Is This a Normal Arknights?

The idea is very good, but the plot is awkward, the writing is poor, the paragraphs are messed up, and the punctuation is extremely uncomfortable. It feels like reading a book full of stains, and the handwriting is very poor, and the plot is very messy. It takes a long time to understand what it means. The author can read the article himself. From my point of view, this book is the kind of book that is uncomfortable to read without thinking. If the author is positioned as a novice, then it is barely readable, but as long as readers who have read some old books, they should find it uncomfortable to read. The idea is obviously very good, but it is ruined by the writing and plot. Ark writers who are related to the Cthulhu Mythology can go and read "My Swordsman Tower is an Investigator", which is mixed with JOJO. The author should be a newcomer, but he has a poor grasp of the plot and poor writing skills. Sometimes some of the protagonist's actions seem confusing. In addition, for the original characters (including relatives of the original characters), please try to create some characters that are in line with the Ark world view and whose personalities are more consistent with the members of the original organization (this does not mean that you cannot create characters with different personalities). At the same time, the role of each character must be determined, and whether it will be a supporting role or a secondary role. Think about how this character will appear, how to describe it, how many chapters to write, whether it will always exist or quit halfway, there are many things to consider. Also, for the secondary design of the original characters (including but not limited to personality), never set anything that is inconsistent with the personality (or other) of the original character. This is a taboo in fan fiction, so remember it. It can avoid OOC. Compared with the original plot that the players themselves come up with because of their love for the characters, I think it will be more attractive to go deeper into the background of the original work, explore the background of the original work, and then have an in-depth understanding of the characters of the original work before writing. For example, if you understand the backgrounds of De Gou and La Gou deeply, you will find that they don't have any special feelings. La Gou just wants De Gou to change back to the way he was before, while De Gou doesn't want to change back to what he was before (or he doesn't care about it at all). La Gou and De Gou are more like a pair of good friends who are a bit stiff. Both parties actually want to help each other, but for some reason, they can never express their inner feelings (De Gou may be because he really doesn't have the courage to do so). What feeling, or is it very annoying), and Lagou has no other way. She herself is already suffering from ore disease, and she will die suddenly one day, so she wants Degou to go back to the past, to the angry look at that time, to the time when she and she were close friends. It has become Lagou's obsession. Maybe it is this obsession that keeps Lagou alive until now, but Lagou will one day be unable to withstand it, and maybe only then will he see Degou's angry look. (Another spoiler, according to the background of the original work, the doctor, that is, the player, cannot survive anyone on Rhodes Island, but Eagle Point will definitely not let the doctor die) We have digressed and come back to the topic. A lot of people play Arknights, and there are also many people who have a fixed impression of the characters. If you want to change this fixed impression, you need to describe it slowly and unconsciously change people's inherent understanding of the characters. It is generally recommended to make small changes to the original characters. If the author feels that the writing is strong enough and will not collapse, you can You can make large-scale revisions (see above for taboos on revisions), but few people will choose to do large-scale revisions because the workload is heavy and the text is easy to collapse. Compared with the author's writing skills, it is extremely not recommended to make large-scale revisions, nor is it recommended to make small revisions. You should practice writing first and then make revisions (minor revisions are currently available). At present, in terms of the author's writing skills, it is best not to modify the original characters, and to have as few original characters as possible. The most difficult thing about fan fiction is these two points. It is recommended that the author read more other fan fiction, absorb the advantages, discard the shortcomings, and write more words to practice writing. If the author still wants to write a book, then this book is best used as a writing practice. He should write more, then become good at writing, and then become good at writing. This is the process of improving writing skills. Every author has come through this. No one has no shortcomings at the beginning. I wish the author better and better writing.

It's very good. The plot is quite gripping. I wanted to keep watching it since I saw the beginning. I was watching it in the office on my way to and from get off work. Ho ho, luckily I didn't get caught by my boss. I can learn a lot of office survival skills. I have a lot of useful information. Just click here and read the introduction. You will be pleasantly surprised. In one word, it is worth it.

After reading Chapter 22, I discovered a problem. According to the background of Ark, the Sarkaz people have the strongest control over the Origin Stone in the world of Terra, and their Origin Stone skills are also the strongest in the world. Kazdaele is an extremely chaotic place. It can be said to be anarchic. The so-called Sarkaz government actually has surprisingly low control over Kazdaele. Various organizations are fighting in such a chaotic place. If the Origin Stone can make people stronger and survive, then countless Sakaz people will definitely choose to become infected. Even if they don't want to become infected, they will definitely not hate the infected because they want to survive. What's more, in such a chaotic place, how can anyone have the leisure to hate the infected? I estimate that the Sakaz government's own soldiers are all infected, so the Sakaz people's hatred of infected people is a joke. At most, they are not very cold towards infected people, and disgust is completely out of the question. Moreover, judging from the level of chaos in Kazdaele, if you hate the infected today, maybe tomorrow the infected will step on your corpse and dance. The Sakaz people basically have no guts to mess with the infected. But this does not mean that the Sakaz people are cowardly. If a hundred Sakaz people are allowed to fight with a thousand Ursas people, I can guarantee that the Sakaz people will definitely beat the Ursas people to tears, and no one will give in during the battle. They do not regard themselves as individuals at all. They also have to tear off a piece of flesh from the enemy. If the Usas people drink wine and then beat people, then the Sakaz people fight with others with their lives. If they can't fight, others are qualified to drink with the Sakaz people. Therefore, if the infected really want to kill ordinary Sakaz people, it will not be easy. But the Sakaz will basically not fight because you are an infected person and I am an ordinary person. There are many reasons for Sakaz people to fight each other, but few people fight because of their status. Therefore, the Sakaz people will not have a disgusting view of the infected. They are even willing to become infected for the sake of strength and survival. This is forced by the environment of Kazdaele. After saying so much, it can actually be reduced to one sentence: Sarkazi people will not hate the infected, and are even willing to become infected. (Note: The above content refers to before Rhode Island intervened)

I feel like all my previous inferences have been overturned... Fuck

Writing a novel is how it should be, that's it. When it should be serious, it should be serious. When it should be normal, it should be normal. It must not be funny, serious or anything else. Why do you say that? First of all, as a reader of online articles, I will take myself as an example. When I read a book, I usually read the first five chapters. After reading it, I will judge whether this book is suitable for me and whether I should read it. If I think this book is suitable for me, then I will continue reading until I feel that this book is not suitable for me. Therefore, as an author, the first few chapters of the novel should be written carefully. Internet articles are fast food articles. If you want to attract people to read them, you must write them well at the beginning. It's not enough to write the beginning, the following chapters must also be written carefully and must not be neglected. If you are not careful, some readers who pursue quality may not be able to read it. In recent years, the writing style of most novels has been comedy. Fantasy has a funny writing style, science fiction and fantasy also have a funny writing style, and there are more funny writing styles in the second dimension. Even history has some funny writing styles. (Here is a separate example of funny writing style. Funny writing style does not only refer to funny writing style) Now is the era of informationization and fragmentation. If a writing style becomes popular for a month at most, it will make readers fatigue, let alone this kind of funny writing style. I believe that today's novels should pursue writing style, plot and innovation. When all novels use the same style of writing, and a novel with a different style of writing, sophisticated writing, novel plot, and wonderful creativity emerges out of thin air, how can it not be popular? Nowadays, most online writers are not innovative, they just follow the trend and write whatever is popular. This situation will significantly reduce the innovation ability of the online literature community. This is a misfortune for online literature, but it is also an opportunity. (Don't always think about Ark. Com becoming popular. Qidian 2D is still very niche, and Ark. Com is even more niche, but there is no such niche as Shaoqianwen. The book next door, the Shaoqianwen, whose quality is catching up with the greats, only has less than 1,000 recommendation votes, and has not signed a contract) Why do I say that the quality of the Shaoqianwen is catching up with the greats? More to come later. Because there are too many novels in the comedy style, many people are beginning to hate this style of writing, and some people are beginning to get tired of it. At this time, it is best not to write in this style of writing. I'm not saying that funny plots can't appear in books, but I'm just saying that it's best not to use this style of writing. Why do so many people hate this style of writing? Because there are some novels written in a funny style that make people baffled. Should it be serious or not, should it be normal or not, the whole story is hilarious. It doesn't know how to adapt, the writing is extremely poor, the plot is awkward, and it makes people feel extremely bad when reading it. Most books with a funny style are not very well written. Therefore, there will always be people who think that as long as it is a book with this style of writing, it is like this. What's more important is that most people are tired of aesthetic appreciation and no longer want to see this kind of writing style, so that when they see a book like this, they subconsciously conclude that it is a bad book. The most intolerable thing is that someone chooses the wrong style of writing. For example, in fan fiction, you choose a work with a heavy background and a very depressing feel, but you choose a funny and nonsensical style of writing. Do you think it is infuriating? Not lying, I have actually seen this kind of book, and it almost made me angry to death when I read it. This is also the reason why I don't like this style of writing. Most authors just write whatever they want, without any regard for the readers' feelings. They enjoy themselves in every chapter, making the readers feel very bad and wishing they could go to the author's house and beat him up to relieve his frustration. The author should understand what I said. When writing online articles, writing style, plot and innovation are the most important, and all three are indispensable. Good writing can make readers comfortable to read, good plot can make readers immerse themselves in it faster, and good creativity can make readers see articles that are different from others and do not have disgusting routines. "If you combine these three things, the novel will definitely not be read by anyone." If I were asked to write an Ark novel, I would definitely choose a heavy style of writing. The background of Ark has already shown what a desperate world this is: This is a world filled with sin, oppression and exploitation everywhere. Ordinary people do not regard the infected as human beings, so the infected want to revolt, but what they do can only show that they do not want to change the world at all; the country does not regard ordinary people as important. In their eyes, ordinary people are just a series of numbers, not lives. This world is full of evil, profit everywhere, and wars started by the damn oppressors. No one cares about innocent people! Is the civil war in Kazdare really due to the warlike nature of the Sakaz people? Benefits! Benefit! Benefit! No country or organization exists to change this sinful world, no! Oppression and exploitation make people breathless. Rulers don't care about the people at all! They are just power machines and cruel cannibals! However, Rhode Island appeared, fighting for fairness. An organization that truly treats infected people as human beings, does not exploit anyone, and fights for lofty ideals stands in front of the stage. They want to save the infected. How is such a lofty but ridiculous ideal any different from changing the world? But this is hope. Terra's hope is the ark of the end of the world. They can definitely realize that great ideal, they are the knights of the Ark! (Time is short, writing is limited, and I cannot write better. Moreover, when reading this passage, you should first suppress and then rise, and the pure tone that makes people excited can achieve the best effect) Question: Is this passage attractive, especially when the reader is in a state of aesthetic fatigue. This is much more attractive than most funny and nonsensical novels. This passage not only explains the background, but also makes people feel heavy and depressed, but it also makes people feel hope and enthusiasm. This is what a book with heavy writing style should have. In order to attract people to read, it must be thoughtful. Return to the topic. "Whatever style of writing you choose, you must write in that style." Books with a funny writing style can also have serious plots, and books with a heavy writing style can also have funny plots. If it's just right, it will make people's eyes shine. There is also writing style. When you write about a place, it should be what it is. "Never be ridiculous in a serious scene suddenly." This is a taboo in writing, so remember it. It's okay for a funny scene to suddenly become serious, but the above situation must not occur. It will embarrass the reader. This is also a sign of poor writing and poor plot control. It's like two countries are about to go to war, everything is ready. The two sides were at war with each other and the situation was extremely tense. As a result, the protagonist suddenly said that he wanted to be convenient and wait for him. What do you think this is? Totally irritating! Not only does it directly destroy the serious atmosphere created before, it also makes readers unable to stand it, which is purely a self-destruction. Then there is innovation. Writing novels is inseparable from innovation. A good idea, coupled with writing style and plot embellishment, is a good novel. Summary: The writing style should be comfortable for people to read; the plot should not make people feel embarrassed; innovation should make people's eyes bright.

As the title indicates, I have to wait for a few more days. I still have half of the third chapter of the extra chapter to write, but I estimate that the update will resume on the 14th. Please forgive me.

Will the protagonist become an investigator? If there's a female protagonist, I'd guess it's Skadi (Coming from a newcomer who is about to read this book)

By the way, the "Requiem" can be written, but when there is no civil war, you must have a relationship with Mostema. In fact, you can communicate well with Penguin Logistics even if you don't have a relationship with Mostema. But now that you are familiar with each other, you can communicate better with logistics. The main thing is to communicate better with Aneng. If you communicate well with Aneng, the other members of logistics are about the same. After all, they are a team. One of the core characters has a good sense of the protagonist. As long as there are no accidents, other members will naturally accept the protagonist. I personally don't know much about the background of Twin Angels, so the author needs to find the information himself. By the way, does the protagonist want to join Rhode Island? If things continue to develop as they are now, I think we can stop joining Rhode Island. The main reason is that the protagonists of most of the Ark novels now join Rhode Island, and I want to read a different one. Moreover, based on the background of the protagonist, joining Rhode Island will definitely bring trouble to Rhode Island. Doctor, Kelsey and Amiya must spend some energy to think about how to treat the protagonist. There is definitely a difference, but who do the protagonists know? It is Skadi, Skadi and Shining who are extremely powerful people. It will definitely be indispensable to team up with the Deep Sea Hunter and the Apostle trio in the future. Each of the Deep Sea Hunter and the Apostle trio are very strong. There are also perverts like Skadi, Shining and Linguang. Now it seems that Skadi and Blue Poison have to be added. Such unusual interpersonal relationships. If they really want to join Rhode Island, then the attitude of the leaders of Rhode Island towards the protagonist group should be of the exploratory type. It can be seen in the game that not many people in Rhode Island know about disasters. The ones currently known (including this book) include the protagonists, the Skadi sisters, Blue Poison, and the Shining. As for Kelsey and the Doctor, I don't quite believe that they don't know anything, but compared to the people listed above, their understanding of disasters can be said to be the gap between babies and adults. The actual gap may not be that big, but it is not much different. Most of the developments in Rhode Island have not been fully exposed to the public. Most of them are on land, and there is no development in the ocean at present. Moreover, the technology tree of most countries in Terra is a bit skewed. The navy and air force are not developed, and the army has no mechanized troops. Most of the army is using cold weapons. The only countries that can equip their troops and police with guns are Rutlan and Yanguo. (Don't ask me why there is Yan Country. The phobia of insufficient firepower is enough to make all the troops and police of Yan Country equip with guns. Terra's army is not very powerful in combat. There is no mechanized and informationized troops at all. Countries such as tanks are confused. They have also developed missiles. Moreover, a single missile of the Forest Guard cannot even kill the integrated movement of strong points without abduction. It can only be said to be the magical power of the production team) Let's talk about Terra's technology tree. Terra's technology is completely based on the Source Stone. Without the Source Stone, Terra will regress back to the primitive era within a year. But coincidentally, the gun is obtained from the human remains of the previous era, and it is a gunpowder gun. Therefore, it is nonsense to say that there is no ready-made gunpowder on the Terra continent. It is just that the country is too lazy to analyze the raw materials. Knowing that the threshold for using a gunpowder gun is extremely low and its power is several times higher than that of the Source Stone gun, the gunpowder is not even searched for raw materials. I really don't believe that this ruin has been developed for so long and doesn't even know how to make gunpowder. It can't find gunpowder. I really don't believe that a civilization that has developed to this level can't even make gunpowder. I guess the ancient humans of Terra could get angry and then die when they see the low level of civilization of their descendants. Your ancestors are already in the information age, but you haven't mechanized yet. The three armed forces of the sea, land and air force have only developed the army. The gun distribution rate in most countries is extremely low. I really don't know how this kind of civilization can fight against Cthulhu. Even now in the continent of Terra, personal force is still very important. In modern times, even if you can make missiles with your hands, you can only stay in the city and wait for the army to arrest you. If the city's military and police are all equipped with guns, I really don't believe that the Integration Movement can succeed in the uprising. After all, it is obvious to all that Terra's technology is inferior to modern times. The Internet has not developed yet. There are no models of tanks yet. They know nothing about space. The country has never even thought about developing in space. It is completely the Industrial Revolution era covered with modern civilization. Moreover, the navy is not as strong as the Industrial Revolution era. The navy and air force are just milking Terra. , Because Terra has not even developed a navy and air force, and its army's combat power is even worse than modern ones. If it really wants to fight a modern army, there is no need for people to go up and fight. The information force will directly paralyze the entire Terra. Modern times have begun to study controllable nuclear fusion, and some results have been achieved. But what is Terra doing? Do children play in mud? The revival of Terra's ancient human civilization can overwhelm the entire country of Terra. How low does this technology have to be? In the face of modern civilization, is there any difference between them and barbarians? Moreover, Terra's ancient human civilization has most likely entered the information age long ago, and future generations are still playing in the mud? This is a technological gap, and as for the technology of ancient Terran humans that can perfectly integrate various organisms and human genes, I estimate that they are a long way ahead of modern civilization in genetic technology, and you tell me that this is what Terran technology is now? So what was it that destroyed ancient human civilization? Is it really a natural disaster? I don't believe that a civilization with this kind of technology can be killed by natural disasters. At worst, it will go underground. If it is true that this kind of technology can be killed by natural disasters, doesn't it mean that the power of natural disasters is controlled by humans? What are those indigenous gods doing? Going to the theater? Wouldn't it be great if the civilization of our own world became stronger? Cthulhu is still invading! Do you really want to see the ancient human civilization disappear and then let the new civilization develop? I guess these gods are also entangled with other things. Either they are suffering and cannot tell, or these gods are all extremely pedantic old stubborns, but this is hard to explain. After all, Nian is not like that kind of god. Furthermore, as for the Cthulhu modified by Ark Magic, the san value is not changed directly, and the spiritual vision is not required. I really believe that he will cut Cthulhu's soul attack into a decoration. The most attractive thing about Cthulhu is these things. If it is not changed, it is still nonsense. It is better not to add the Cthulhu Mythos. Finally, back to technology, I really have nothing to say about Terra's current technology. They don't even understand that technology is the primary productive force, and they still brag about personal force all day long. When the technology reaches a certain level, even if the enemy can rub a nuclear bomb with their hands, they can kill it. If it is higher, they can directly use the Star Destroyer Cannon in the face. How can they lose? There are also positron cannons, antimatter bombs, and nuclear fusion strikes (non-nuclear fission). These things bully people, but even if you use ion cannons, proton cannons, photon cannons, and neutron cannons, they still bully people. Even if you use electromagnetic guns and plasma cannons, you still bully people. And these things have already been theorized in modern times, and some weapons have even begun to be tested. No matter how high the personal force is, it is useless, like rubbing a black hole with your hands! And if the technology were higher, it would be useless if you could actually rub a black hole with your hands. The most important thing is, if the technology is that high, all living beings will ascend directly, and they will probably become semi-four-dimensional creatures, right? It's useless to rub a black hole with your hands. They can directly enter the four-dimensional space. Can you hit it? I really have nothing to say about Terra's technology. The technology of World War II can beat Terra. If the technology of the Cold War is directly inferior, let alone modern technology, no matter how high the personal force is, how about a nuclear bomb? If one doesn't kill you, how many more? If you still can't die, use various experimental weapons in turn. There will always be a weapon that can restrain you. Regarding the above technological weapons, to be honest, I personally don't think they have much effect on Cthulhu, but for gods like Mr. Ke and the King in Yellow, if you add a few more star destroyer cannons, a few more antimatter bombs, a few more positron cannons and annihilation cannons, and create a space blockade that prevents you from running or attacking, and continues to output, I think I can kill him. Forget about nuclear bombs, that thing is of no use to Cthulhu. There are also the semi-four-dimensional creatures mentioned last, and entering the four-dimensional space, which are enough for gods like Cthulhu, but against Boss A, Yog Bubble is probably useless. After all, neither of them can tell how strong they are. Maybe they are four-dimensional creatures. Otherwise, how could Yugpaopao have omniscience? If you want omniscience, I think it can only be a higher-dimensional creature that can be omniscient about low-dimensional space. Just like we look at the two-dimensional space, we can also destroy the two-dimensional world effortlessly, and the two-dimensional creatures cannot resist at all. They cannot understand what we are thinking or what we will do. We don't care about the two-dimensional creatures at all, nor do we care about destroying a two-dimensional world. We don't care about them at all, and they may worship us as gods and try to appease our anger, but in reality, we don't care about them at all. This seems to explain the thoughts of the old days, the outer gods, the ancient gods and the old gods very well, because we cannot understand them, and they do not care about us at all. But this does not mean that they are four-dimensional creatures. The four-dimensional control over the three-dimensional is absolute, and the three-dimensional control over the two-dimensional is also absolute. But why do some gods in the Cthulhu Mythos seem to be able to kill them as long as the technology is high enough? For example, the weapons I mentioned above, as well as the speculation that they can kill Kesong and the King in Yellow, also indicate that they are not four-dimensional creatures, at least not all of them. So, what kind of creatures are the gods in the Cthulhu Mythos? Which dimension do they belong to? It's hard to say what kind of creatures, but I think most of them belong to beyond three dimensions, not to the level of four dimensions. As for the description of humans going crazy when they see gods in the Cthulhu mythology, I think they are at least 3.1 Dimensions or above. However, since even the dimensions are different, why can three-dimensional weapons kill existences beyond three dimensions? I think that as long as they have not reached the fourth dimension, they are all three-dimensional creatures. So, it is reasonable for three-dimensional weapons to kill three-dimensional creatures, but a lot of problems pop up. How do human three-dimensional weapons kill gods with more than three dimensions? How did those gods live? If they are beyond three dimensions, why should they be visible to humans? It stands to reason that high-dimensional creatures can freely choose whether to be seen by low-dimensional creatures, but if this is the case, why would God let humans see it? And how do humans hide themselves in front of two-dimensional creatures? Will two-dimensional creatures go crazy when they see humans? Where are the two-dimensional creatures? Can they see humans... So the Cthulhu mythology is really scary to think about. The more you think about it, the closer you feel to the realm of "madness". However, are people who are "madnesses" in the eyes of humans really "madnesses"? Have they made contact with a higher realm? Are their dimensions higher than those of ordinary humans? If not, why are they crazy? If so, do the demons and ghosts described by the ancients really exist? Why don't demons and monsters appear like the gods in the Cthulhu Mythos? Is there some kind of restriction that prevents them from manifesting? If this is the case, why can the higher dimensions of human beings manifest themselves? Is higher dimensionality the truth, or is low dimensionality the truth? Where should mankind go from here? I really won't say it anymore. The more I talk about these things, the more I feel something is wrong. There is something really wrong, but I can't tell what is wrong. Whenever I think deeply about the Cthulhu Mythos, this feeling of something wrong always comes into my mind, as if forcing me to stop thinking. Is this really scary? There are other things looking at me wherever I write? And they can also peer into minds and prevent humans from thinking this way? It was really terrifying. I suddenly understood the meaning of "terrible" in the Cthulhu Ode. I hoped that I was just scaring myself.

Taste it carefully.

Speaking of the author, what should you do if you set Yanguo language like this? In the background of Arknights, Yanguo language is basically equal to Chinese. You set Chinese as the ancient divine language, so how should you set Yanguo language? It's impossible for everyone in the Yan Kingdom to speak the ancient divine language. This is a big loophole. First of all, Chinese in Cthulhu Mythos is not the ancient divine language. Furthermore, in Arknights, the Yanguo language is equal to Chinese, but it is not the ancient divine language. Your setting is to set both sides, and you also choose This is a very troublesome setting. If this thing is not changed, it will really offend Cthulhu fans and make Ark fans uncomfortable, because the ancient divine language is set to be a language that is unknowable, unspeakable, and unheard by humans. As long as it is a human being, regardless of pure subspecies, he will go crazy if he hears it. The level of life has not yet reached the realm of gods. No matter what kind of creature, you will go crazy when you hear it, unless the creature is very special. Author, it will be fine if you remove the three items of unknowable, unspeakable, and unheard, but it is really confusing to set the Chinese language as the ancient divine language. What is this setting? Almost no one would change it, because if the power system is changed, it will collapse. You think, Chinese is the language of the ancient gods. So according to the setting of the Cthulhu Mythos, except for the people of the Yan Kingdom, people from other countries in the Arkworld have already gone crazy. Where is there Rhode Island and the integration movement? Moreover, with this setting, doesn't it mean that the entire Yan Kingdom is a dependent clan? Author, you have either changed this setting, or set Yan Guoyu 2 to a language different from Chinese, but if you choose the latter, I dare say there will still be people who will complain, because their fixed impression is that the ancient divine language is a language that is unknowable, unspeakable, and unheard by humans. And since almost no one changes this setting, and not many people see it if it is changed, this setting will become a fixed setting that cannot be changed. If the author does not change it, I guess there will be people who will complain after more people see it. (There is another reason why this setting is almost never changed in books about Cthulhu in order to create a terrifying atmosphere. You think, as long as you hear the language of the ancient gods, crazy pictures will appear in your mind. The eternal madness will flood into your mind, and the ancient gods will whisper in your ears, endless, unseen, unimaginable, and incomprehensible things that humans cannot understand. Unknown things flood into your mind, and endless knowledge seems to be at your fingertips. The murmurs of the ancient gods are getting louder and louder, and they seem to occupy your entire mind. Finally, you are going crazy. Maybe the reason for all this is just because the gods who are absolutely unknowable, invisible, and incomprehensible are bored and want to chat with other gods?

(This post is an improvement on the Cthulhu Mythos. Since my own understanding of the Cthulhu Mythology comes from games and materials, there may be errors) (The power system in this post has nothing to do with this book. The author of the post can add it as appropriate according to the actual situation) I went through the Cthulhu Mythology again and found that the sequence is not the power system of the original Cthulhu Mythology. In fact, the power system of the Cthulhu Myth is very vague. Except for some small monsters or famous guys, the strength of other monsters needs to be determined through games or searching for information. I personally think that the power of the Cthulhu Mythos is extremely high, but its power system is very vague. If you use the power system of Sequence, you can save some trouble, but this power system is very 🐮. As I said, Sequence Three is equivalent to the gods in general myths, and the strength of the old gods such as Chief Ke, Mr. A, and Yogpao directly exceeds that of Sequence Five. In fact, I have not seen the old or outer gods whose strength is in the range of Sequence Five. The ancient gods and the old gods can be regarded as the indigenous gods of this world. Their strength is linked to this world. The ancient gods and the old gods are hostile under normal circumstances, but if there is an invasion by foreign gods or the old days, they will put aside their prejudices and fight against the foreign gods or the old days together. However, this does not mean that they can defeat the foreign gods or the old days. (For convenience, the foreign gods and the Old Ones will be collectively referred to as the foreign gods from now on) For example, the indigenous gods of Terra are definitely not as powerful as the foreign gods. Their top combat power is estimated to be just a short delay to defeat the boss, and it won't be long. If boss A or Yogpao were to casually destroy the world, they may not even know that they destroyed a world (this is to show their strength, they cannot not know). Let's not talk about Mr. A and Yogbubble. There are countless foreign gods and gods in the Cthulhu Mythos. The more famous ones are Mr. Ke, the King in Yellow, Nyarlathotep, Mr. A, Yogbubble and the Mother of the Black Goat. None of these gods are powerful enough to be killed by the indigenous gods of Terra. Maybe the indigenous gods have tried hard for a long time to break the defense of other foreign gods. Let's talk about the strength of President A and Yogpao. I have no doubt that these two can directly eradicate the concept of "Terra" from the source, and there will be nothing to control them. The strength of these two people can no longer be calculated. If you insist on saying it, their realm is similar to that of the saints in the prehistoric times, but their strength is still a mystery. The description of these two people in the original book is also extremely vague. It is useless to look for information or play games. There is no way to use words to describe the strength of these two people. (Because it has been a long time, my impression of President A, Azathoth, is a bit vague, and the strength estimation may be wrong) Therefore, the Cthulhu Myth is completely crushed compared to Ark, and the two worlds are not comparable at all. There is something going on now. I wanted to say more, but I ran out of time. The author of this post can think about it himself. It is best to set up a power system by himself, such as the power system in this book. However, the author's naming is really a bit embarrassing.

Oh, shit, it's over, the monthly exam is over, and I caught a cold again. Now I'm at home, and countless fucked-up horses are racing past in my heart...

Post this chapter and ask for 200 fan points? I have nothing to say if you do this to a book that is on the shelves. Is it NT to do this to a book that is not on the shelves and has not been signed?

How many words are updated this day? 180,000?

The hot topics on my search page are all Ark. Have Ark articles become popular recently? Most of the Ark books from Qidian are on my bookshelf. The rest that I haven't added to my bookshelf are either eunuchs or I don't know. But even so, there are a lot of Ark books.

It's strange, it shows that it exists here, but when I click on it, it shows that it doesn't exist. Let's post it again: I finally have some time, and I'll think about it after reading it and think about if I have any suggestions.

I read the chapter where The Shining cried again. Based on The Shining's character and strength at that time, it was unreasonable to cry. As Sakaz, it was completely unreasonable to cry just because a stranger didn't hate her and was willing to accept her. First of all, The Shining's back Jing has already explained her extremely powerful heart. Furthermore, the only person who can redeem a person like Shining is someone she truly recognizes, such as Lin Guang. What really solidifies Shining's change is the Doctor, Rhode Island, and the warmth of home. You can't expect the kindness of an ordinary stranger to touch the heart of a person who is trapped in darkness. If you want The Shining to identify with the protagonist before saving Liz, I think the Shining must be allowed to see the unique brilliance of the protagonist and truly understand the protagonist's heart. A reminder to the author, this matter is easy to handle. Which country is the protagonist from? Just use this thing when needed. It's best just this time. Don't write this thing again in the future.