Myth Begins with the Players' Invasion

Why isn't it a story about the protagonist rebelling against the players? I originally came in with the new idea of ​​the protagonist rebelling against the players, but in the end it was still the same story about leading the players and something like spiritual energy recovery 😐

The creativity is excellent, but the protagonist currently has no poisonous points and just wants to continue to develop. Then the protagonist must maintain his identity as the leader, otherwise he is likely to die. After all, when the "player" is surpassed in strength, he will die.

Off                  Tell me what you think. First of all, the author should be a newcomer. It is certain that not many people will read the new book. Judging from the dialogue in this book, the author should have read some classical Chinese books and has a certain accumulation of language. But I would like to make a small suggestion. There are some typos or incorrect wording in the article. Many authors will have this problem. The difference is that some authors will correct it when they see the bugs caught by readers in the book reviews, while some authors will not. Personally I think it's better to change it. On the one hand, it gives subsequent readers a good sense, and on the other hand, knowing your mistakes can greatly improve things, haha! Humans are not machines and will always make mistakes. Even machines will have failures, so our best solution is to correct them in time. The second point is that the protagonist does not handle the relationships with partners around him very well. Starting with the protagonist, the protagonist is a person with a very weak sense of security. There are people like this in reality, so it's not surprising. I personally don't think it's very reasonable for a plot like this to just allow players to establish a guild and have great faith in Feng Lin Shanhuo and others. As a person who is always nervous, you shouldn't believe them after just such a short period of time! Furthermore, the protagonist knows what the player means. The protagonist doesn't trust other NPCs, so why would he trust players who are even more unreliable than NPCs in the protagonist's mind? ​ ​ Additional explanation, the ferryman said that the protagonist is not invincible in Mingjian Villa, but some plots are too bold, such as pretending to be a disciple of Mingjian Villa, going out at night to chase Yan Sanniang, etc. Are not in line with the protagonist's setting. The reason for the incompatibility is that the protagonist is obviously very afraid of Ouye Zizheng and Shi Jian. Doing things in such a ostentatious manner on the other side's territory without knowing the other side. Judging from the situation, they should be the most ostentatious group besides that cult. In addition, there are some plots that are too bold. I think it is normal if the protagonist does not have this setting. There is a problematic setting, which is the issue of realm. After reading Chapter 54, I can't see the difference between a Grandmaster and a Grand Master. Because sometimes the protagonist is said to be a master, and sometimes he is a great master. And the protagonist's defeat of the three great masters does not reflect the differences between the masters. I understand that the author is emphasizing that the protagonist is the best, but it is obvious that the protagonist should defeat opponents at the same level as him, but it does not explain why the protagonist is better than them. Why is the gap between the Grand Masters so big that they can defeat them one on three and easily defeat them? At the same time, there are not many descriptions of fighting scenes, and most of them are taken away with one move. It can be understood that it is due to the character of the protagonist. However, when I encountered provocations from some mindless passerby characters, and coupled with the setting of taking away this move, I felt it was too cliché. Generally speaking, this book does not have too many poisonous points. I hope the author can continue writing without being a eunuch. I have been reading for many years, and I understand that it is not easy to find a good book. Although the author is new, I think there are many books that are not as good as this one. The above is my humble opinion. If there is anything wrong, please feel free to discuss it with me below.

Yes, the killings are decisive and there is no discomfort. There is no disgusting plot of long depression and then pleasure. The creativity is good, and the simplicity is true. I don't like those who are too aggressive, who are always enemies and chased from the beginning to the end, and those who have no ability to resist the protagonist will feel aggrieved. As long as you don't feel aggrieved and depressed, logic is very good. I don't know what to say about this book. I didn't feel depressed after reading it. I want to say it's a good book.

There are no big poisonous points in Chapter 63. There are occasionally a few small poisonous points, but it doesn't matter. After all, even the best masters have a few small poisonous points. From the current point of view, this book can be regarded as a good book. It will be stable if it is not a high-quality book in the future.

Is there no price for player death?

The real world of martial arts should be able to obliterate the player's will and directly cause brain death.

After reading several chapters, the supporting characters have no performance at all. It is completely the protagonist showing off, but the protagonist cannot show off at all. Forcibly shaping the protagonist to die alone. The protagonist has only one life, but he is reckless throughout the whole process, and all the preparations he made are completely useless. You obviously can do better but you force yourself to show off. You have to be reckless. Worried about ordinary people describing it many times before, the protagonist stands so high but does nothing. It's like an emperor going into physical combat himself. The large-scale dungeon is entirely for the protagonist to obtain artifacts. The main reason is that the protagonist has prepared so many but they are of no use. It is just that the protagonist has gone and obtained them. The owner of Mingjian Villa is indeed confident in solving the crisis, so he can just act according to his own plan. The protagonist didn't even try to trick me, but he forced himself on me. If it weren't for the protagonist Halo, he would have died long ago

I saw Chapter 74 and it was pretty good. After all, I have been reading the book for more than ten years and I have some thoughts. The following is my evaluation of this copy from the player's perspective. 1. The materials required to enter the game and purchase clues are too high. The server has only been launched not long ago, and the Novice Village has not yet been released, so it is basically impossible to get so many clues. 2. None of the monsters in it can be beaten by players. 3. There is no process and I don't know how to start. So the difficulty of the dungeon is too high, which makes the title of this book inconsistent with the content. People who come to read this book basically want to see the interaction between the protagonist and the players. However, in this dungeon, I can't see any playability from the player's point of view, so the protagonist is single-playing the whole process.

You keep updating three chapters every day, and there must be many people reading it. A good story should have a framework. This story may be short or medium in length, but as long as it is exciting enough, I have read your previous one. It is well written and very concise. Keep it up. Countless great masters have done it this way. Wangyu is in his thirties and bought a house by writing about mortals who married wives, Conan Doyle, Du Liang... As long as you write this story, you will have a template in the future.