
I'm Breathing Crazy in Tokyo
我在东京疯狂呼吸
- Status
- Completed
- Length
- 614k Words
- Genre
- Light Novel
- Audience
- Male
- Subgenre
- Fan Fiction
- Updated
- 5y ago
- Source
- Qidian
Stats
0Monthly votes
5.2kRecommends
9.9kFans
299Chapters
Tags
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Every time I see so many heroines and supporting characters in a book, I feel like I've never seen a woman before.
Is the new one a madman or a villain? Please don't arrange a Kamen Rider. If you don't write the spirit of Kamen Rider, you will be criticized.
I was immediately confused when I saw the new chapter. I was excited just after I came out, and then... The subway old man's mobile phone. Can you believe that Kuuga has turned into a fool, or a villain? ! Putting aside the pros and cons, can such a person really inherit the empty self? Didn't Godai and Onodera kill this guy? Then I was even more confused. I just opened the Ultimate Zhendazzle, and the Black Eyed Ultimate setting would cause endless killing. Then this Ultimate Kuuga behaved like TM Chonghuang. I couldn't use any of the skills, and my backhand was beaten into SB. We Cavaliers fans also think of it as SB. It's not like this to ruin a character, right?
This first supporting character is a bit bragging. Is this someone recognized by Merlin and King Arthur? How can I get recognition if I can't even control my fear?
To be honest, the main character's lack of growth in combat power after sixty chapters made me want to give up the book again and again, but the writing style and plot really suited my taste. After thinking about it for a long time, I decided to give the author some suggestions. The starting point of the protagonist is different from others. Others are a single character and he has all professional skills and bloodline. This made me think it was a growth-like stream at first. However, because the upper limit of breathing method is too low, or I can't see a higher upper limit, the author didn't know how to develop the protagonist's ability after giving the protagonist full-level skills at the beginning (only my personal understanding). Time and again, I have expressed my intention to trick the protagonist through the protagonist's mouth in the title and plot, but I am afraid that rashly giving the protagonist abilities will not work well with the current settings and cause the work to collapse, so now I want to use the cult (the latest group of villains) to borrow abilities to trick the protagonist. To be honest, the setting of apocalyptic + acg character abilities is actually quite attractive, at least it is my strike zone. But the author's development of the protagonist's abilities is too superficial. Full proficiency in breathing methods + half-ghost body, not to mention whether there will be bonuses for other breathing methods except sun breathing method, at least if you are proficient in other breathing methods, can you integrate the skills? Or improve the power of some skills through the daily breathing method, and strengthen the ordinary breathing method if you cannot continue to use the daily breathing method. Or consider using two breathing methods at the same time, such as wind + fire. Since there is attribute damage, use the attributes to make some use. Don't be rigid in your sword skills. I also hope that the rhythm of the plot can be as concise and lively as possible. For some unimportant supporting characters, I can save as much pen and ink description as possible. Don't spend one or two descriptions and then change the map. Those people will be so useless.
No wonder no one watches it, it's no longer acceptable to abuse the mainstream
I have to say that if you allow so many people to acquire various super powers, then generally speaking, it must be a group portrait... But you are not planning to have a group portrait, but a single male protagonist. But how strong your writing power and how high your structural ability can make the protagonist stand out in the group portrait? Does the protagonist stand out through charisma or ability? I didn't see the charisma of the character... In terms of ability, I only saw the pointless and uninteresting comparison between the protagonist and others. Anyway, the abilities of others are incredible, but he is a novice in fighting. The protagonist has low abilities but is all-around reliable. Do you believe it yourself? Are you happy? If you don't have that kind of writing power, wouldn't it be better to make the protagonist have abilities, and then you can happily create infinite worlds, or pretend to take risks in the existing ability system? Why do we have to be new and different? Those who are unconventional will either become great and start a genre; or they will sink. No matter how innovative you are, you must think carefully and prepare well before you can do it. But it is clear that preparations are not enough now:
The description is very appetizing, but it is too poisonous, like feeding shit, forcing the plot to start.
Didn't you realize that among the successors that appeared, the protagonist's ability level is the lowest, and it all depends on the protagonist's hard work. This is very inconsistent, because the protagonist is special, weak in ability, and high in combat power. There are also breathing methods such as fire and ice, which are all special effects. There is no attribute damage, only attribute bonuses (different breathing methods have different emphasis on bonuses)
Let me ask, the protagonist and his group worked hard to reach the air-raid shelter, and then the air-raid shelter was occupied, and then they became the subordinates of the major general. Mao Xian, does it make any sense to write like this? ? ? ?
I'm breathing crazy in Tokyo
Maha-chan has a very low presence
What the hell? The stupid woman who inherited Merlin's teachings and Artoria's Spiritual Power can't even control her fear? And he scolded the Sekiro Madonna who saved the protagonist's father? The protagonist still licks this girl? ? ? ? ? ? ? Don't these successors look at character and virtue? Are Lan Dai and Merlin blind or under the halo of wisdom? If Lan Dai can really come here, he must kill these two fools with one sword.
Hmm, I don't know if it's a trick to become invincible at the beginning, but just don't talk a lot of nonsense like the previous book.
After watching 50+ episodes, has the protagonist's strength increased? Also, the breathing skills are really low.
When I saw the title of the book, I thought it was Hololive, The First Breathing Style of Summer, Hahahaha
When reading a book, lower your IQ by half and think about it for a while to make it more interesting.
I thought it was a cool article, but I didn't expect that it would torture the main character to increase the difficulty.
I haven't started watching it yet. The combat system in Demon Slayer is only at the martial arts level. Are you sure it can be used in other worlds in the introduction?
After reading Chapter 11, I felt that I underestimated the strength of human beings. In this day and age, quantity no longer matters. If there are too many, I'll blow them up for you.
The writing is very good. My IQ is online. But the upper limit of the pig's feet is a bit low, and the strength is not that good. I always feel like I am being pressed to the ground and rubbed.
After reading Chapter 239, it was like adding poison to poison. It was so poisonous that I was so confused that I added water to the water and rushed to the faucet.
To be honest, the plot is too confusing, the system is too confusing, and I have no desire to continue watching.
By the way, does anyone write the Legend of Jianfeng?
The finale is here. This is probably the author's test of the waters. I hope the author can continue to work hard to create better works. Come on.
Is there "Breath of D"? 😏
I feel like my writing is broken, and it has been broken since I started fighting Wuhan.
Have you, the author, considered how readers will feel when reading your book?
I don't want to say too much. I pop up a few chapters explaining the causes and consequences from time to time. It gets even worse later on. The protagonist suddenly starts talking about an insignificant character. After finally finishing talking about the protagonist, I haven't even finished two chapters yet and he starts talking about someone else. After a lot of intermittence, the protagonist is finally finished. Well, there are dozens of chapters explaining the causes and consequences. The protagonist has not appeared in dozens of chapters, and the main plot has not been touched at all. I am convinced, I am really convinced.
I'm panting like crazy in Tokyo, Ollie gives
Tokyo is so densely populated, but the book gives the impression that there are not many people there.