Wen Tang

How to put it... I read 80% of the writing and it's still quite satisfactory. It's understandable that the protagonist has a golden finger, but don't you think it's against the grain for a mountain villager to get to know the high-ranking officials of the court all at once? And how old will the protagonist be in the eyes of others? One step ahead is a genius. If you are so far ahead, you are no longer a genius but a monster. The twists and turns in the plot are too blunt. Overall, I feel that the protagonist just took off without learning how to walk. It is best to read without thinking. There are too many bugs in the book.

It's a bit childish. The author is not very old. I feel like he has the experience of a junior high school student and his writing skills are acceptable. But history is too childish and too fantasy. We are not making an anti-Japanese drama. In addition, ancient Chinese mythology has a separate category at the starting point, called the prehistoric category. It has a complete timeline and clear relationships. It is the most wonderful mythological system in the world, broad and profound. It's not chaotic. I'm afraid you got in touch with it too late. Many wonderful novels were terminated at Qidian and can no longer be found.

Can I say that the latest chapter [New Mythology] is difficult to accept? Haotian became the only true god instead of an immortal... And created all things... Jehovah? The clan of the ancient great goddess Nuwa has become the subordinates of the true god Haotian... And other witch clans and demon clans are the same... What the hell!😅😅Hasn't the eldest grandson read Liezi's Classic of Mountains and Seas? Don't you question it? What kind of myth is created for no reason...

I think you can think deeply about how many of those craftsmen are literate😁

Author, you are an updated... Quality book, but the reason why it has so few recommendation votes is because of your lack of updates. 😅

Although I know that the author wants to assimilate the Arabs, what I want to say is that the so-called assimilation is the result of literati, and in the end you still have to resort to the knife. Also, people in the Tang Dynasty couldn't learn such things as military art. Hou Junji only mastered half of Li Jing's art of war. Do you still want Arabs to learn it? Regardless of whether he has learned enough or not, the author's position is wrong. This is a big taboo.

Actually, if the male protagonist is not "I", he will have something to write about. Unless Li Shimin, the leading male protagonist, starts to wash away his "fairy" characteristics. Otherwise, the male protagonist can only continue. But if you suddenly switch to riding a horse to fight in the world or scheming among powerful officials, that would be too boring! I think you can try to "teach" and penetrate modern knowledge into the Tang Dynasty bit by bit while the Confucianism in the Tang Dynasty has not yet reached the later stage. Moreover, the author has developed a new mythology system. I think it is better to adopt a relaxed writing style. There are too many novels about intrigues, beating up foreigners, or about conquering the world at every turn. Some protagonists want to get gunpowder today and slap their heads on it, but someone will say it tomorrow. It really deceived the readers into thinking they were fools.

Horseshoes appeared in China before the Sui Dynasty. There is a "nailed palm picture" in the Mogao Grottoes mural in Dunhuang, which was dated to the 4th year of Emperor Kaihuang's reign in the Sui Dynasty. In Europe, it is very common in ruins dating back to the first century BC. The Tang Dynasty dates back to the 6th century AD.

It is indeed necessary to master technology, but it is also necessary to master martial arts. It does not necessarily belong to the male protagonist, it can also be the male protagonist's subordinates! Looking forward to the future development. The author can go and read a black and white comic "Chang Ge Xing" published in China, which is great! Introduction to "Chang Ge Xing": The heroine is the daughter of Li Yuan. When Li Shimin killed Li Yuan to usurp the throne, the heroine was also hunted down. But the heroine escaped and later went to the frontier to develop. Precisely because the heroine is a woman and has a righteous personality, she is loved by all the ministers, so these ministers completely let go of teaching the heroine. So the heroine is super good in terms of strength and strategy, and she has been dressing up as a woman, but she is also just a young girl and lacks training. Through various opportunities, coincidences, and the heroine's advice, he gradually developed his own power and had many subordinates. Both the story and the style of painting here are superb. I really recommend it. The author must read it!

Traveling through ancient times must kill the descendants of Confucianism and Kong Laoer

See. Qin Qiong and Yuchi Baolin are of the same generation. I'm so shocked. Yuchi Baolin, how dare he borrow the courage of the two of them? Qin Qiong, the Duke of Wu Xun, is in the same generation as his father. It's strange that he has an uncle and brother.

A history teacher who doesn't understand history. . . . . . .

I made it to the chapter about making glass, and I was told that glass and magma are the same thing, and they will crystallize after cooling. When it comes to my major, I really can't stand it anymore and give up. Author, if you don't understand geology, don't talk about it. Writing it down by force will not work.

You read novels to relax your mind. What the hell are you doing if you can't do it? Every time, I have to explain at length why I need to add it?

The mythological system is really trying to persuade you to quit... Pretend to be gods and ghosts. It's up to you to see what you will do when Li Shimin gets old and wants to live forever! Religion, superstition is best kept away from politics. Also, I think too much about Li Shimin's subordinates, such as Cheng Yaojin. No matter how wise or foolish he is, he does no harm to the protagonist. I don't understand why the protagonist is afraid of this and that... Talk nonsense when you shouldn't say it, such as the Arab part, and shut up when you should say it.

Even before leaving Novice Village, you can figure out what to do. There is also the first picture where the protagonist is guarding the protagonist in a tree and is about to shoot him to death. There is nothing wrong with that. It is the time when all the vegetation and trees are guarding and there are sensitive points. There is nothing wrong with that. But what the hell is that spiteful look? I know it's foreshadowing, I just see the shit in my eyes. Who would look directly into other people's eyes when it's okay? If so, just "What are you looking at?" I know about pig's feet but not about them. I can still watch it, but the pig's feet are shod with horseshoes, and the eldest grandson wants to kill the pig's feet, but in the end it's okay. Let's use an analogy: you borrow money from your friend and he gives it to you without saying a word. When you get the money, you stab your friend to death without saying a word. I can't accept this!

It was good at first, but when I saw the mythology part, I threw up. As soon as that part was written, the book collapsed, and I felt like I couldn't fill it in later. Unless in the mid-term, we start to take the path of spiritual energy recovery, immortal martial arts, and Tang Dynasty. Anyway, the road to science has been blocked 🔨🔨🔨

Although there are still some flaws in the front, the flaws are not concealed. Many details are different from other historical novels. The details and choices are more rigorous, but still interesting. There is no novice instructor Cheng of the Tang Dynasty, nor is there a group of generals and uncles who slap the shoulders every day, which makes people shine. However, when it comes to Wu Zetian, it is simply a failure among failures. Most of the other novels include the protagonist's harem, which is not brilliant but reasonable. After all, it is reasonable for the protagonist's halo to suppress her, and it will not cause her to bring trouble to the emperor. A small part directly cuts off her future, and does not touch this section. The author seems not to know the audience of his novel. He allowed Wu Zetian to enter the royal family and even made her the crown princess. Was he afraid that she would not become the empress? I'm afraid it's not an M

I was depressed when Yuchi Baolin called Qin Qiong brother Qin Qiong. . . Qin Qiong should be more than ten years older than Yuchi Gong. . .

I searched online for a document by Qin Hongzeng, Master of Philosophy. Among them, there is an explanation of the influence of Confucius and Mencius on mythology. I excerpted an excerpt "The Son does not speak of monsters, power, chaos, and gods." The mysterious and superhuman divinity is completely thrown away, and gods become secularized and human-like, and are replaced by saints. Therefore, God is no longer aloof and beyond the reach of the world, but "sages are like me". Everything comes from nature and originates from the heart, so everyone can be like Yao and Shun; the "Tao" that dominates the world is no longer controlled by God alone, but can be obtained and promoted by everyone. "People can promote the Tao, but it is not the Tao that promotes people." The difference between the divine editor of this novel is: Confucius and Mencius paid more attention to weakening the divine power in the divine theory, while the divine editor of this novel did not, and even somewhat strengthened the divine power in the divine theory. However, there are similarities between the theology of this novel and Confucius and Mencius: Confucius and Mencius emphasized that humans can follow the ways of gods, and that gods and humans are of the same kind. In this novel, people can become gods and saints. Among them, Fuxi, Shennong, and Zhurong are human beings who then ascended to become gods. It can also be understood that humans can follow the path of gods. However, humans and gods are like larvae and butterflies. Humans can transform into immortals. Some netizens said that the author of this novel insulted his ancestors (in the Tang Dynasty). Although there may be some truth to it, I personally don't think it's that serious. What this netizen probably means is that the ancestor of Chongyang was written as a non-human race, and it was even more inappropriate to add the witch group and the demon race. Here's my opinion. The author did not write the ancestors as another race. Just from the human race to the powerful god race. So they themselves are still human beings. As for Nuwa Gonggong and others, it is not a bad idea to say that they are gods. In the novel, the witch clan and the demon clan existed before Nuwa created humans. In the novel, the ancestors of the human race cannot be the witch clan and the demon clan. Therefore, the author of this novel has no conflict with worshiping the ancestors, let alone insulting the ancestors. As for the existence of the two lich clans, it is actually very reasonable. Otherwise, how can we explain so many ghost legends? Although I was surprised when I saw the lich at first. But that was mistaken for a lich from a Western fantasy novel. In fact, lichs are divided into two categories. Witch clan and demon clan. As for the conflict between the divine editor of this novel and Confucianism, it is not very serious. Perhaps that netizen was surprised by the appearance of the two Lich clans. However, the author of this novel does not have much description of the two races of lich and witch. Moreover, Confucianism is mainly about human beings and Tao. Compared to witches and demons, as long as you don't describe those historical gods and figures as lich and demons, who will care about you? If I were to make up another clan - the "Kendunovsky clan". This tribe is neither human nor divine. They have very white skin, love to suck blood, and have had wars with humans. But is there any conflict with this Confucian doctrine? Having said so much, my final conclusion is that the divine editor of this novel is very good for me, at least passable. The second is to refute the views of some netizens. But you are welcome to post against me again, or discuss with me in the comments. The comment section just needs to be lively, especially with this kind of literary atmosphere. (To be honest, in order to write this post, I read some literature and started studying)

I recommend "Bringing the System to the Tang Dynasty". The protagonist has a high IQ, the plot is reasonable, respect for history, the article is smooth and the writing is good. There are many key updates, and almost 300 chapters have not been released yet, which makes it very comfortable to read. If you like historical fan fiction, you can check it out, highly recommended.

Selling my feelings makes me really drunk. I shed tears when I see someone who only respects Confucianism. I say goodbye to you!

It looks okay, I hope I don't need any more eunuchs

I can't stand watching the new mythology. The protagonist is involved in so many stories of gods and ghosts. Could it be that the protagonist is preparing to give birth to a Li Shimin who is crazy about pursuing immortality in his later years? Then the protagonist couldn't satisfy the emperor's dream of immortality, and was killed by Li Shimin in the end? 😂

Say something from your heart! I have been following this book for a long time. I am a student and don't have much money. However, I have received rewards and have been ordering it since it was put on the shelves. I really like the style of this book. However, the author's updated style of fishing for three days and posting online for two days makes me very tired. Maybe the author is realistic. Something happened in life, or I got stuck or something, but can you tell me when you don't update? It makes me feel that the author at least still cares about the readers. Every time I'm unhappy, I don't know when to update, which makes me really feel that the author doesn't seem to have any sense of responsibility. I hope you can think about it! Thanks! ! ! !

Alas, the author takes it too much for granted. Is it necessary to give a lengthy explanation of each chapter? You are writing a novel, not a history, and the subject of time travel itself is a fiction. Otherwise, do you think you will be so comfortable just because you know the general history at a young age? The ancients wrote so well that they were deceived. The rest is bearable, but what kind of fuss is going on with a long monologue? We want to look at the communication between characters and the development of time. It is better to read a basically correct official history than to read a large section of specious popular science.

The dialogue between the eldest grandson and Li Shimin in the first few chapters is really poisonous. If you haven't read it, you can read the second and third chapters to see how poisonous it is.

I personally think that some readers read this novel as a historical record. If something doesn't fit your own view of history, you'll be more truthful. This is great academically, but be sure to note that this is a novel! Bingda Da still needs to emphasize the novel nature of this book. Everyone is very serious academically. So I personally think that there is no need to take it too seriously when reading this novel. Of course, if there are obvious errors, you still have to point them out. Let's take Buddhism for example! Some people think that Buddhism did a lot of harm to people in ancient times (is it similar to a pyramid scheme, where people are brainwashed by being locked in a room, and squeezed out of labor and money?) And should not be left alone. Although I don't understand the history of Buddhism, since I was a child, novels, animations, movies, and TV series have all emphasized the greatness, mystery, and goodwill of Buddhism to save all sentient beings. (However, I don't believe in Buddhism at all. I am a non-religious person.) Maybe there was something wrong with Buddhism in history. But his attitude and stance are that of kindness and justice, so his teachings or his positive publicity are widely publicized in current novels, movies, and TV series. On the contrary, there are very few bad things to say about Buddhism. However, historical novels must respect history and can be adapted. Everyone should regard it as another parallel world that is very similar to the history of the earth. I hope everyone will point out the mistakes in history, but those places that are inherently ambiguous in academic history should not be taken so seriously. It's okay to put forward your own opinions. But even more powerful words like "the author insults history" are unnecessary. No normal person would deliberately insult history. In a place where there are two (or even three) alternatives, there are already different opinions. If you are not satisfied, if you change it, others will be even more dissatisfied. So just tell me your views on history at this time. The tone could be a little better, and the attitude should not be so harsh, otherwise it would be easy to lose the rhythm. The author has to stand up and explain again, which feels really tiring. As for "Seeing this, I'm leaving" I can only say that it's better to abandon the book and delete it. Why leave a piece of shit when you leave? Words like these are easy to set the rhythm.

This book is okay, the literary talent is passable, and there are not many flaws. Come on, author.

In the past month or two, I am no longer writing novels, but narrating this fictional history, and then adding some of my own views on God's vision.