The Good Police in Hong Kong Movies

In the Hong Kong era in the novel, the protagonist's mother ruined her son's career for a smuggler she had never met, and the protagonist had to risk being discovered to save her. She was reasonable and poisonous. Since in the novel, the name of the system that appears is (Justice Man), and when the protagonist kills gangsters and kills people with guns, the justice value is halved, why did the protagonist not think about this problem when he was looking for a stowaway woman in the heavy rain. Since the author did this in the setting, why didn't he think about this situation? I read in the comment area that everyone said (Wow, so vicious, I keep licking the dog). The setting must pay attention to justice, and what does the writing have to do with justice. To be honest, this is the first time I have written this kind of book review (it is obviously such a "positive energy" setting, in terms of content, especially Chapter 42.43, I really want to point at the author's brain and scold him)

Bad review, I watch Hong Kong movies and novels just to have fun, with this restriction and that restriction, it's nonsense.

To put it bluntly, this article is a multi-female novel, which is also a harem novel. The four female protagonists will appear one by one later. If you don't like it, please come back next time.

It's a very good novel. The police are just the police, so why should they be involved in the underworld? The police should be pure and upright, and use other legitimate methods to make money. This is a good book, and it suits my taste. Please update it, and I will give you a recommendation vote.

When I saw Chapter 60 of Poison Hair, what kind of nonsense was written, the protagonist and a few elite cids were actually killed by a killer, and were threatened with a gun to their head and took the account book, holy shit. What about danger sensing? You wrote and forgot? What a broken plot. I wrote that the main character made a cigar and made a cigar. I thought he was so awesome.

It's a rare novel that gets more and more sexy the more you write it. There are quite a few female protagonists, but the protagonists just play innocent roles and don't touch them. Handle a case in the hospital. The skills exchanged by the system have no other use except to increase the author's word count.

This is the most useless Hong Kong comprehensive police pig's trotter I have ever seen. His identity is: senior police superintendent + the richest man in Hong Kong. However, his family was kidnapped. It was hilarious.

Did he pick up an unknown woman by force? Can you do something more normal, your family runs an orphanage? If she is a woman, let her live in her own home?

It was okay in the past. I saw that he slapped his son because he had only known him for a few days. She really forced him to quit. She didn't care about his son's future. It was really cruel.

I suggest the author delete the system in the book and start a new novel. The results will definitely be better than the current results (actually not much better) To be honest, any normal person with that system will be better than the protagonist. The protagonist written by the author is basically equal to a retarded person (the intelligence of a normal person is 5 points, and the protagonist's intelligence is 4 points before adding points). For the sake of the plot, the author needs various suffocation operations. In the past, the protagonist was killed by various headshots. Later, due to the needs of the plot, he missed various shots. He was shot. He was discharged from the hospital three days after being shot (not with bruises), and then he was woken up in the hotel with a gun pointed at him. (Let me help the author make up some settings. The protagonist used to have redemption skills and danger perception. In fact, this skill is probably durable, and the durability is probably used up there, lol) There are a lot of other shortcomings, too lazy to list them all

A harem is a harem, and your entire female character appears to be trouble. If someone comes up with a lot of trouble, do you like to find trouble and deal with it when you co-write? 42 Dissuade her from quitting. A mother ruins her son's career for a woman she has never met. The key is that she still has the whole persona of a loving mother in front of her. She is really just eating canned herrings and drinking Laoshan Baicao water in a manhole.

After reading Chapter 125~ I am already getting tired of it. The skills exchanged by the protagonist have almost no effect. He is still a glass man and is injured and hospitalized at every turn. He has been hospitalized so many times in just a hundred chapters~

What's going on? Why did you slap your son for a strange girl who smuggled into the country? And if I'm not mistaken, we've known each other for a while.

It is a Hong Kong movie novel that uses the names of characters in Hong Kong movies. The plot of the case written in the content does not have the content of the Hong Kong movie. The protagonist does not seem to know the characters in the Hong Kong movie. The author is a damn title holder. Identification is complete.

When I arrive in Hong Kong, I can't open a harem. Who are you right? I'll charge two more 😁

The biggest poisonous point of this book is that you can obviously add attributes, so why waste those justice points on entertainment? Wouldn't it be nice to satisfy him with the addition of wisdom? Wouldn't solving crimes with high intelligence earn more attribute points? Gaowisdom still can't remember the songs of your childhood? I can't remember that my own original is not bad, so why do I have to waste these things?

It was originally written well, but after chapter 30 it was written like shit. First, two women were forced into it. If the romance is not good, then don't write it well. Later, in Chapter 51, it was revealed that the protagonist's mother was a gangster, practiced Baji, and even knew Uncle Biao. Damn it, there is no foreshadowing at all. In the previous chapters, his mother acted like an ordinary person, worried about the danger of her son becoming a police officer. A character who takes care of the family. Are you afraid that he will be in danger and you won't hand him over? You suddenly imposed a plot. Are you afraid that too many people will read your novel?

The author has never been in love? It's like a dog-licking novel. At least I can read the first 20 chapters. Suddenly a Hong Kong student appears and the family has too much to do. I'm convinced.

Copying novels is a failure. There is no need for you to be a policeman. There are many legitimate ways to make money. There is no need to be a literary copywriter. It is not an entertainment novel.

The protagonist is a bit mentally retarded

After reading Chapter 44, I was speechless and had many poisonous points. First, Chen Ruoxin had to take in a woman for no apparent reason and take her to live with her. Even if you want to do good things, just let him work in a tea restaurant and give him a job. There is no need to bring someone back to your home who you have met for the first time, and who also described someone who is wary of you. Just because she looks beautiful? I'm speechless. If the other person was ugly, I probably wouldn't be kind enough to take him home. Second, the so-called rumors in the police station are also inexplicable. Colleagues know the specific situation and how the rumors were spread. Third, up to Chapter 44, I write about my mother, brother, and sister. Not only does it have no effect on advancing the plot, but it has become a burden, leaving me speechless. Regardless of her son's future, the mother slapped the protagonist and made her son break the law and help the smuggler. I was speechless, not to mention that the protagonist is not afraid of affecting himself. Even if the protagonist is really afraid that taking in Hong Kong students will affect him, as a policeman, if he does not do anything illegal, is it wrong to be afraid of affecting his career? If he is not a Hong Kong student, he is a slovenly, foot-picking man in his thirties or forties. He is also a smuggler, and the protagonist's mother has to take him in and provide all kinds of help, so I will obey her. There are also younger brothers and sisters, all kinds of imaginary, and all kinds of interruptions for the protagonist. They are completely redundant characters.

The sentences are very awkward, like a running account, and the behavior of the protagonist in many plots is inexplicable, not to mention there are a lot of typos and wrong sentences, and there are countless flaws. I have read Hong Kong variety novels for several years, and this is the worst one.

The author wrote the system in order to deceive readers into entering. Later, in order to copy the plot and stabilize the plot structure, and reduce the sense of the system's existence, he wrote the male protagonist as a loser. Every shootout resulted in a trip to the hospital.

I watched a bit and didn't finish it. I couldn't stand it. 1. There are too many emotional scenes. Since it's a police relationship between two family members and two colleagues, whether they are together or not, it's disgusting. System 2, Shuangwen's standard configuration, doesn't feel very strong, appears too rarely, and was injured three to two times.

For those who haven't read this book yet, it's better not to open it. This book is not a simple Virgin Bitch thing that can be explained. It's very complicated and ugly. After reading it, I just want to criticize the author. Really

The protagonist, the Virgin Mother, is a bitch and knows how to avoid pitfalls.

Damn, there are only 4 fucking female leads in Hong Kong TV series. I will directly sentence you to death.

There are a lot of women around me, and in the end there are a lot of 15- and 6-year-olds, even those in middle school. They all rely on the author to set up an emotional idiot character to get through. It's disgusting.

The 30 most glorious years for Hong Kong films were the 1970s, 1980s, and 1990s. The entire 1980s was almost dominated by "psychic" and "horror" elements. I am not exaggerating. In the 1980s, both literary and commercial films in Hong Kong had the best reputation and box office. The best-selling movies are all about "psychic, horror, zombies, magic" and other such themes. Most of the Hong Kong "ghost movies" that everyone is familiar with were born in that period. Writing about Hong Kong variety shows but not "ghosts" really feels deeply divided and has serious flaws!

I was persuaded to quit when I saw the name of this system! Very poisonous