I Have an RV in the Apocalypse

I consider myself an old bookworm with a lot of poison resistance. If nothing else, this book is really poisonous. Generally speaking, if I see a book that is very poisonous, I won't post a comment to complain. However, I saw someone in front of me saying that the book would take off after chapters 50 or 60. I was also deceived by this statement. I posted this comment just to prevent others from being fooled.

Just change it to "Rebirth: I Bring Love to the End of the World". A veteran who has been living in the end of the world for three years almost lost his life because of a woman and said that a child is so cruel. Tsk, tsk, tsk, I'm so embarrassed that I'm looking for shit. You've been doing this in the end of the world for three years? You just throw your car out and leave it without locking it. You will know if someone gets in. Oh my god, does it matter? What will happen if you lock it? (Only read Chapter 70) The refined comments are fake, so don't believe them!! I have to go throw up.

You should hurry up and finish the book and start a new one. I hope you can learn from the experience and stop being so vicious. Your predecessors have already asked you how to write about the Doomsday Chariot. If you still don't know how to write it, go and see how your predecessors wrote it. How can you build a RV and then be robbed every day? He was robbed by others, and then he was snatched back. After that, he was robbed again, and then he was snatched back again. After several back and forth, you might as well call it "My Daily Life of Stealing RVs with Others in the Doomsday".

As with all apocalyptic writing, the turbulence of the early apocalypse should not be skipped! This is very writeable. At a certain point in time, a certain proportion of people mutate at the same time/the male protagonist wakes up from a coma and the apocalypse has already begun. In my opinion, it is the most undesirable! Viruses have to go through a process of spreading. A small number of individual cases begin to appear, or they are thought to be diseases like influenza. Later, large-scale infections break out. In conjunction with the turmoil during the period, and the portrayal of human nature, if it is well written, a lot can be written here. However, nine out of ten authors skipped the early stages, and the one they wrote may also have entered the end of the world very quickly, which is a pity! As for the chariot, the origin can be arbitrary, but I hope the origin has nothing to do with the plot, that is, if aliens give it, then there should be no aliens behind it, and the same principle applies to advanced civilizations, and the story stays on earth! Don't be too arrogant in the early stage of the tank. The performance (including protection, etc.) Can be similar to that of ordinary RVs/trucks at the beginning, or at a better level among them, and then develop step by step. Chariot energy, it is recommended to support both gasoline, diesel and electricity in the early stage, and unlimited energy can be unlocked through upgrading in the later stage. After all, in the post-apocalyptic period, there should be almost all gas stations, as well as cars on the roadside. No one wants the plot to be about searching for gas. It would be unreasonable not to write it. Chariot space, folding space is a necessity. With the evolution of RVs, it has grown from scratch, from small to large. Otherwise, how big does a RV need to be to comfortably accommodate a group of people, and still be able to drive on ordinary roads? As for the base, to be honest, the last thing a tank novel should have is to have a base. This way the feeling of a tank novel will be infinitely weakened. My personal opinion is that at least in the early and mid-term, the protagonist should not have his own base. Instead, he can have a small temporary stronghold, and then rely on the tank to escape from major bases and survive at the same time. Ps. The new idea is to rely on the folding space in the RV to build it from a fire truck to a mobile base step by step! As for the rhythm of the plot, survival is a major attraction, and I hope the plot will be slowed down appropriately! Note that this does not mean asking the author to add water. In many novels, mutated zombies or high-level loss begin to appear in the first few chapters. It's too fast! Therefore, we hope that through reasonable plot arrangements, we can slow down the pace of mutation evolution/RV upgrades, and at the same time weaken the strength growth brought about by evolution. The functions/performance of RVs are increasing little by little, and the strength of zombies/humans is also getting stronger little by little. Don't wait for the mutation, zombies are already several times stronger than humans. . . The novel is fictitious, but it shouldn't be too fake. Personally, I suggest that primary zombies move slowly and have 100% power of the host. It is up to the author to decide which senses to rely on for hunting. However, I don't recommend how many times the sense of smell becomes stronger. To be honest, humans who are like dogs should not play with it. . . As for the female protagonist, I personally recommend a single female protagonist, and a harem is a must. After all, it's the end of the world. It's normal for a capable man to have more wives, but --- don't go crazy with ambiguities and pretend to be a gentleman, engage in a lot of ambiguities and show mercy, only to have none of them confiscated! If you want to push, you can push, if you want, you can fuck, or just be dedicated and don't be too bitchy! There is a thief's heart but no thief's courage. Personal comments, welcome to discuss, don't comment if you don't like it. Ps. Having said so much, to put it bluntly, I still can't write it myself and can only make suggestions haha

Let me tell you why it is best to watch it after 60 chapters!!! It has nothing to do with changing the map, it is purely because the protagonist started to draw cards to upgrade and learned to gain experience. Finally, he stopped wasting his time and stopped running around to offend big organizations!! The plot is slowly moving towards the main storylines of Corpse King and Umbrella Company, which makes it interesting. Although I have changed dungeons and gone to the bunker like Nightmare in the Village and Resident Evil, but if the protagonist hadn't understood Gou after Chapter 60, would he be qualified to open a dungeon??? Chapter 80 is the main plot, 1 to 80 is the novice village. And it's still a bad novice village. Yes, your car was robbed three times in the early stage. Go to a novice village to pick up a mission. Your car will be lost and someone will drive it away! The author redefines binding. The protagonist leaves the car without locking the door and sleeps in someone else's base for fear that the villain won't catch him. In the early stage, all your attention is on "the car is gone" → "the car is back" → "the car is driven away again???" There is basically no sense of satisfaction. You will reap melons and beans after sowing. Don't think about these feelings of harvest. As long as it is before Chapter 80, you will lose your supplies once you go to the next base! If the author doesn't write it this way, it won't advance the plot. It's too cliche. I can't stand the writing style. I think it's a novice ≠ childish, let alone an old one. It's just that he didn't write it carefully. He really wanted to write a disgusting Li Jing line, which was more creative than always losing his car. In addition to having some minor disputes about his views, the protagonist took the supplies and agreed to protect them, and also tricked and killed a team of Ruan Yulan who had old people and children, but he just didn't know where the protection was? The feeling the protagonist gives me is that he is not written to make you feel bad, he is OOC, very realistic and uncomfortable. Li Jing is not a poisonous person to me at all. I knew she would leave early in the morning. Although I wrote about her in the early stage, it felt like a heroine, like reading a book in an RV, all in English. A few words bring out the strong character, and the writing style is very white. But she really can't be the heroine. These are just the author's tricks for writing about women. How can there be a heroine who is pointed and scolded by the hacker boy character right from the beginning? So when it comes to routines, there are quite a few supporting characters in the novel that are as thin as pieces of paper. The author insists on arranging them with unclear meanings, and can only be understood as Shui Na 100 words. For example, a newcomer, one moment he is polite, a normal person, a good person The next moment he covets the beauty of the real heroine, and turns into a very WS psychological description of a street gangster, what "don't rush, there are plenty of opportunities" It instantly overturns your initial impression of the character's good and evil character, but then you look at it later, ah, he is really a good person? You thought the author was going to use a third party later to pursue small details like forcing people to have enlightenment and slowly disgusting you, but in the end, they didn't write it. So why was that paragraph written? Does it make readers feel poisonous and uncomfortable? As for the only love line of the true heroine and the great scientist, I didn't think it was broken. In the later stages of the confession, the two people's relationship was very logical throughout the whole process, and there was no sense of abruptness when they came together in the end. There is only so much I want to say. This book is definitely enough to pass the time when I am bored. The point of my abandonment of the article was shortly after the official announcement. Give me a suggestion, the author is not writing about the end of the world at all, but about a holographic online game based on the premise that the zombie king is the big boss destroying the world!!! Because every time the whole story recruits new people, all the protagonists see are pig teammates, don't you accept it? The logic of the characters' actions is confusing! For example, the protagonist got a military base for farming, with hot water and electricity. The people who came here have always disliked him and the protagonist's strict management, and the protagonist has no dignity at all! Going to work, when they meet strangers on the road, they directly pass by the protagonist and report to their home. The protagonist asks the stranger to lure away the zombies, so these pig teammates dare to say "Let's do it" Can you believe it??? Being cold to people who give you food and drink, but being kind to strangers who meet zombies??????? The author has always emphasized that the protagonist is a tyrant in the eyes of others. I don't think so. On the contrary, anyone can ride on his head and dominate him. In the end, the protagonist was unable to control the base. After several years of farming, he ran away on the grounds that "sooner or later he will be destroyed by the zombie king". What sense of harvest is there? Sorry, there is still no more. If Li Jing is the early highlight. Giving up the country can be said to be a lightning point in the mid-term. Who wouldn't be angry if you feel so aggrieved for providing a safe base for others? The whole story is looked down upon by others from beginning to end They are still a group of characters who eat the protagonist and drink from the protagonist while being protected!!! But if you assume that this is a holographic online game, the fw pig teammates here are all people who have hot water and electricity in reality but are miserable in the game. The logic of all the characters is solved instantly! The poison is no longer poisonous. Even if you, Li Jing, swore in the last chapter that you would not leave even if the protagonist was a tyrant, you will betray the protagonist group immediately in the next chapter. What does it have to do with me? Anyway, she can take a shower when she is offline, with water and electricity If she dies and can't play, she can delete files in the game and start over again. So these practices are not normal? Summary: Shennong left uneasily to kill time.

With the character of the protagonist, it's no wonder that he would be pushed into a group of zombies and die. This kind of person, even if he is reborn and has a golden finger, will still die. If the author hadn't forced the continuation, several life and death crises would have been due to luck. There happens to be a strength medicine, and there happens to be a healing medicine. The protagonist has become a person who, even if he has a golden finger, has to rely on luck again and again to avoid death.

Really speechless! I was betrayed by my teammates before I was reborn. After I met a girl after my rebirth, did I take the initiative to ask about her? Sperm doesn't affect the brain as much as you do? Other people's novels give women for free, but your male lead is for free. I have to say, it's amazing 👍 Don't say I've read thirty chapters, I'll say goodbye to you after three chapters.

It's really beautiful. The author's portrayal of people's hearts is meticulous, especially when describing the Calabash Boy to save the Transformers, Sun Wukong's inner excitement and fear are vividly expressed. I am the only one who thinks that Wu Song was right to kill Qiao Feng? If Jia Baoyu hadn't stopped Zhang Wuji, how could Yang Guo's hand be cut off by Guan Yu? Zhuge Liang wouldn't have thought of crossing the cliff with Linghu Chong to occupy the mountain as king, etc. All in all, this book has an interesting plot, vivid characters, clear system, many foreshadowings, the fighting scenes feel like being there, and the character description of the protagonist is very good.

He was poisonous at the beginning, and after living in the apocalypse for several years, he was eventually killed by his friends. Jin Ran took a woman he just met to his RV. He also said that if he finds out he is a bad person, he will be kicked away. Would a bad person tell you she was a bad person? If I'm not sure if I kill you, will others be exposed?

After reading Chapter 50, the golden finger has been robbed three times. Does it make any difference whether it is tied or not? You can just drive the car with anyone, and you have to get out of the car and walk wherever you go. The bulletproof super RV is parked in the distance, waiting to be left to others. The protagonist can use the protagonist's halo to get it back!