something you have never seen before while traveling, and a yearning and empathy for a story played out on a new and vibrant stage. It should not be old-fashioned, routine or even fantasy; it should be novel, rich, touching, and full of vitality. Creating a "world" has always been a big project. The reason why people like this kind of book is because they are eager for new things, rather than because they like the old fantasy stories that happen on this stage. Of course, if you just write it down and have no other ideas, just pretend that I didn't say it.

This protagonist is a bit stupid. He always thinks that gods are inferior to immortals. Moreover, if the race he was born does not match his aesthetics, he will say that it is not in line with natural beauty. He is always so self-righteous.

Meow meow meow? Why do I feel like all the people who leave comments on me are asking me to join the group? Where are all my readers who have eight-pack abs, are handsome, handsome and rich, and girls are chasing after them?

I would like to complain about many authors who write creation texts. Can we start from something more basic? Herbs and rodents have actually evolved to a very high degree. . . Open their genetic information and you will see that none of them have a history that is not measured in billions of years. Especially rodents, rodents are species that have spent hundreds of millions of years, experienced countless geological environmental changes, and emerged from the violence of nature. Such a highly specialized and very successful species cannot be used as the basis of a new ecosystem. Don't be biased and think that rodents and herbaceous plants are inferior. And creation does not mean that you put the species on the earth into another living environment and adapt to it. The complexity of an earth-scale ecosystem cannot be solved by transportation. The best way is to start with the lowest and most basic things, such as Luca, or other primitive single cells. The lower the level of life, the more diverse it can be, and life like Luca is enough to support an ecosystem. For something like herbaceous plants, if you spend millions of years they won't be able to mutate into anything except adapting to the environment.

No one seems to have noticed that this is the magically modified Classic of Mountains and Seas. The ancients are similar to giants, the newcomers are similar to humans, Guixu, and the creation gods are similar to immortals in the early stage and the ancestral spirits are similar to immortals in the later stage. There are similarities between different ones. For example, it is like an immortal encountering a degraded rat-man, and the defeated rat-man is like the giant of the Longbo Kingdom. The cooperation between the ancients and the newcomers is similar to the cooperation between the human immortals. It contains the main relationships between immortals, humans and giants, plus the disrupted and intersecting stories and encounters of the three tribes, plus our inherent impression of the rat people, and the rat people and ancestral spirits that the author came up with to fill in the loopholes in the intersecting stories. This story of the ancients, the new, and the rat-men is constructed. Guixu, the introduction of giants and immortals is in the Classic of Mountains and Seas, and the Liezi contains the grievances between immortals and giants, and the stories between immortals and people (I just read Chapter 18, and I couldn't help but complain and wrote this post. I should have remembered the stories in the Classic of Mountains and Seas and Liezi correctly... Right? But it must be in these two books)

I feel that the so-called Shinto and Immortal Ways are very poisonous. The protagonist binds his own soul. . . As long as you can become stronger, there are so many messy settings. .

The beginning of the writing is too embarrassing, trying to be convincing but not convincing, and trying to be logical but not logical. Especially the words spoken by the protagonist and supporting characters really have the essence of that kind of earthy online video, and it feels like a crooked show.

The arrival of a great emperor can destroy the world, and then a virtual world demigod can kill six great emperors instantly.

In order to spread the martial arts, the so-called deduction of living beings is extremely poisonous if you use your own hands and let the rat people give birth to your children. There are also 9 gods of creation. You know that the children they give birth to can practice your martial arts. Why do you make up a reason for this being different from the biological structure? Do you know that the biological structure of the son they give you will be the same as yours? Can you practice? Then you gave birth as soon as you gave birth, but you still faced your so-called eldest son directly after his death and promised to let him manage the world? I also let your so-called eldest son know your true background, strength, and appearance. God of Creation, wouldn't it be nice to have an assistant to manage him? As the God of Creation, I will lower my intelligence throughout the whole process and hang up. Don't you know how to learn? You Yuxing are all in the era of modern network technology. Don't you have knowledge? Don't you have a university? Can't you learn the advanced knowledge of your Yuxing in the world of creation? You can change the time flow rate. Are you afraid that you will not learn? No time?

Haotian is a god, the Three Pure Ones are gods, Nuwa Fuxi, the Three Sovereigns and Five Emperors are also gods, Emperor Jun Taiyi, Mu Gong and Jin Mu are gods. The upper and lower limits of gods are the highest. Immortals are only middle and low-level. Immortals in the Han Dynasty and before were just bird wings and bird heads serving the great gods. Divine envoys in the form of bird claws, the lowest among the lowest, are only seventh-rank officials in front of the prime minister. Even if their status is slightly improved later, they are only transferred from servants to staff. Except for those who have been in their minds since ancient times, how many people would think that immortals are higher than gods?