Quick Transmigration: The Supporting Female Character Has No Feelings

I have been reading about non-CP fast travel for a long time, so I wanted to look for one with CP, but I found a lot of them, all of which were about the heroine being smart when meeting the male protagonist. Sure enough, no CP is the way to go. When I saw this book about no CP, I decided to read it first.

I was persuaded to give up after watching the first two... They were all about exploring the death of the original owner, and then another memory of the original owner. I couldn't understand it, and the storyline was ridiculous 😓

After reading the first story, the protagonist did nothing and it ended. The author's calmness and high IQ for the protagonist were not shown at all.

I'm speechless and frustrated. I died casually in the first two worlds and I don't know why the heroine went there. She didn't do anything. The setting of a female scientist who has no emotions is really ridiculous. Who knew that it would be so bloody? Especially the heroine who doesn't do anything. She always lets the enemies who killed her run around without even thinking about revenge. Isn't it nice to kill the enemies directly? Anyway, I can't stand the feeling of being aggrieved. I'll abandon the article and say goodbye.

I thought I would be merciless to those bad guys after I had no feelings, but the first two stories were all about being comatose and being injected with things, and the protagonist was of no use...

After watching the first world, it was really not to my liking and I couldn't get into it at all. I said goodbye.

I'm really speechless. The female protagonist is really good, and she is always protected by others. There are loyal peach blossoms in every world. The plot is the same as that of the male protagonist. I'm really speechless. This is no cp, right? Since there is no male protagonist, can you please stop engaging in such unclear ambiguities? It's really yue. I don't want to read this kind of book again. I'm afraid I'll read it once. 😅

After reading the story of the Duchess, I would like to make some small comments: First, the routines of real and fake daughters and real and fake princesses have appeared more than once halfway through the book, which is quite boring. Second, the story rhythm is not very good. It can be seen that the author carefully describes the concepts he wants to express in each world, such as the Soul Insect Soul Soldier Game House and other concepts, as well as how the heroine works and how she is inspired to grow. However, despite these intentions, the story itself is often perfunctory. Parts that the author may not want to write about are often hurriedly covered in two sentences. As a result, the logic of the concepts expressed in the full text may be complete, but the charm of the story is not very good, and it is top-heavy. For example, in the first story, the original owner of an ordinary family suddenly turned into the adopted daughter of a hidden rich man, and the adoptive mother, who had hid the secret from the original owner for more than 20 years, was not surprised to see her adopted daughter appear in the meeting. Moreover, the two abruptnesses were written as if they were obvious and simple. As a reader, the experience was really uncomfortable. It was a very discouraging opening. The Vampire Duchess is another kind of pacing discomfort: the exciting point of reversing the story as a supporting character has been skipped. I had worked hard to study drugs before, but I was greatly "inhibited" by killing my brother and taking credit. On the other hand, the heroine's "Yang" who transformed into a vampire to take revenge came too late and was written too little. The last sentence "left the family after it developed" was mentioned. How did it develop like that? Confusing. If you want to go all the way to black fame, then you can follow the black name and turn people all over the world into vampires to get revenge; if you want to restore your reputation, then at least write a few words about the process of clearing the grievances and the world's apology and gratitude. The ending of this article is very random and I don't like it. The feeling of "depression" has not been relieved. I couldn't get enough of it, so I decided to give it up for the time being. My personal suggestion is to limit the length of expressing your opinions and put more thought into the description and foreshadowing. After all, some information and attitudes, even if the author does not give them directly, can be reflected in other places through the power of writing. If the balance between expression and restraint has been found in the later stages of the novel, or the author insists on focusing on expression, then forget about me.😥

The author's writing style is getting more and more mature, each story is different, and each story is thought-provoking after reading it. After Chapter 200, I got goosebumps all over my body and broke out in cold sweat while reading "Attack of the Wife". If the person who makes the rules is that type of person, the new marriage law is already a bit biased in that direction. If the world in the book is a hell of 180 levels of despair for women, then the new marriage law is already standing outside the gate of hell. If society really turns into such a terrible world as gay wives, why is this such a terrible hell for women? Why not let the opposite sex who makes the rules and enjoy it reverse their lives?

What does it mean that this Immortal Master disciple is somewhat stable and the heroine is? The starving ghost was reincarnated? She was just asked to take care of her body temporarily for a while, and her body would eventually be returned. In the end, she spent all her money to satisfy her own appetite! And the client paid the mental effort. Thinking about it, if I was temporarily injured and was in a vegetative state for a while, but when I woke up, all my savings and cash had been used up by the ghost on my body, I think the person who woke up would only want to kill this ghost, and would not be grateful to this ghost.